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Pleasure of Emotions
On The Pleasure of Hating by William Hazlitt he reaches out to an audience of the Romance Era in Great Britain to argue his belief that emotions are ever changing (save for the emotion of hatred). Whereas the emotion of hate is therapeutic and everlasting for the human mind. According to Hazlitt his hatred is the result of politics, religions, and the aristocracy of Great Britain. Ultimately, what Hazlitt hates most is that he did not have enough hate.
I believe Hazlitt wrote this piece to reveal the pleasures of hatred is in itself the pleasure of realism, sophistication and self-esteem to his peers of the Romantic Era to point out to them life is not always a soirée and glorious social gathering. In 19th century England, you must remember everything was about socialism. Everyone put on a politically correct face; life's unpleasantries went unspoken. Most all great writers of that time stuck with pleasant subjects such as love, beauty and the spoils of war. I believe Hazlitt said it best with "without something to hate, we should lose the very spring of tho...
While there are many different emotions, there is one that stands above all others; Hate.
Goldhagen's book however, has the merit of opening up a new perspective on ways of viewing the Holocaust, and it is the first to raise crucial questions about the extent to which eliminationist anti-Semitism was present among the German population as a whole. Using extensive testimonies from the perpetrators themselves, it offers a chilling insight into the mental and cognitive structures of hundreds of Germans directly involved in the killing operations. Anti-Semitism plays a primary factor in the argument from Goldhagen, as it is within his belief that anti-Semitism "more or less governed the ideational life of civil society" in pre-Nazi Germany . Goldhagen stated that a
When an emotion is believed to embody all that brings bliss, serenity, effervescence, and even benevolence, although one may believe its encompassing nature to allow for generalizations and existence virtually everywhere, surprisingly, directly outside the area love covers lies the very antithesis of love: hate, which in all its forms, has the potential to bring pain and destruction. Is it not for this very reason, this confusion, that suicide bombings and other acts of violence and devastation are committed in the name of love? In Toni Morrison's Song of Solomon, the reader experiences this tenuity that is the line separating love and hate in many different forms and on many different levelsto the extent that the line between the two begins to blur and become indistinguishable. Seen through Ruth's incestuous love, Milkman and Hagar's relationship, and Guitar's love for African-Americans, if love causes destruction, that emotion is not true love; in essence, such destructive qualities of "love" only transpire when the illusion of love is discovered and reality characterizes the emotion to be a parasite of love, such as obsession or infatuation, something that resembles love but merely inflicts pain on the lover.
“Something was wrong with a world that tells you that love is good and people are important and then forces you to deny love and to humiliate people.” P. 39
Timothy Brook’s book, The Confusions of Pleasure: Commerce and Culture in Ming China is a detailed account of the three centuries of the Ming Dynasty in China. The book allows an opportunity to view this prominent time period of Chinese history. Confusions of Pleasure not only chronicles the economic development during the Ming dynasty, but also the resulting cultural and social changes that transform the gentry and merchant class. Brook’s insights highlight the divide between the Ming dynasty’s idealized beliefs, and the realities of its economic expansion and its effects. Brook describes this gap through the use of several first hand accounts of individuals with various social statuses.
...der feel sympathy for the Jews, and to feel hatred towards the Nazi’s. Finally, racism is a situation that cannot fade away because people still feel hatred towards one another, like in the situation of the Holocaust.
Again, however, we are faced with a story, this time written after the fact, that sheds a negative light on an ideology. It seems Nathaniel Hawthorne did not want to endorse puritanism, but denounce it, denounce the abuse and contradiction it implied. Once more, we find a work that denigrates an established understanding of love. First, there was opposition to the courtly love tradition, now, we find opposition to the puritan love ideology. So far, we have only been willing to define love by what it wasn't, what we felt was a wrong way of doing things.
