Saturday, April 7, 2018 at 8:00 PM The University of Michigan Dance Department Masters Candidate Fabiola Torralba presented the piece Materia Obscura. The work was danced and created in collaboration with Luby Bing-Ying Lu, Victoria Briones, LJ Foust, Spencer Haney, Shannon Nulf, And Craig White. The piece was performed without an intermission and the choreographer is I’ve worked diligently over the past few months. Torralba ‘s work is amazing, necessary, and thought-provoking.
Materia Obscura is the piece that exhibits an understanding of the responsibility to tell the stories of the marginalized. This work only partially tells the story of the Afro Mexican communities of the Pacific coast. This community is highly study but it remains in
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The piece opens with traditional African music and word visuals. There is then silence Fabiola is on stage myself dressed in a new tank top with a white flowing skirt and what it looks to be either a veil or net with beads on the end. The sound of the beads hitting the floor and the sound of the net being swung around creating a wind like sound was the music. Her motions seem to mimic fishing as she and the net twirled around the space. This is important to how dances in African route cultures tend to incorporate everyday life activities and every day tools as instruments. There is traditional Mexican music played during the piece. During the piece the dancers’ body movements are that of jerking and ticking as though they have been possessed. This is a reoccurring image throughout the piece. I noticed throughout their performance they use their breath to enhance the performance but also as a signal to one another. One section of the piece the background sound is of wind whipping and the people on stage begin to aggressively move across the stage but this time as though they’re being blown or thrown around. The Pacific Coast is an area that is prone to natural disasters and the area is rarely given much assistance on the backside of these
Islas, Arturo. From Migrant Souls. American Mosaic: Multicultural Readings in Context. Eds. Gabriele Rico, Barbara Roche and Sandra Mano. Boston: Houghton Mifflin Co. 1995. 483-491.
Blackwell was able to conduct with the pioneering Chicana activist and theorist Anna NietoGomez, along with the members of Las Hijas de Cuauhtémoc. She talks about the families of Anna NietoGomez, Corinne Sanchez, and also Sylvia Castillo; and what brought them to activism. She uses Foucault’s archaeology of knowledge to help understand the ways in which the Chicanas have been omitted from the social histories of the Chicano and women’s movements.
As you read you can picture his settings and characters. For the purpose of this book review, the reader will discuss how a migrant community in search of the “American Dream” encounters the “American Nightmare” as described by Tomás Rivera in his novel, “ …And the Earth Did Not Devour Him.”
In Sueños Americanos: Barrio Youth Negotiating Social and Cultural Identities, Julio Cammarota studies Latina/o youth who live in El Pueblo, and talks about how Proposition 187, the anti-immigrant law, is affecting Latina/o youth in California (Cammarota, 2008, p. 3). In this book review, I will write about the two main points the author is trying to get across. The two main points I will be writing about are how Proposition 187 is affecting the Latina/o community, and about how Latina/o youth are copping in the El Pueblo barrio. Afterward I write about the two main points the author is trying to get across, I will write a brief description of the author and write about the author’s strengths and weaknesses.
In the years following the Spanish conquests, the southwest region of the United States developed into Spanish colonial territory. Indians, Spaniards, and blacks occupied this territory in which the shortage of Spanish women led to the miscegenation of these cultures. The result of mixing these races was a homogenization of the people of various cultures that came to be called mestizos and mulattos who, like present day Mexican Americans, inherited two distinct cultures that would make their culture rich, yet somewhat confusi...
Keen, Benjamin. 1969. The Black Legend Revisited: Assumptions and realities. The Hispanic American Historical Review. volume 49. no. 4
Print. The. Fernandez, Lilia. "Introduction to U.S. Latino/Latina History. " History - 324 pages.
Torres, Hector Avalos. 2007. Conversations with Contemporary Chicana and Chicano Writers. U.S.: University of New Mexico press, 315-324.
This book as mentioned before is a great addition to academia; Dr., García’s thorough research, and vast amount of statistics, give new light to the Mexican immigration into the United States in the nineteenth century, As well as the many contributions of the Mexican people in this country. Which has many times been overlooked by scholars, who choose to focus on immigration from the other side of the Atlantic, as the greater contributor of talent and greatness in this country. García’s book not only includes the struggle of men but also the struggle of the many women who sacrificed much, and had to endure even more while working as domestics for many racist patronas. Dr., Mario García obtained a PhD. At the University of California in San Diego, and is currently a professor of Chicano/Chicana studies at the University of California in Santa Barbara.
Crouch, Ned. Mexicans & Americans : Cracking The Cultural Code. NB Publishing, Inc., 2004. eBook Collection (EBSCOhost). Web. 21 Nov. 2011.
The struggle to find a place inside an un-welcoming America has forced the Latino to recreate one. The Latino feels out of place, torn from the womb inside of America's reality because she would rather use it than know it (Paz 226-227). In response, the Mexican women planted the seeds of home inside the corral*. These tended and potted plants became her burrow of solace and place of acceptance. In the comfort of the suns slices and underneath the orange scents, the women were free. Still the questions pounded in the rhythm of street side whispers. The outside stare thundered in pulses, you are different it said. Instead of listening she tried to instill within her children the pride of language, song, and culture. Her roots weave soul into the stubborn soil and strength grew with each blossom of the fig tree (Goldsmith).
Armando Rendon in his landmark 1970 wrote the book I am a Chicano. This book is about how activist in the Chicano movement pointed to an empty monolog of the word Chicano. Chicano means an activist. Chicanos describes themselves it was a form of self-affirmation; it reflected the consciousness that their experiences. Chicanos means, nations, histories, and cultures. This book talks about how Mexican American also used the term of Chicano to describe them, and usually in a lighthearted way, or as a term of endearment. In a text it talks how Chicanos haven’t forgotten their Mexican origins, and how they become a unique community. The book talks about how Mexican American community’s long-suffering history of racism and discrimination, disenfranchisement, and economic exploitation in the United States. The
Bibliography:.. Becoming Mexican-American by George Sanchez, Oxford University Press, Inc. 1993.
As the Hispanic Caribbean has evolved it has managed to grow and thrive beyond belief, whether one is discussing art, music or just the culture alone the Hispanic Caribbean is truly reaping the benefits of allowing themselves to be influenced by many other cultures. While the Hispanic Caribbean is thriving they are still facing the many new found struggles that come along with the territory of becoming more affluent as well as more accepting to other cultures and their beliefs. Often with the growth of large proportions comes many problems, problems also can come about when incorporating of different cultures as a whole as well as just bringing in their beliefs and mannerisms. None the less it can be argued that the struggles being faced in
The ethnic- Mexican experience has changed over the years as American has progressed through certain period of times, e.g., the modernity and transformation of the southwest in the late 19th and early 20th century, the labor demands and shifting of U.S. immigration policy in the 20th century, and the Chicano Civil Rights Movement. Through these events Mexican Americans have established and shaped their culture, in order, to negotiate these precarious social and historical circumstances. Throughout the ethnic Mexicans cultural history in the United States, conflict and contradiction has played a key role in shaping their modalities of life. Beginning in the late 20th century and early 21st century ethnic Mexicans have come under distress from the force of globalization. Globalization has followed the trends of conflict and contradiction forcing ethnic Mexicans to adjust their culture and combat this force. While Mexican Americans are in the struggle against globalization and the impact it has had on their lives, e.g., unemployment more common, wages below the poverty line, globalization has had a larger impact on their motherland having devastating affects unlike anything in history.