The setup of the stage was very simple. It was the living room of a home in the early 1980’s. It looked like a normal household, and it had small things such as crumpled up pieces of paper lying around the wastebasket. It also had a couch, circular class table and a recliner in the living room. The dining room was to the left side of the stage and only had the dining table and surrounding chairs. There was a door in the back of the set where characters entered and exited through. Beside the door was a table and stool where Willum presumably worked on his blueprints for the hotel. The lighting design was great; it put you into the atmosphere of the
The most successful aspect of the performance for me were the scene changes. I found that the rotation of the blackboard, center stage, where the actors were able to stoop beneath it in order to enter and exit the stage, was an effective touch to this non naturalistic performance. When this was first used, at the end of the first scene, when the characters Ruth and Al left the stage, I thought it didn't quite fit as at the beginning the style was leaning towards realism. But as the play progressed and the acting style became more and more non naturalistic, and this rotation of the black board technique was used more frequently it fitted in really well and became really effective.
Some other points that I thought about before going into the play was the stage set-up. I was able to hear from the producer of the show and see a model of what the Mabie Theater looked like. I was surprised how small the stage looked. It was of course a model but making judgments of the size by looking at the door frames that were stationed at the edges of the stage in comparison to the rest of the model. The steal structure, giving no walls to hide the actors behind the stage or waiting to enter, I was skeptical about. I was visioning some dancers in black leotards doing some interpretive dance because of the degree of modernized stage.
Throughout the musical, the prowess of each individual performer was on display. Every performer, with the exception of Kristine, expressed a power and vibrato that was breathtaking; the highest notes lilting and the lowest notes thundering. I was in awe during a majority of the performances because of the commanding singing in each performer.
When it came to the dialogue of the production and the understanding of it the performers again did an excellent job. Their gestures and vocal elements all aided in the production’s success and were all fittingly used by the characters. For example, when Lala was talking on the phone with Peachy she casually twirled the phone cord in her hand, leaned against the banister and childishly flirted with Peachy.
It is curious to see the great star of the musical Wicked on Broadway, Indina Menzel, giving her voice to a character in Disney’s Movie, Frozen. This movie, that is an example of success, has won many awards, among them the Oscar for the best animation movie and music. However, does a musical produced in a theater such as Les Miserables or Chicago have the same success and prestige as the movie version? The advance of technology in the field of cinema that has been possible to adapt and improve the stories of books, real facts, and of course, musical theater presentations, makes everyone think the answer is no. Hence, even though the musicals produced in theater and for movies are very similar in the presentations, they have certain differences, such as audience and production that make one more successful than the other.
Barbie, an American icon that was a product of the Mattel Company, revolutionized the lives of young girls and women for many decades. The creation of Barbie, meant for many young girls the opportunity to have choices during a time when women were limited. Although, Barbie has long been criticized for being associated with domesticity and her appearance among many other things, she is nonetheless an iconic figure in American History. As a female who grew up playing with Barbie dolls, for many people like myself, she was more than a toy, she was an influence that many woman have tried to emulate because she was an innovate figure in the 1960s and has continued to be well into today. The intention of this paper is to examine what were the intentions of Barbie doll creator Ruth Handler when the doll debuted in 1959 as well as the magnitude of Barbie’s impact on women and women’s history.
After a trip to Germany, Ruth Handler, the co-founder of the Mattel toy company, was inspired to create the Barbie doll. During Handler’s time in Germany, she discovered the Lili doll. This specific doll was intended for adult males, due to the doll’s wardrobe. Typically, the Lili doll was dressed in lingerie or swimsuits, portraying the image of a sexy young woman. After Handler learned about the Lili doll, she began to realize that her daughters did not have a doll that was not a baby figure. She believed the toy industry was training young women for what was customary, being a mom. Through Handler’s realization, the Barbie brand was created, in an attempt to change the toy business.
Overall this production was very interesting and well performed. It was somewhat enjoyable to the audience, there were times of boringness but the comedy kept the play interesting. The director did a great job of putting everything together and as a result everything was on point. The only thing to say that would better the play is to make the play more interesting to the audience so that the audience does not get tired of watching.
Every performance was presented with charm. The flashing, changing colors seem to go along with the performances. The director was humorous. The performers outfits were on point too. I liked the color coding of the vocalists, Jeremy, Jordan, and Rowan. Also, Julie wore a pretty suede dress and had a great voice. It was nice to see her come out for the 2nd time to sing. When Spencer kept playing his saxophone in some of the performances, it was just amazing. Some of my favorite performances were Sittin on the Dock of the Bay, Ain’t too Proud to Beg, In a Sentimental Mood, and more. It really made me feel like I was in New Orleans all over again. I absolutely love Otis Redding and The Temptations music, so I wasn’t new to these songs they played. I was sitting in the back (R-125) where I felt comfortable to bob my head to the music. If I ever come back to see another concert, I will make sure to get a seat in the back again. I adore Jordan that did sung the Temptations song. I thought it was exciting to see his enthusiasm while on stage keeping us engaged, but everyone did great in their own way. The song by Duke Ellington made me feel melancholy, the piece was soft. I just couldn’t believe how well everyone contributed and gave an outstanding