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Representation of women in Shakespeare's plays
Hamlet characterisation
Hamlet characterisation
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Recommended: Representation of women in Shakespeare's plays
Intro statement/thesis: Good afternoon sir. It’s brought to my attention that the female characters in the play are portrayed in a different manner than the male characters, particularly Ophelia! I believe that Ophelia was portrayed in a sexist manner where she was seen as inferior than the male characters.
Point #1: Where this is seen is in act 1 scene 3 with Laertes saying goodbye to Ophelia and Polonius. Laertes warns Ophelia about Hamlet and her dad does the same. The difference here is that Polonius is kind of scolding her for believing that Hamlet actually loves her and tell her to cut ties with him. He makes her look like she’s dumb and isn’t considering her feelings, instead how’ll it make him look as a person. He’s not letting her make her own decisions and she should be able to do what she wants to with her life!
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Marry, I will teach you. Think yourself a baby.. Tender yourself more dearly… you’ll tender me a fool.” (I.iii.110-118)
Point #2: Another instance where she’s treated poorly is in the part where Claudius and Polonius set up Ophelia to meet up with Hamlet. He knows it’s a set up and he immediately insults her by calling her a “breeder of sinners” and tells her to go to a nunnery, which is misogyny! He basically calls her a slut. Hamlet shouldn’t disrespect her like that especially since she hasn’t done anything and she can’t do anything about it cause it wouldn’t be ladylike, according to the Elizabethan era.
Textual evidence:”Get thee to a nunnery. Why wouldst thou be a breeder of
During Hamlet, Polonius and Laertes use Ophelia for their own self-gain not taking her feelings in consideration. In the article “Jephthah's Daughter's Daughter: Ophelia,” Cameron Hunt reveals that Polonius disregards Ophelia’s wants for his ...
As the play opened, Hamlet and Ophelia appeared as lovers experiencing a time of turbulence. Hamlet had just returned home from his schooling in Saxony to find that his mother had quickly remarried her dead husband's brother, and this gravely upset him. Hamlet was sincerely devoted to the idea of bloodline loyalty and sought revenge upon learning that Claudius had killed his father. Ophelia, though it seems her relationship with Hamlet is in either the developmental stage or the finalizing stage, became the prime choice as a lure for Hamlet. Laertes inadvertently opened Ophelia up to this role when he spoke with Ophelia about Hamlet before leaving for France. He allowed Polonius to find out about Hamlet's courtship of Ophelia, which led to Polonius' misguided attempts at taking care of Ophelia and obeying the king's command to find the root of Hamlet's problems. Ophelia, placed in the middle against her wishes, obeyed her father and brother's commands with little disagreement. The only time she argued was when Laertes advised her against making decisions incompatible with the expectations of Elizabethan women. Ophelia tells him, in her boldest lines of the play:
Throughout theatrical history women have been portrayed as submissive to men. Shakespeare is no exception. However, in Shakespeare’s Hamlet, Ophelia seems to be so submissive she almost cannot think for herself. After all, “The name is probably a feminine derivative of the Greek name ‘Ophelos’ meaning ‘helper’(Findlay).Her name’s translation helps the theory that she is nothing but a submissive daughter, lover, and sister, but what if it’s all a clever act? Much like Hamlet’s “madness,” which the audience knows is all a façade to con Claudius and Polonis, Ophelia’s kind and innocent nature is merely a persona used to keep a kingdom of men from crashing.
...at accuse her of being a harlot. In fact he recommends her to enroll in a nunnery, which would imply that she was no better then a common tart. Hamlet constantly creates situations where Ophelia is torn between different obligations and therefore is always at fault according to him.
In William Shakespeare's Hamlet, the character of Ophelia is masqueraded as a demure, innocent, adolescent girl. However, the behavior disguised by this façade is much more interesting than we are led to believe. Throughout Hamlet, Ophelia is the target of numerous sexual innuendoes and later the confessor of her own sexual experience. When these occurrences become apparent, Ophelia no longer holds the virginal qualities we were once led to believe she possessed.
Polonius immediately calls to question Ophelia’s ability to reason with his opening remark, “I must tell you / You do not understand yourself so clearly.” (1.3.104-105). This statement along with his suggestion to, “Think yourself a baby” (1.3.114) in regards to how she feels about Hamlet show his commanding nature and instant mistrust of how Ophelia could possibly behave in the best way. Ophelia, to her credit, responds with a curt, “I shall obey, my lord” (1.3.145), which shows her maturity and respect by avoiding conflict through a calm demeanor. However, given how she responded to Laertes, this response also comes across as snide and mocking showing her independence through a resilient, almost defiant, statement. Ophelia, for the second time, faces immediate threats to her power over herself and deals with both calmly and intelligently by not provoking a reaction while still showing abject
In the play Hamlet Ophelia is portrayed as an innocent young woman who does not have a say in anything. All the men control Hamlet, her father Polonius, and her brother Laertes. She is portrayed as inferior to all of them and lets herself be pushed around by them. She is unable to convey her opinions or emotions throughout the play. The men dominate her thoughts and behaviors. In Hamlet, Ophelia’s obedience to her father and brother, along with her dismissal by Hamlet, reveals that women were not allowed to assert their opinions, emotions, or desires in a courtly setting.
Melancholy, grief, and madness pervade Shakespeare's great tragedy, Hamlet. The emotional maladies presented within Hamlet, not only allow the audience to sympathize with prince Hamlet, but also with the tragic lady Ophelia as well. It is Ophelia who suffers at her lover's discretion because of decisions she was obligated to make on behalf of her weak societal position.
