The Hours is about 3 women, Virginia Woolf,Laura Brown and Clarissa Vaughan who all have the same feeling in common. Each of the the women in three different time periods from in the 1940's, 1950's and the 1990's all share the thoughts of failure. Woolf thought she had failed as a writer, Brown thought she was a failure as a wife and mother, Vaughan also thought she was a failure as a writer. Each of the women also desired to escape out of their lives in the manner of suicide. Woolf's suicide was accomplished in the beginning of lthe story. Brown's attempt of suicide nixed by coming home and then later leaving her family. Vaughan's suicide thoughts was scrubbed when her friend Richard, fell to his death from a window because lhe was tired of living and he also felt that he was a faiiure.
"A woman's whole life in a single day. Just one day. And in that day her whole life." In Stephen Daldry's film "The Hours", one of the clearest, most poignant subjects is that of human mortality and our ever-present fascination with it.
Adapted from Michael Cunningham's Pulitzer Prize-winning novel by Director Stephen Daldry and playwright David Hare, The Hours was inspired by Virginia Woolf's 1925 novel Mrs. Dalloway. It is no coincidence that The Hours was the working title Woolf had given Mrs. Dalloway as she was writing it. The emotional trauma that this film guides its viewers through becomes evident in the opening prologue. The scene begins with Virginia Woolf composing what would be her suicide notes to her husband Leonard and her sister Vanessa, the two most important people in her life (Curtis, 57.) She begins: "I feel certain that I am going mad again: I feel we can't go through another of these terrible times... You have given me the greatest possible happiness.. ." The portrayal of this process quickly demonstrates the turmoil Woolf is feeling, both from her oncoming episode of "madness" and the difficulty she is having finding the correct words to say "farewell" (Lee, Hermoine). The prologue comes to its climax as Kidman portrays Woolf's suicide. It is a gut-wrenching display of one's "matter-of-fact" acceptance of one's own coming death. Very dramatically, Woolf fills the pockets of her coat with large stones and stoically walks into a swollen river. Her head slowly disappears beneath the muddy water as all hope of her reconsidering her suicide is swept away with the current.
The Window the Woman and the Heart
I read a story, after I finished reading it my mind was still reeling over what I had just read. Stories like this are quite impressive magnificent; they draw the reader into the story and leave them with a strong impact. How we interpret a text is in itself impressive, as every person is different, every interpretation is too. As I read “The Story of an Hour” by Kate Chopin, I could not help but notice that Kate Chopin uses the window to symbolize the future that Mrs. Mallard has been pinning for all her life. Chopin also uses Mrs. Mallard’s heart condition as a symbol of Mrs. Mallard’s marriage.
Welsh, Camille-Yvette. "Woolf, Virginia." In Bloom, Harold, ed. Virginia Woolf, Bloom's BioCritiques. Philadelphia: Chelsea House Publishing, 2004. Bloom's Literature. Facts On File, Inc. Web. 27 Apr. 2014
Marder, Herbert. Feminism and Art: A Study of Virginia Woolf. Chicago: The University of Chicago Press, 1968.
In talking about Virginia Woolf in the context of Julia Duckworth Stephen and feminism, I will start from the beginning of Virginia Stephen’s life. The idea of ‘Mother’ is a basic, recognizable concept in probably even the most primitive human cultures. Infants start separation of self and other with the body of Mother, since an infant gains a sense of ‘continuity of being’ from his or her mother’s attention. (Rosenman 12) From this definition of relationship-as-self, an infant finds her existence confirmed by feedback from her mother. In this manner, Julia is the first contact for Virginia with the rest of the world, and with all of womankind. Since Virginia will go on to have most of her important relationships with women, this is an important connection.
Throughout history, the unique human capacity and social construction, has pondered the dynamic system of death, in a perverse moral order. Composite English modernism pioneered an intricately developed account of contemporary literature, summoning both the self-conscious and unrelenting experimenters. Virginia Woolf’s literary standings in Mrs Dalloway, marked her own sense of artistic independence and maturity. The novel explores a radical disruption of linear flow, whilst deploying ambiguous juxtapositions to call into question the philosophical realms of reality. On the other hand, Stephen Daldry’s postmodernist film, The Hours, measures the inter-textual connection, as it seamlessly intersects the lives of three different women, whose
The heroines in both films also stand out for having remarkable professions, including the real estate, movie star, artist and writer, which is symbolic for defining women as the “maker of meaning”, rather than merely the “bearer of meaning” (Mulvey 305). Among these professions, the writer is outstanding for not only “narrat[ing] their life” (Marchetti 199), but implying their contributions to challenging the language system developed by males, which is quite significant in Mulvey’s view, because the language of patriarchy leads to the unconscious suppressing females. Although Laura Braun in the Hours leads a childbearing life, she keeps reading the novella of Woolf rather than the works by other male writers, which emphasizes on the significance of female's intervention in patriarchal language system and females as the important creator of the
depressed, and unhappy housewife and mother in 1949; and Clarissa Vaughn, an editor who’s preparing an awards party for her AIDS-stricken ex-lover and best friend, Richard Brown, in 2001. All three women in one form or another suffer from an extreme form of depression, known as melancholy. Illustrating the events, the women face in only one day, ultimately serves immense significance to the lives of the characters. The Hours, uses additional characters to portray the parallels of suicide and mental illness between the novel and film as well as to express the depth of the personal relationship within the two.