Ophelia, in William Shakespeare’s Hamlet, represents a self-confident and aware female character. She analyzes the world around her and recognizes the multitude of male figures attempting to control her life. Her actions display not only this awareness, but also maturity in her non-confrontational discussions. Though she is demeaned by Laertes, Polonius, and Hamlet, Ophelia exhibits intelligence and independence and ultimately resorts to suicide in order to free herself from the power of the men around her.
Culturally, women have been expected to be soft spoken, gentle, delicate flowers. They should not question a man's opinion or go against their will. Ophelia, in William Shakespeare’s Hamlet, is an example of a young naive girl who faces the dangers that come from only following what others want, and not thinking for herself. The men in this play use her for their own benefit and she suffers the repercussions, which leads her to madness and “accidental” death.
In The Tragedy of Hamlet, Shakespeare developed the story of prince Hamlet, and the murder of his father by the king's brother, Claudius. Hamlet reacted to this event with an internal battle that harmed everyone around him. Ophelia was the character most greatly impacted by Hamlet's feigned and real madness - she first lost her father, her sanity, and then her life. Ophelia, obedient, weak-willed, and no feminist role model, deserves the most pity of any character in the play.
Hamlet: The Character of Ophelia
Concerning the Ophelia of Shakespeare’s tragic drama Hamlet, is she an innocent type or not? Is she a victim or not? This essay will explore these and other questions related to this character.
Rebecca West in “A Court and World Infected by the Disease of Corruption” viciously, and perhaps unfoundedly, attacks the virginity of Ophelia:
There is no more bizarre aspect of the misreading of Hamlet’s character than the assumption that his relations with Ophelia were innocent and that Ophelia was a correct and timid virgin of exquisite sensibilities. . . .
The rights of women are often greatly suppressed and seen as less important than the rights of men throughout all aspects of life. Since the beginning of human evolution, females have had to fight for equal treatment and have been discussed in several types of media and writing. It is not uncommon for female characters to be portrayed as being inferior to the male characters, especially throughout a variety of literature. Throughout the play Hamlet by William Shakespeare, it is indisputable that the female characters are often subservient to the male characters. Furthermore, the two female characters Gertrude and Ophelia are given limited power in their ability to make their own decisions, they often agree and obey to the thoughts and commands
Shakespeare’s Hamlet is set in the late middle ages, in Denmark. A time in history when women were not respected and thought of as the inferior sex. There are two women characters in Hamlet; Gertrude, Hamlet’s mother, and Ophelia, Hamlet’s love interest. Magda Romanska the writer of “Ontology and Eroticism: Two Bodies Of Ophelia”, argues that Ophelia represents the typical idea of women in the nineteenth century. I agree with this, but argue that it is not the only aspect of Ophelia’s character. Ophelia becomes the bearer of Hamlet’s hatred toward the world, and is also the character of lowest status because she is an average women. Ophelia surrenders herself to the cruelty of those around her, and sacrifices her sanctity to please and conform
William Shakespeare’s Hamlet is one of his most influential plays, and his character, Ophelia, is arguably the most iconic female in all of his plays. As the daughter of the King’s advisor, Ophelia is obedient and loyal to her father, Polonius, however after his murder, she descends into an insane, helpless woman. She eventually commits suicide by falling off a willow tree and drowning, and her death and events leading up to continue to be revolutionary. Lilly E. Romestant argues in her 2015 essay “Ophelia and the Feminine Construct” that Ophelia and her death is a significant influence to our society’s pop culture. She says, “Ophelia is immortalized through her own tragic circumstances,” which includes her decision to commit suicide and dependence
Ophelia as a Foil to Hamlet
In Shakespeare's tragedy, Hamlet, the audience finds a docile, manipulated, scolded, victimized young lady named Ophelia. Ophelia is a foil to Hamlet. Plays have foils to help the audience better understand the more important characters in the play. The character of Ophelia is necessary so that the audience will give Hamlet a chance to get over his madness and follow his heart.
In William Shakespeare’s Hamlet, women are oversexualized, and are given no role other than to be the item of a man’s desire. The promiscuity of the only two women in the play, Gertrude and Ophelia, detracts from their power and integrity, and allows Hamlet a certain amount of control over them. Gertrude’s sexual lifestyle is often mentioned by her son, Hamlet, and Hamlet uses his knowledge of Gertrude’s sexuality as a means to criticize her. Ophelia’s sexuality initially appears to be controlled by Laertes and Polonius, and Hamlet takes advantage of the naive image that she is required to keep. However, in her later madness, Ophelia taints this image by revealing that her innocence is feigned. By exposing the sexual natures of both Gertrude and Ophelia, Hamlet strips these women of any influence they may have had, and damages their once-honourable names.
Mack, Maynard. "The World of Hamlet." Yale Review. vol. 41 (1952) p. 502-23. Rpt. in Readings on The Tragedies. Ed. Clarice Swisher. San Diego: Greenhaven Press, 1996.