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The Tragedy of Lady Ophelia of Hamlet
Melancholy, grief, and madness pervade Shakespeare's great tragedy, Hamlet. The emotional maladies presented within Hamlet, not only allow the audience to sympathize with prince Hamlet, but also with the tragic lady Ophelia as well. It is Ophelia who suffers at her lover's discretion because of decisions she was obligated to make on behalf of her weak societal position.
Hamlet provides his own self-torture and does fall victim to melancholia and grief - his madness is feigned. They each share a common connection: the loss of a parental figure. Hamlet loses his father as a result of a horrible murder, as does Ophelia. Her situation is more severe because it is her lover who murders her father and all of her hopes for her future as well. Ultimately, it is also more detrimental to her character and causes her melancholy and grief to quickly turn to irretrievable madness.
Critics argue that Hamlet has the first reason to be hurt by Ophelia because she follows her father's admonitions regarding Hamlet's true intentions for their beginning love. In Act 3, scene 1, line 91 Hamlet begins with his malicious sarcasm toward her. "I humbly thank you, well, well, well," he says to her regarding her initial pleasantries (Johnson 1208). Before this scene, he has heard the King and Polonius establishing a plan to deduce his unusual and grief-stricken behavior.
Hamlet is well aware that this plan merely uses Ophelia as a tool, and as such, she does not have much option of refusing without angering not only her busybody father but the conniving King as well. Hamlet readily refuses that he cared for her. He tells her and all of his uninvited listeners, "No, not I, I never gave you aught" (lines 94-95). Some critics stress, as does J. Dover Wilson, that Hamlet has a right to direct his anger to Ophelia because even though many critics "in their sympathy with Ophelia they have forgotten that it is not Hamlet who has 'repelled' her, but she him" (Wilson 159). It is possible that Wilson does not see the potential harm to Ophelia should she disobey her authority figures (i.e. her father and her king). Furthermore, Ophelia cannot know "that Hamlet's attitude toward her reflects his disillusionment in his mother . . . to her, Hamlet's inconstancy can only mean deceitfulness or madness" (Lidz 158).
In Salem Massachusetts, during the summer of 1692 a tragedy occurred that continues to mystify our country. The Salem witchcraft hysteria leaves us with many questions as to what really happened in this small Puritan town. Starting with a small group of young girls trying to read the messages of the future in egg whites, ended with around 19 deaths and over 100 innocent people found guilty of practicing witchcraft. In this Taking Sides Issue 1.4, Paul Boyer and Stephen Nissenbaum argue that the Salem witchcraft hysteria of 1692 was prompted by socioeconomic tensions, along with conflicts between ministers and their congregations, loss of lands, and the division of residence in the Salem Town and the Salem Village. While Laurie Winn Carlson
Living in an environment of deception and hostility, the reader can easily identify with Hamlet's anger. Most all compassionate audiences will be sympathetic to his plight. However, the origins of Hamlet's vehement actions toward his once beloved Ophelia can be debated from several different points of view. Whatever his reasoning may be, it is probably correct to assume that he regrets deeply every harsh world spoken toward Ophelia. He only realizes again what a beautiful and kind person she was- after her death.
Carlson, Laurie M. A Fever in Salem: A New Interpretation of the New England Witch Trials. Chicago: I.R. Dec, 1999. Print.
The history of the trials began in the New England village of Salem, Massachusetts, late 1692.Two young girls, bored with their restrictive lifestyle and repressive routines, became interested in the folksy customs of Tituba, the family’s black slave. The malignant phenomenon began with Elizabeth Parris and Abigail Williams, the daughter and niece local Puritan minister Samuel Parris'. At first Tituba, the family's black slave, introduced the girls to simple spells and tricks (Starkey 30). As news spread to the village girls about the unfamiliar excitement, a major contrast to the boredom and humdrum of village life, Tituba’s audience numbers began to swell (31). Betty and Abigail decided to try an old fortune telling trick of breaking an egg in a glass of water to discover the occupation of their future husbands. Despite the seeming innocence of the trick, Abigail’s egg formed a coffin shape and both girls, frightened by the haunting results, began thrashing and having hysterical fits. More girls, including Ann Putnam (12) and Elizabeth Hubbard (17), began falling ill, having fits, hiding, and chanting. Suspicions of witchcraft and evil immediately arose. As m...
