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Ancient Greece and Roman Empire architecture
Contemporary architecture with greek influence
Contemporary architecture with greek influence
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Recommended: Ancient Greece and Roman Empire architecture
Throughout the past 4000 years, design styles have changed due to changing climates, influence of religions and wars and politics. The Ancient Egyptians provided the building blocks for the following styles such as the Romans and Greek . Beginning with the Ancient Egyptians around 3100 B.C. furniture and buildings were very lavish and ornate with a lot of solid gold and with everyday household items having impressive designs and patterns on them. Following this era was the Roman Era where designs and styles were extravagant and unlike Greek and Persian architecture, it didn't only look impressive from the outside. Marble was a commonly used material as was the revolutionary concrete. The ancient Greek era was at a similar time to the Roman
There is an ongoing debate on whether the Parthenon Marbles, now located in London, England, should be returned to their original homeland of Athens, Greece. The marbles were removed from the Parthenon by Lord Elgin from 1801-1812 and transported to England. They were sold to the British government in 1816 and put in the British Museum where they have been for the last 200 years. I believe that the marbles should now be returned to Greece, not only because of the method and circumstances surrounding their removal, but because they are original pieces of the oldest and most symbolic structure in Greek history that epitomizes the pinnacle of Ancient Classical Greece and the beginning of western democracy through artistic ingenuity.
“Many European cities still bear reminders of the power of ancient Rome, and throughout the western world the influence of Roman power is still manifest.” “As the Roman Empire expanded Roman architects struggled to achieve two overriding aims: to demonstrate the grandeur and power of Rome, while also improving the life of their fellow citizens.” They held the Greeks in high regard for both their sculpture and architecture, learned stonework and pyramid architecture from the Egyptians, and absorbed important techniques from the Etruscans. To that end, the Romans perfected three architectural elements: concrete, the arch, and the vault. These three elements helped lighten the load carried by Roman structures while maintaining overall durability.
The Roman Empire rose to power in about 27 B.C. and lasted until 410. During this time, Roman influence reached its height and Rome established a lasting legacy in the history of western civilization. One aspect of the Roman legacy is their architectural achievements. Roman engineering and architecture stand out as some of the most marvelously sophisticated for the time, with the variety of structures they built and the means of construction. Roman architecture went through a golden age beginning in 27 B.C. and lasting until about 180 A.D. when the Empire began to decline. During this golden age, the Romans built coliseums, an intricate road network, aqueducts, and bathhouses. Many examples of these structures still stand today, a testament to Roman architecture genius.
Greek architecture is another display where their creativity was reflected and displayed. The temples were works of art full of detail from the sculptures of their gods to the pillars that held the temple up. Stone carvings adorned the edges of the roof and were carved to the finest detail.
Building materials for housings in Roman and post-Roman times. Ward-Perkins begins by comparing the tiles used for roofing to pottery and how they were made in a similar process and sold like pottery. He discussed how tiles used in Roman times were common like pottery, and after post Roman time, the building material began to change, “. Every one of the building crafts introduced by the Romans, the mundane as well as the luxury ones, disappeared completely during the fifth century. All new buildings in the fifth and sixth centuries, whether in Anglo-Saxon or unconquered British areas, were either roofed in wood or thatch” (Ward-Perkins, 108).
The Roman sculptures have a close relation and influence of Greek sculptures. Rome was known for incorporating different aspects of other cultures; the style of clothing, architecture, military techniques, art, etc. to the Roman culture. The Bust of Cicero and Augustus of Prima Porta are examples of unbelievable statuary techniques and style that Rome achieved and improved as their own art.
Greek and Roman architecture is truly amazing. They each had great ideas, and fabulous productions. It is said that the Pantheon is to Italy what the Parthenon is to Greece. Both are tremendous monuments that reek of culture and history. Each had a purpose which was displayed by the design and construction of each. There are such great meanings behind each of these architecural structures. The Romans and the Greeks alike worshipped and dedicated their structures and designs to the Gods and Goddess they believed in.
All in all, the artworks of Mesopotamia, Ancient Egypt, Aegean cultures, and Ancient Greece have similarities that not only reflect objects and images, but also the media, style and representation, these cultures are vastly exclusive works ranging from triangular depictions of form, to breezy depictions of nature, to sturdy architectural innovations for their citadels. Because of the existence of these major cultures of art in our world, it has made what art is today. These four unbelievable time periods have learned from each other and improved the way they accomplish their art techniques. These amazing cultures set a foundation that we were able to build on for thousands of years now with much more to come.
Even though the ancient sculptors had limited resources, they had created numerous, well-known pieces. As time passed by, more artists began to use these ancient sculptures as reference and guidelines to create their own art pieces. The influence of the Greco-Roman sculptures has tremendous effect on human cultural development.
...quite some time. Indeed a hundred years from now, nations, for example, Egypt, Italy, and France will at present hold their customary architectural charm regardless will be worth going by, paying little mind to which drive wins. All around a large portion of the Arab standard, architects, and the overall population, appear to a huge degree to withdraw themselves from the architectural models of their neighborhood legacy, which they perceive as old fashioned, mediocre, and less equipped to adapt to cutting edge necessities, and rather float positively towards Western ideas (Hummon, 1986, pg 35). It is essential
In the 7th century Assyrians became powerful and they to started inventing rich designs to decorate the walls of the palaces and temples. Then the Greek began there sculpting in the 6th century BC the sculptures of this time and place had there own way of art. They gave their pieces life by making the face of the person with a smile; they gave it arms and eyes rigid legs. The Greek wanted statues and stories of their gods to decorate the temples and other buildings.
Abstract: Contemporary architects have a wide variety of sources to gain inspiration from, but this has not always been the case. How did modernism effect sources of inspiration? What did post-modernism do to liberate the choice of influences? Now that Contemporary architects have the freedom of choice, how are they using “traditional” styles and materials to inspire them? Even after modernism why are traditional styles still around?
Architects traveled to Rome and studied the remains and ruins of ancient Roman building, colosseums, and pantheons. Arches, pilaster, columns, pediments, domes, and entablatures were some of the elements that were inherited from classic Rome architecture. Architects were also influenced by the writing of Vitruvius.
There are many different types of architecture, but they all somehow relate back to the ancient Greek’s architecture. Greeks developed their distinctive building types, and these forms, once established, remained remarkably consistent. (W.B Dinsmoor 1927) Characteristically, they combined the functional elements with close attention to the overall aesthetic effect of a building. Thus the ancient Greeks constructed glorious architectures. The Greek Architecture is divided into three main periods; the Geometric and Orientalizing periods (1100 B.C to 650 B.C), the Archaic period (660 B.C to 475 B.C), and the Classical period (475 B.C to 323 B.C). (A.W Lawrence 1957). Along with the different periods of Greek architecture, the Classical period had two main styles; Doric and Ionic.