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Love in literature essay
Love in literature essay
Love in literature essay
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1. Conceptions: The Origin of a Story
Gustave Flaubert in all probability got the idea for Madame Bovary
when he and Louise Colet became lovers, in which the novel was written
at the time of the affair. When Flaubert and his mistress first
started to have the affair, they wrote love letters to each other as
any other lover would. The letters that Flaubert would write were
similar to the journals the authors use to help stimulate ideas for
their novel. (TIF, 10) Flaubert in all wanted to expose the whole
aspect of having affairs and encompassing mistresses.
Putting the setting at his birthplace made him more comfortable with
the area allowing him to have the full coverage of the city such as
knowing all the streets and the back roads that Madame Bovary uses.
(Flaubert, 261) The more familiar the area is the more realistic it
would seem, such as where the houses were located. The whole aspect
of the city is not imaginative but more practical.
The characters in Madame Bovary resemble Flaubert and his family in
many ways, for instance the elder Mrs. Bovary as Flaubert’s mother.
They both have are widows in their future life, and they have the
sense of protectiveness of their children. Since Flaubert’s father is
a doctor, he had to incorporate that characteristic in Charles
Bovary. However, I think the greatest resemblance between the
characters of the novel and Flaubert’s family is Flaubert and Madame
Bovary because they both have nostalgia for Paris. As Flaubert places
himself in a woman’s place you can see his true self coming out. As
they both want the pleasurable sensual feeling of love and to some
extent, becomes a drug, where they are addicted and cannot find the
end. Madame Bovary and Flaubert...
... middle of paper ...
...way Emma sees Charles as the dorky village
doctor, and how the children say as unromantic, clearly shows the lack
of respect the she has for him, his entire life is devoted to her. To
show that even cared he forgave her lover saying that it was destiny
that choose its path. The way Flaubert embraced Charles and his
affection to his daughter Berthe has included a bit of himself and his
care for his motherless niece.
Madame Bovary is a historicist fallacy because the readers judge the
book because of the time it was written in and what the time and
setting is. Flaubert did not want dell with the lawsuits and the
modernization of France. All he wanted to do was put out in words
what societies doing. His need for perfection really made him strive
for the perfect sound. He would work for hours on days until he could
find that one word that drove him crazy.
whatever he does not want her to do. Throughout her twenty years of life with
Kate Chopin's The Awakening and Gustave Flaubert's Madame Bovary are both tales of women indignant with their domestic situations; the distinct differences between the two books can be found in the authors' unique tones. Both authors weave similar themes into their writings such as, the escape from the monotony of domestic life, dissatisfaction with marital expectations and suicide. References to "fate" abound throughout both works. In The Awakening, Chopin uses fate to represent the expectations of Edna Pontellier's aristocratic society. Flaubert uses "fate" to portray his characters' compulsive methods of dealing with their guilt and rejecting of personal accountability. Both authors, however seem to believe that it is fate that oppresses these women; their creators view them subjectively, as if they were products of their respective environments.
because he felt she did not share his love for her. This poem is in
so she does not get in trouble. This is significant because he is putting his own health
her love in relation to their filial bond. Although her father views this as a
family and all the good things he could give to her. It broke her heart when they had to
because she felt pity for him. After she started walking him home she regretted it.
to support her, and that without a woman a man is incapable of living independently and caring
Oppression of characters is usually fuelled by external causes. In the case of Madame Bovary and Middlemarch, external causes like gender norms result in the oppression of women. In Madame Bovary, society's expectations of a wifely figure restricts Emma's desire to climb the social ladder. In Middlemarch, the dogmas about female intellectual abilities propagated by characters like Lydgate and Casaubon hinder Dorothea's ability to become an intellectual within society. Critic Howard Kushner writes that “ideology... emphasized women as mothers and guardians of the family” (Kushner 1). This quote draws the parameters of what a woman was expected to be in the Victorian era, clearly emphasizing the limitations put in place for womenkind. Exploring the characters in Madame Bovary and Middlemarch offers insight into female oppression in Victorian society.
The figure of Emma Bovary, the central character of Gustave Flaubert's novel, Madame Bovary, caused both cheers of approval and howls of outrage upon its publication, and continues to fascinate modern literary critics and film makers. Is she a romantic idealist, striving for perfect love and beauty in dull bourgeois society? Is she a willful and selfish woman whose pursuit of the good life brings about her own destruction and that of her family? Or is she, like Ibsen's Hedda Gabler and Nora Helmer, a rebel against the repressive, patriarchal society in which she finds herself? Is she, perhaps, a bit of all three?
to assist him. All of her actions are done out of devotion and allegiance to
Sigmund Freud, the founder of modern day psychology and psychoanalysis, described human consciousness as the combination of three elements, id, ego and superego. The id is what controls our personal desires, the superego controls our ideas about where we fit in society and the ego is in between these two elements balancing their effects to help us make rational decisions. Despite the fact that these theories were developed well after Flaubert wrote Madame Bovary or Tolstoy wrote The Death of Ivan Ilych the main characters of each (Emma and Ivan) both represent people who have become dominated by one aspect of their subconscious. Whereas Emma is dominated by her id, seeking only selfish pleasures in life, Ivan is dominated by his superego, letting society's standards run his life for him. Even though there is this major difference in their subconscious motivations, both Ivan and Emma are seeking essentially the same thing: fulfillment in life. To Emma this means romantic escapades with Dukes in the royal court, but to Ivan fulfillment in life is marked by proper career progression and a stable position in society. Interestingly, despite all these differences in their manner and means both characters find themselves confronted with the same problems in the end.
to abide by it. In the novel, Emma meets a pitiful doctor named Charles Bovary.
Madame Bovary is Gustave Flaubert’s first novel and is considered his masterpiece. It has been studied from various angles by the critics. Some study it as a realistic novel of the nineteenth century rooted in its social milieu. There are other critics who have studied it as a satire of romantic sensibility. It is simply assumed that Emma Bovary, the protagonist, embodied naive dreams and empty cliché that author wishes to ridicule, as excesses and mannerisms of romanticism. She is seen as a romantic idealist trapped in a mundane mercantile world. Innumerable theorists have discovered and analysed extensively a variety of questions raised by its style, themes, and aesthetic innovations. In this research paper an attempt has been made to analyse life of Emma Bovary as a paradigm of Lacanian desire.