Conversations with Indie Filmmaker Maria Munro

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Before I made my trek to Vancouver back in November, I had the opportunity to interview a wonderful indie filmmaker team--Ross and Maria Munro. I was only able to publish my interview with Ross before I left, and I am incredibly pleased to now share my chat with his lovely wife, Maria. As one who is involved with the marketing/production side of films, Maria was able to share her own unique opinion concerning her views about and her experience with the indie film scene.

RH: It is great how I recently talked to your husband, and now I get to talk to you, Maria.

MM: Thank you so much for the opportunity.

You're welcome. {pause} As I was l looking over what you've done, it looks like you've mainly been involved as a producer, art designer, costume designer--that seems to be the end you've handled. How did you get involved with doing this in the entertainment business?

I started off with architecture. That was what I studied. Then things changed in my life, and I decided years later that it was time to try something else. So I decided to become a graphic designer. Then I came to Canada and worked as a graphic designer in a company for years. But I was getting uninspired, and I knew I needed a change, but I didn't know what to do. It was a point …show more content…

With a scripted feature film, you have a script to follow. You have to set up the shots, the costumes, the props, the sets, how many days you need for filming. It's a little more structure, and it's a little bit more rigid in that way. With a documentary, things come up that you may not have thought of in the beginning. It can be a bit more flexible. But with A Legacy of Whining, it was more, "We have to do this, and we have to do it at this time." We needed to have everything that was needed so we could shoot when we were supposed to. So it's completely different. And I love both

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