To this day it remains incomprehensible to justify a sensible account for the uprising of the Nazi Movement. It goes without saying that the unexpectedness of a mass genocide carried out for that long must have advanced through brilliant tactics implemented by a strategic leader, with a promising policy. Adolf Hitler, a soldier in the First World War himself represents the intolerant dictator of the Nazi movement, and gains his triumph by arousing Germany from its devastated state following the negative ramifications of the war. Germany, “foolishly gambled away” by communists and Jews according to Hitler in his chronicle Mein Kampf, praises the Nazi Party due to its pact to provide order, racial purity, education, economic stability, and further benefits for the state (Hitler, 2.6). Albert Speer, who worked closely under Hitler reveals in his memoir Inside the Third Reich that the Führer “was tempestuously hailed by his numerous followers,” highlighting the appreciation from the German population in response to his project of rejuvenating their state (Speer, 15). The effectiveness of Hitler’s propaganda clearly served its purpose in distracting the public from suspecting the genuine intentions behind his plan, supported by Albert Camus’ insight in The Plague that the “townsfolk were like everybody else, wrapped up in themselves; in other words, they were humanists: they disbelieved in pestilences”(Camus, 37). In this sense “humanists” represent those who perceive all people with virtue and pureness, but the anti-humanist expression in the metaphor shows the blind-sidedness of such German citizens in identifying cruel things in the world, or Hitler. When the corruption within Nazism does receive notice, Hitler at that point given h...
...e against a bitter emotion of a directly opposite kind: a sentiment of virulence… towards the idle aristocracy to which it had so recently been her pride to belong” (Hawthorne 51.) This different attitude towards the people that visited the shop is the first step in Hepzibah’s transition and provides the starting point in her induction of the middle class.
“And if you wrong us shall we not revenge?”. Eloquently, Shylock, a notorious Jewish character from Shakespeare’s Merchant of Venice, describes the mindset of many during the Holocaust. Despite the disgusting crimes committed every day during the Holocaust, the world refused to give up. Instead, from the safest corners of the world to the most perilous concentration camps, individuals rose up and opposed history’s most notorious regime.
(http://www.merriam-webster.com/) Love and hate are both very common obsessions. Obsession is one of the more general themes of these short stories, but the theme can be taken a step further and become more specific. There are multiple different themes for Poe’s works. Love and hate is one of these themes and is also the theme that is related to both “The Tell Tale Heart” and “The Cask of Amontillado”. Both stories use the elements of death, darkness, horror, coldness, dampness, fear, obscurity, and mystery to get the point and theme across. Obsession is shown in “The Tell Tale Heart” by the obsession with the eye even after the narrator killed the old man. Obsession is shown in “The Cask of Amontillado” with Montresor’s obsession with getting back at Fortunato. Another way obsession is shown is in way Montresor’s holds a grudge on Fortunato just because he insulted him once. Everything Edgar Allan Poe has written in these short stories was put there for a reason. So every sign that points towards the theme being love and hate was put there to show
Anger and hatred can be produced with such little integrity it is frightening. Adolf Hitler’s work, Mein Kampf, is filled with such fury and abhorrence. Millions of people bought into his ideas without even stopping to question the validity of his work. Considering at this time many Germans were freezing, starving and suffering from a huge economic depression not much had to be said to get people on Hitler’s side. Hitler makes many false statements and provides no evidence to back many of them, he simply finds the Jews as something to blame Germany’s problems on. In Hitler’s work he also contradicts himself on numerous occasions. If people had stopped to think about what Mein Kampf was really saying these falsies and mistakes would have been noticed.
For one Bendrix begins the book as a “Record of Hate” (1951, 1.I.1) for he “hated Henry – Hated his wife Sarah too” (1951, 1.I.1) yet he questions whether his “hatred is really as deficient as my love” (1951, 2.II.44) and later acknowledges that his “hate got mislaid” (1951, 4.I.107). For him it is merely the loss of love that creates what he perceives as hate, yet even this dissipates and is realised to merely be anger and unhappiness. For Sarah it leads her to hate herself as “a bitch and a fake” (1951, 3.II.75), who leads others to unhappiness and cannot herself face her true emotions. Love within the end of the affair seems to destroy the everyday Façade and leaves behind the worst parts of our personality’s for Bendrix it’s his jealous possessiveness for Sarah it is her lies. Yet one cannot hate without love as “hatred seems to operate the same glands as love” (1951, 1.III.19) an idea that explains Bendrix so well, as even in his hatred he is still
will happen. They say that after happiness is sadness, but after the rain there’s a rainbow right? How
The novel Night by Elie Wiesel, cartoon Tweets on Religious Intolerance by Angelo Lopez and Snake by DH Lawrence all display different forms of intolerance that is present in our society. Religious and racial intolerance is demonstrated via a number of literary and visual techniques such as figurative language and composition. Through the use of these techniques, the composers have each been able to present a new aspect of intolerance and teach the reader about inhumanities and cruelty that are imposed on the people around us.