Sweet and innocent, faithful and obedient, Ophelia is the truly tragic figure in William Shakespeare's Hamlet. "Her nature invites us to pity her misfortune caused not by any of her own self-initiated deeds or strategies"(Lidz 138). Laertes tells us convincingly how young and vulnerable Ophelia is, (act I. iii.10) likening her budding womanhood's destruction from Hamlet to a process as "the canker galls the infants of the spring,/ Too oft before their buttons be disclosed, /And in the morn and liquid dew of youth / Contagious blastments are most imminent". "He advises her to stay away and she lovingly banters back, typically like a young teen, reminding him to act as he advises" (Campbell 104). We then learn more of how pure and innocent she is as her father counsels her (Act I.iii.90). Telling her that she is a "green girl" and to think of herself as "a baby" in this matter, he insists that she must stop seeing him.
In 1600, William Shakespeare composed what is considered the greatest tragedy of all time, Hamlet, the tragedy of the Prince of Denmark. His masterpiece forever redefined what tragedy should be. Critics have analyzed it word for word for nearly four hundred years, with each generation appreciating Hamlet in its own way. While Hamlet conforms, without a doubt, to Aristotle's definition of a tragedy, one question still lingers. Did Shakespeare intend for the reader or viewer of Hamlet to feel greater sympathy for Hamlet, or for Ophelia, Hamlet's lover? Both characters tug at the heartstrings throughout the play, but it is clear that 'the tragedy of the Prince of Denmark' is a misrepresentation of Shakespeare's true intention.
In Elizabethan times, Ophelia is restricted as a woman. She is obedient to the commands of the men in her life although she often attempts to do the right thing. Polonius, Laertes, and Hamlet all have a grasp on Ophelia and who she is. She does not have the freedom to change her fate as Hamlet does. Shawna Maki states, “Ophelia’s life is determined by the whims of men who control her” (1). Polonius takes advantage of his relationship with Ophelia by using her to achieve a better relationship with Claudius. Polonius and Laertes teach Ophelia how to behave, therefore, abusing their power in allowing Ophelia to become who she wants to be (Brown 2).
Hamlet is solely focusing on Ophelia sexual organs, “‘nothing’ is what lies between maids’ legs” (222). Ophelia seems not to be offended by this language in the least bit, and her actions cannot accurately portray how the women of that time perceived it. In some senses Hamlet may be a misogynist character and Shakespeare gives readers a reason for it in which it might be excused. It might seem as if his mother’s sexuality has poisoned his own, and he declares in his soliloquy, “Frailty, thy name is woman!” (1.2.146). He views her sexual independence as a weakness and is appalled by her choice to remarry so soon after her husband’s death.
Despite Ophelia’s weak will, the male characters respond dramatically to her actions, proving that women indeed have a large impact in Hamlet. Her obedience is actually her downfall, because it allows the male characters to control and use her in their schemes. Ophelia’s betrayal ends up putting Hamlet over the edge, motivating him in his quest for revenge. Ophelia is one of the two women in the play. As the daughter of Polonius, she only speaks in the company of several men, or directly to her brother or father. Since we never see her interactions with women, she suppresses her own thoughts in order to please her superiors. Yet however weak and dependent her character is on the surface, Ophelia is a cornerstone to the play’s progression. One way that her manipulation is key to Hamlet’s plot is when Polonius orders her “in plain terms, from this time forth/ Have you so slander any moment leisure/As to give words or talk with the Lord Hamlet,” (1.3.131-133). She complies with his wishes, agreeing to return any tokens of Hamlet’s love to him, verify t...
Ophelia doesn’t have much of an assertive voice throughout the play, but still here character still largely influences the play. Ophelia is used by Polonius to spy on Hamlet, and prove that he is mad. Ophelia never stands up for herself, and assumes the role of a typical woman during the time period. She does as she is expected to , obey. She never defends herself from Hamlet’s harsh remarks either. She shows no defiance from her fathers order, Ophelia just acts as she is expected to. Ophelia is especially significant in the scene where Hamlet insults her and all women. In this scene Hamlet seems to know that Polonius is watching, and using Ophelia to spy on him. So Hamlet uses Ophelia, much like Polonius. Hamlet talks to Ophelia in such a way in this scene that he seems to insinuate things. Hamlet is able to insinuate that Ophelia perhaps isn’t pure, and may be pregnant with Hamlet’s child. During this scene is also the first time it is suggested that Hamlet knows about the death of the king. Ophelia appeared flawless up to this point. But now Ophelia is essentially like a battleground for Hamlet and Polonius. They both utilize her to say what they want to one another, and prove what they want. Both use her to their advantage. Hamlet also uses Ophelia to get the word out that he mad, after seeing Ophelia and acting crazy. Ophelia serves a tool for both Polonius and Hamlet...
He is essentially telling Ophelia how she should be behaving and reacting to her own situations. This is portraying her as a woman who cannot think for herself and is dependant on Polonius. In addition, Polonius’ death is the trigger to Ophelia’s insanity, because she depended upon him a great deal. When Ophelia is told by Polonius to never contact Hamlet again, she obeys Polonius, but Hamlet acts crazy in reaction to her denial. Ophelia says, “No, my good lord; but, as you did command, / I did repel his letters and denied / His actions to me.” (2.1.109-111) By doing everything Polonius tell her to do, she makes matters for herself worse. Ophelia cannot stand up for her...