As the play opened, Hamlet and Ophelia appeared as lovers experiencing a time of turbulence. Hamlet had just returned home from his schooling in Saxony to find that his mother had quickly remarried her dead husband's brother, and this gravely upset him. Hamlet was sincerely devoted to the idea of bloodline loyalty and sought revenge upon learning that Claudius had killed his father. Ophelia, though it seems her relationship with Hamlet is in either the developmental stage or the finalizing stage, became the prime choice as a lure for Hamlet. Laertes inadvertently opened Ophelia up to this role when he spoke with Ophelia about Hamlet before leaving for France. He allowed Polonius to find out about Hamlet's courtship of Ophelia, which led to Polonius' misguided attempts at taking care of Ophelia and obeying the king's command to find the root of Hamlet's problems. Ophelia, placed in the middle against her wishes, obeyed her father and brother's commands with little disagreement. The only time she argued was when Laertes advised her against making decisions incompatible with the expectations of Elizabethan women. Ophelia tells him, in her boldest lines of the play:
Edward V was born in sanctuary of Westminster Abbey, on November 2, 1470, while his father, Edward IV, was exiled in Burgundy. His mother, Queen Elizabeth Woodville...
Many of the American colonists brought with them from Europe a belief in witches and the devil. During the seventeenth century, people were executed for being witches and follower of Satan. Most of these executions were performed in Salem, Massachusetts in 1692. Mostly all of the accused were women, which makes some modern historians believe that the charges of witchcraft were a way of controlling the women who threatened the power of the men. During the witchcraft trials, hundreds of arrests were made, and some were even put to death on Gallow’s Hill (Karlsen 145). In 1698, the villagers of Salem won the right to establish their own Church. They chose the Reverend Samuel Parris as their minister. Many of the villagers were then sorry that they had done so because of his harsh demands. They then vowed to force him out. There was much pressure surrounding the Parris family. The children of the family would entertain themselves by listening to stories told by Tituba, their slave (National Geographic). January of 1692 is when the mass hysteria of the Salem witch trials first began. The Puritans of this time were very harsh, unyielding, and quick to judge. They condemned innocent women on the basis of intangible evidence, confessions, and such things as "witchmarks" (Hill). As Dorcas Hoar said, "I will speak the truth as long as I live" (Salem Home Page). Nine year old Betty Parris and eleven year old Abigail Williams, the daughter and niece of Reverend Parris, were the first to start to display signs of strange behavior. Some of this behavior included profane screaming, convulsive seizures, trance-like stages, and unexplainable animal-like noises. Shortly after this, other Salem girls began to demonstrate this same behavior. (Salem Home Page). The girls’ torment "could not possibly be Dissembled", stated Cotton Mather (National Geographic). Unable to determine any physical cause for the symptoms and behavior, doctors concluded that the girls were under the influence of Satan. Prayer Services and community fasting were organized by the Reverend Samuel Parris in hopes of relieving the evil forces that supposedly plagued the community. Efforts to expose the witches were also performed. The first three women to be identified as the source of the problem were Tituba, an Indian slave, Sarah Good, and Sarah Osbor...
The Salem, Massachusetts Witch Trials have generated extensive evaluation and interpretation. To explain the events in Salem, psychological, political, environmental, physical, and sociological analysis have all been examined. The authors Linnda Caporael, Elaine Breslaw, Anne Zeller, and Richard Latner all present differing perspectives to speculate about the events of the Salem Witch Trials. This changing interpretation and perspective has resulted in an extensive historiography to explain the
was about to be crowned King of England Edward ran in and said that he was the true King.
