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Evolution of mtv
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MuchMusic is a Category A specialty channel in Canada. As defined by the CRTC, “specialty television services are offed on a discretionary basis” and are complementary to general interest programming (Armstrong, 2010). In the past, the network belonged to CHUM Limited, however, it was recently acquired by Bell Media in 2011. As the world adapted new technologies and innovation, forces like YouTube (among many others) made it harder for music video based networks like MTV to compete, as YouTube delivered an immediacy and a social component that was hard to replicate over television. Today, music video based networks are going through many changes, particularly in terms of their programing styles. Most notably, MTV made the decision to stop playing all music video content in exchange for playing lifestyle and reality TV (Collins, 2010). Clearly, this model has served well for MTV from a business standpoint, but they’ve certainly paid a high price, turning their backs on the foundation on which their network was built on. MTV no longer continues to enhance America’s connection with music, but simply provides, low-brow, low-budget reality TV. It’s true that because of new technological advances, the demand for music video TV has significantly decreased. The only way for MTV to stay relevant was to evolve. MTV might be cashing in on a current TV trend, but there are ways to grow without completely abandoning music. In Canada, MuchMusic is going through a similar identity crisis. Therefore, this paper will strive to recommend a few options on how MuchMusic should evolve their programming style – while remaining a competitive network that continues to contribute to Canada’s cultural diversity.
Background
In a case study, I did a thoro...
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...dcasting policy in Canada. Toronto: University of Toronto Press.
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Collins, S. (2010, February 13). MTV drops 'Music Television' from official logo. Los Angeles Times. Retrieved April 3, 2014, from http://articles.latimes.com/2010/feb/13/entertainment/la-et-branding13-2010feb13
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As celebrities stand distinctively among the masses and cast out their halos of personality charm and strong suits of skilled abilities, the controversies about them are unavoidable shadows created from their fame. With the popularization of celebrity culture, information synchronization, and communication technology, their lives are publicly exposed and various forms of media (depending on eras) record their flaws. Tough information transmitted to audiences are frequently biased, evidences of objective reality remains, even in the remote past.
In assessing the impact and effect of popular cultural forms like MTV, it is important to acknowledge the extent to which, rather than having them imposed upon us, we may instead appropriate or assimilate parts, whilst choosing to reject or ignore the rest. This, of course, has the consumer or viewer acting (or perhaps more accurately interacting) as opposed to simply passively receiving (Philo par 16).Even though critics of MTV stand strongly against the passive consumer, th...
Such accusations are nothing new for MTV; people have been blaming the station for the decline of human existence for as long as I can remember. Yet, the anti-MTV finger-pointers only wag their pointy fingers because MTV is such a prevalent cultural force. MTV has become so pervasive in our culture that contemporary teenagers are sometimes referred to as the MTV generation. Many argue that MTV merely reflects the amorality of our modern society and do not see that it could have a positive impact on society. But, since I rather enjoy music television and believe it can have a valid role in modern culture, I argue that MTV certainly is a powerful cultural force, but it could, and should, be a positive force (rather than the negative one it so often is) in creating positive gender roles an...
celebrity may be found in the words of one of America’s Founding Fathers, John Adams, who wrote, ‘‘The rewards . . . in this life are steem and admiration of others—the punishments are neglect and contempt. The desire of the esteem of others is as real a want of nature as hunger—and the neglect and contempt of the world as severe as a pain.” (Price, 463). The author suggests that fame is not at all w...
In all quarters of the globe, you can see some form of popular (pop) culture shape an individual's behavior, sensibility, and perspective on life. Every culture, religion, and ethnicity has changed over time under the influence of pop culture whether it is based on food, clothing items, or simple values and beliefs. Dr. Lawrence Rubin describes popular culture as a, “...banality, it certainly seems meaningless...even potentially destructive. However, if instead we recognize that it is simply an expression of our collective experiences, its importance becomes more clear” ( Popular Culture: We are what we consume,2009). Yet, current pop culture can be seen as a heterogeneous social conception. Particularly, it is always changing and what’s new today will be old by tomorrow. Famous celebrities and latest trends of designs and
Many scholars have a notion that children and teens are highly susceptible to being influenced by the media due to their lack of real world experiences (Scharrer, 1957). With such a high population of young people in Canada we must be aware of the content broadcasted through mass media to encourage a more “Canadian” youth. Canadian television, films, and radio alike are often compared to that of American media, which contains highly identifiably American substance. Thus, Canadian identity and culture is greatly influenced by content derived from the USA. Otherwise, Canada has rich and diverse culture with its own economic systems, political ideologies and processes, ways of life and social mores (StatsCan, 2013). Therefore, it is up to Canadian regulations to motivate its citizens towards embracing a more Canadian identity and deter from Americanization. This paper will explore ways in which the Canadian music industry will help define and influence national identity as well as the political and societal benefits that will accompany implemented regulations. . Regulations of Canadian content defined using the MAPL system should be implemented by the CRTC to support Canadian ingenuity, values, and politics in order to form a more homogenous Canadian identity through music.
