Roger Ebert: Chicago Sun-Times By Siskel

Roger Ebert is a famous Chicago Film-Critic who was born on June 18, 1942 and passed away on April 4, 2013. He also worked as a journalist, and a screenwriter. He worked for the Chicago Sun-Times from 1967 up until he passed away. He was very popular in the movie business and won many awards and had very high regards from his coworkers and peers. Some even consider him the most famous movie critic in the world. He was married to his wife Chaz Ebert for 21 years. Although he did get married his very first love definitely had to be films, the movie making industry, and journalism. He struggled with many things throughout his historic career as a movie critic and fought numerous battles throughout his long and vast life.

Ebert’s high school

This really gave an insight to what movie critics go through mentally when they are evaluating a movie. Some say that this helped movie producers get an inside edge on what they “should” produce for the audience and for the critics themselves. This changed the game for most producers, but his real impact was on the television screen.

The idea of the thumbs up thumbs down technique when it comes to reviewing movies is an everyday concept that seems as if it has always been around, but it hasn’t. Ebert and Siskel brought the concept to their show thinking it would be good to have a visual aid and something for the audience to get a feeling of participation in so they created the idea and it stuck. The concept is used on Internet movie review websites, on talk shows about movies, and even in everyday conversation. Giving a movie a “thumbs up” could technically be traced back to the Ebert and At the

The festival is called Roger Ebert’s Film Festival, but is usually referred to as Ebertfest, but Ebert wanted to originally call it the “Overlooked Film Festival”. This fest is a lot different than many other film festivals because as opposed to accepting submissions for movies to be played during the festival Ebert and the organizers of the fest would personally select the films. These were all films, as previously stated, as smaller no name films that had received no recognition. This reflects the type of person that Ebert was and showed his true stance on movies. He always felt that the smaller movies deserved a chance as well as the bigger ones and he did anything he can to fight for this sort of