In Hamlet, one of the many things Shakespeare shows us is how the world can change a person, how certain circumstances can knock a person so out of proportion with who they used to be that they take on a new persona, a new identity. One such character is Ophelia, a young, innocent girl, who, throughout the play is torn between father and lover, accused of not being as innocent as she seems, and finally driven to insanity. In the end, she is driven to suicide, an innocent victim of the world around her.
The volume of works that Shakespeare wrote over the course of his lifetime was extensive. In that volume are stories that have influenced so many stories written later, stories that have influenced how many define things like love. Romeo and Juliet is perhaps his best-known work and defined western civilization's concept of love for generations. While slightly lesser known, Hamlet has had much the same degree of impact. This revenge tragedy truly defines the genre and opens up dialogues to many things, like madness. It is often the madness of Hamlet that is delved into but Ophelia too went mad in the end. While her father's murder at the hands of Hamlet undeniably contributed to her suicide, it was not the sole cause. Ophelia was driven to suicide by the way the men in her life treated her.
The story of Hamlet is a morbid tale of tragedy, commitment, and manipulation; this is especially evident within the character of Ophelia. Throughout the play, Ophelia is torn between obeying and following the different commitments that she has to men in her life. She is constantly torn between the choice of obeying the decisions and wishes of her family or that of Hamlet. She is a constant subject of manipulation and brain washing from both her father and brother. Ophelia is not only subject to the torture of others using her for their intentions but she is also susceptible to abuse from Hamlet. Both her father and her brother believe that Hamlet is using her to achieve his own personal goals.
The reader is left guessing on Hamlet’s true feelings for Ophelia through his various insults, sexual innuendos, and admitted desire. Hamlet’s claim, “God hath given you one face, and you / Make yourselves another.” (3.1.155-156) is laced with irony and hypocrisy given Hamlet’s own deception regarding true feelings. This proclamation comes at the end of a lengthy tirade against Ophelia and womankind in general for their conniving deceit leading men astray. The fact that Hamlet cannot see this duplicity in his very own actions shows the double standard he holds for females. Ophelia’s immediate reaction is one of shock and defense due to the aggressive nature of Hamlet’s attack. She calls out “O, woe is me!” (3.1.174) in distress to the ferocity of Hamlet and is unable to form a particularly coherent response akin to the ones seen against Laertes and Polonius. She does show her intelligence and rebellion from this assumption of power by Hamlet in her songs while Hamlet is gone. While many attribute her madness to the death of her father, a large portion of her instability should be attributed to Hamlet and his earlier actions. In her first introduction as insane she sings, “And I a maid at your window, / To be your Valentine. / Then up he rose and donned his clothes / And dropped the chamber door, / Let in the maid, that out a maid / Never departed more.” (4.5.55-60). Due to her references to sexuality and deceit the
Two of Ophelia’s difficulties arise from her father and brother. They believe that Hamlet is using her to take her virginity and throw it away because Ophelia will never be his wife. Her heart believes that Hamlet loves her although he promises he never has (“Hamlet” 1). Hamlet: “Ay, truly, for the power of beauty will sooner transform honesty from what it is to a bawd than the force of honesty can translate beauty into his likeness. This was sometime a paradox, but not the time gives it proof. I did love you once.” Ophelia: “Indeed, my lord, you made me believe so.” Hamlet: “You should not have believed me, for virtue cannot so inoculate our old stock ...
In Hamlet, Ophelia is unaware of the evil is spreading around her. She is an obedient woman, and is naive in that she takes what people say at face value, which makes her an innocent lady. "You should not have believed me, for virtue/ cannot so inculate our old stock but we shall relish of/ it. I loved you not." (III.ii. 117-119). Hamlet says these lines as a mask of his madness, but Ophelia does not understand his true motives and takes Hamlet's words very seriously to heart. The words that Hamlet says to Ophelia both confuse and hurt her greatly. Hamlet's lines are what eventually lead Ophelia to insanity, and Ophelia's insanity is what causes her death by drowning.