On August 1st, 1981, the music industry ventured into the realm of television and transformed the way music is received today. A new network station called MTV, arrived on air for the first time. The production opened with a relatively old song called, “Video Killed the Radio Star,” by the Buggles. The industry for music on television introduced new bands and artists, and revived the fame of veteran musicians such as the Buggles, after their appearance. The fad brought a surplus of money to MTV and gave a voice to the young controversial generation of the 80s.
When the documentary was produced, media exposure was limited to private and expensive mediums such as television, movies and radio. These outlets were plagued with marketing agendas designed to sell products under the guise of authentic music and entertainment. Formerly non-existent cultural archetypes such as the boy band, pop diva, and gothic artist were created and promoted by corporations with the intent to profit from their fame. This systematic fabrication of teenage culture was achieved through the monopolization of popular media by people and companies with money. This created a narrow and one-dimensional mainstream cultural media, limiting the prefere...
By 1984 the audience had grown to 22 million, the age range was between 12 and 34, and advertising revenue had reached over one million dollars a week (Kaplan). MTV’s golden age was between the years 1981 to 1992, it began with a very gimmicky way to fill the cable channel. MTV was seen as a random thing that was made to fill up some space within television . Their content cost them nothing, and at this time period music videos were free advertisements, so it was very easy to profit off of them. By the end of 1983, the channel had profited an estimate of $20 million in advertisement revenue. In 1984 the channel made more than one million dollars a week just from advertising revenue alone, with an audience of 18 to 22 million. (Kaplan) MTV had 100 videos to show and planned to get the rest of these videos for free. The new acts MTV presented had to be outrageous or beautiful, showy videos, and with this channel came new stars such as Duran, Duran, and Madonna. Almost none of the artists were American, they were mostly Canadian. The mood of the videos that were being shown were very Monty Python-esque videos. The rise and popularity of MTV created a whole new generation of artist that would have never existed if it weren’t for these first few music videos in the
when we, the monster consumers of music, decide to take our interest to the next
This question is about what is the promised value that Rhapsody will delivered and be experienced by the customer that is serviced by the online music company. Furthermore, is the value that is to be delivered to the customer/user attractive enough to purchase over the competition, beyond simply looking at the idea of subscription music as “appealing”.
In just about every home in America at just about any given time the words: “It all sounds the same these days!” is uttered to a teenage child, while the mother is screaming “Turn it down!” in the background. The teenager storms to his bedroom and turns the radio up to full volume and thinks, “They just don’t get it!” Then proceeds to dance around the room singing into the hairbrush. This is the pleasure principal of pop music. Whether accredited to innocence or ignorance, a unreconciled naivety has survived this culture since its inception. They’re everywhere. We cannot escape the wrath of teen pop bands, you can love ‘em or hate ‘em, but they are a representation of an ever changing culture.
Havrilesky, Heather. “Stalking Celebrities.” Remix: Reading and Composing Culture. Ed. Catherine G. Latterell. 2nd ed. Boston/New York: Bedford/St. martin’s, 2010. 446-450. Print.
The mass media industry is a collection of companies that produce and supply television, radio and printed media to a large audience of customers. In this report, I will analyze a diverse collection of mass media firms composed of The Walt Disney Corporation (DIS), Viacom Inc. (VIAB), Time Warner Corporation (TWX) and Regal Entertainment Group (RGC). The mass media industry is growing immensely and the average annual growth rate for the worldwide broadcasting and cable TV is showing a growth of 27% annually, and an industry wide 5.6% annual growth rate over the next five years . However, due to a global shift towards digital media, the mass media industry faces many obstacles that certain corporations must overcome.
In conclusion I believe celebrities have truly influence pop culture in today’s society. Within this essay I have mentioned the many different influences that celebrities have on their fan, popular culture and society at whole. These both negative and positive influences are include in the various aspects of pop culture such as behaviour language and fashion trends. This shows that popular celebrities and pop culture play a large impact on our daily