In the twentieth century women did not have many rights. Women were expected to stay at home and do housework, cook food, have babies, and take care of them. Women was not supposed to be writers, Virginia Woolf and many other women overcame that standard. Virginia Woolf became a writer during this time and wrote about something she deeply cared about, feminism. Woolf’s work highlights women’s work, who does not have the rights or enough money to use it.
Virginia Woolf, in her novels, set out to portray the self and the limits associated with it. She wanted the reader to understand time and how the characters could be caught within it. She felt that time could be transcended, even if it was momentarily, by one becoming involved with their work, art, a place, or someone else. She felt that her works provided a change from the typical egotistical work of males during her time, she makes it clear that women do not posses this trait. Woolf did not believe that women could influence as men through ego, yet she did feel [and portray] that certain men do hold the characteristics of women, such as respect for others and the ability to understand many experiences. Virginia Woolf made many of her time realize that traditional literature was no longer good enough and valid. She caused many women to become interested in writing, and can be seen as greatly influential in literary history
Whatever the problematic implications, Woolf called for a new era where "[women] have the habit of freedom and the courage to write exactly what [they] think" (Woolf 113). She closed her treatise on a comment pointed at the female writers of her age: "I maintain that she [Shakespeare's sister] would come if we worked for her, and that so to work, even in poverty and obscurity, is worth while" (114).
Virginia Woolf spends much of her time straddling the issues in ?A Room of One?s Own.? She carefully manipulates the reader by burying her points in flowery language and assumes the identity of another person so she does not have to take responsibility for what she says. She is very careful not to come off as too forceful or angry because she knows that her ideas will be disregarded if she does. Woolf is terrified of having her words labeled as ?feminist? and of attracting the stigma that the label is surrounded by. She fully understands that ?women?s issues? ignite a deep-seated resentment in the hearts of men and is conscious of the fact that at her particular time in history this resentment is running high due to the war and the women?s suffrage movement. In her essay she tries extremely hard to avoid being ridiculed by men while at the same time sparking ideas in the minds of women. Woolf desires women to have money and a room of their own so that their so-called ?potential literary genius? has the opportunity to mature and develop. She believes that working towards getting women to question their socialization is bringing them closer to this eventual goal. Her work, however, is selfish and one sided at times, but understandably so.
Elizabeth led England during it’s greatest time of influence as a nation despite the prejudices against her gender. Many people believe that her life was like a fairy tale-“Beloved by the kingdom; dressed by servants in jewels and gold, silk and velvet; pampered and treasured by kings and married to princes”, but in reality her life did not come close to being a fairy tale. Many of her subjects hater her from the moment she was born. She experienced imprisonment, her sister threatened to kill her, and she was almost forced in marriages with men she hated. Some of her friends caused uprisings in her name. Her enemies tried to assassinate her. Her father had her mother beheaded and ignored her for most of her life. Although she had many suitors, she never loved any of them. She understood the common people and eventually gained the loyalty of those who hated her. She could also be ruthless. The city gates and London Bridge held the bodies of the people that she executed during her reign.
In talking about Virginia Woolf in the context of Julia Duckworth Stephen and feminism, I will start from the beginning of Virginia Stephen’s life. The idea of ‘Mother’ is a basic, recognizable concept in probably even the most primitive human cultures. Infants start separation of self and other with the body of Mother, since an infant gains a sense of ‘continuity of being’ from his or her mother’s attention. (Rosenman 12) From this definition of relationship-as-self, an infant finds her existence confirmed by feedback from her mother. In this manner, Julia is the first contact for Virginia with the rest of the world, and with all of womankind. Since Virginia will go on to have most of her important relationships with women, this is an important connection.
Virginia Woolf refuses the role society prescribes her. She stands up against glass ceilings, separate spheres, and double standards-cultural institutions that create and uphold a weaker sex. In her writing, specifically "A Room of One's Own," she manifests her contempt and bitterness by advocating "it is necessary [for women] to have five hundred [pounds] a year and a lock on the door if you are to write fiction or poetry" (769). However, to break and step above the institutions she criticizes, Woolf knows she cannot simply complain about her brothers' years at Oxford while she stayed home with tutors-that would lead an audience to believe "she has an axe to grind" (quoted in Bartholomae and Petrosky, 750). Rather, she must strive for the calm collectedness of her male academic counterparts. This presents a problem for Woolf: how does she convey the oppression of women-the passion behind her work-through an objective and level voice? She needed a vehicle that could be neutral yet emotional, provocative but wise. Ultimately, Woolf needed a mask: one that mimicked the reserved quality of men, yet allowed her to bare the thoughts of a woman subjected to society's mechanisms.
What I have discussed are two women authors that have faced trials in their lifetimes pertaining to feminism that society had forced upon them. We are given insight into the ways and values of their time and how these experiences influenced their writings. In conclusion, we can see how societal issues concerning the roles of women have differed in principles, but remain the same in the way that there is an unbroken tradition regarding how men and women differ in their roles as well as their perceived rights. Female writers and advocates of women’s rights show these influences with Mary Wollstonecraft using her strong personality and direct writings and Virginia Woolf using her narratives, and both giving us insight to the struggles of an ongoing debate.
In Charlotte Bronte’s Jane Eyre and George Bernard Shaw’s Pygmalion, it is quite evident that there are nonpartisan female protagonists. From Bronte’s mousy yet stubbornly autonomous Jane Eyre, to Shaw’s mouthy and determined Eliza Doolittle, it is obvious that these leading ladies are women who crave liberty. Throughout their respective stories, both Jane and Eliza change and grow into more confident individuals, while also gaining the freedom that they both so clearly want. Although a desire for self-improvement drives both Jane and Eliza to evolve into more confident women, they express their newfound independence in different ways.
Queen Elizabeth I of England
Elizabeth I, England's most famous monarch, grew up in difficult times. Elizabeth I was born September 7, 1533. She was the daughter of King Henry VIII and his second wife, Anne Boleyn. She was only two years old when she lost her mother (Carol 7). Anne Boleyn was beheaded by the order of her husband, based on false charges of adultery and conspiracy (10).