Sigmund Freud, the founder of modern day psychology and psychoanalysis, described human consciousness as the combination of three elements, id, ego and superego. The id is what controls our personal desires, the superego controls our ideas about where we fit in society and the ego is in between these two elements balancing their effects to help us make rational decisions. Despite the fact that these theories were developed well after Flaubert wrote Madame Bovary or Tolstoy wrote The Death of Ivan Ilych the main characters of each (Emma and Ivan) both represent people who have become dominated by one aspect of their subconscious. Whereas Emma is dominated by her id, seeking only selfish pleasures in life, Ivan is dominated by his superego, letting society's standards run his life for him. Even though there is this major difference in their subconscious motivations, both Ivan and Emma are seeking essentially the same thing: fulfillment in life. To Emma this means romantic escapades with Dukes in the royal court, but to Ivan fulfillment in life is marked by proper career progression and a stable position in society. Interestingly, despite all these differences in their manner and means both characters find themselves confronted with the same problems in the end.
Emma Bovary has every characteristic of a person living only to fulfill her own wishes and desires. Like a child, she seeks out pleasure, and when she is not actively being stimulated by something she wants to do she is plagued by boredom. As she searches for these stimuli she pays no attention to the consequences her actions will have on others. This attitude pervades her every action, to point that she does not even take the needs of her only child, Berthe, into ...
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... was able to so accurately depict a character that lives life solely through one element of their subconscious. What is amazing about this is how well each character falls perfectly into an individual aspect of Freud's psychoanalytical model when that model had not been developed until thirty years after these novels had been published. For his work, Freud is regarded as one of the most influential thinkers of the twentieth century. If this is true, then the same case should be made for Flaubert and Tolstoy as well, because they both evidently were just as apt at finding the underlying emotions behind human behavior as Freud.
Works Cited
Flaubert, Gustave. Madame Bovary. New York City: Bantam Books, 1989.
Tolstoy, Leo. "The Death of Ivan Ilych." The Longman Anthology of Short Fiction. Ed. Dana Gioia, and R.S. Gwynn. New York City: Longman, 2001. 1585-1624.
Tolstoy, Leo. The Death of Ivan Ilyich. Trans. Lynn Solotaroff. New York: Bantam Books, 1981.
Emma, or Madame Bovary, died after taking poison given to her by an admirer. Her lifestyle had forced her into debt, as well as adultery, Emma felt that her only escape from her self-proclaimed “boring life” was suicide.
Kjetsaa, Geir. Fyodor Dostoyevsky, A Writer's Life. New York, New York: Viking Penguin Inc., 1987,
Tolstoy, Leo. "The Death of Ivan Ilyich." Norton Anthology of World Literature: 1650 to the present. 3RD ed. Volume E. Puchner, Akbari, Denecke, et al. New York, London: W. W Norton, 2012. 740-778. Print.
When this story is viewed through Sigmund Freud’s “psychoanalytic lens” the novel reveals itself as much more than just another gory war novel. According to Sigmund Freud psychology there are three parts of the mind that control a person’s actions which are the id, ego, and superego. Psychoanalysis states that there are three parts of the human mind, both conscious and subconscious, that control a person’s actions. The Id, ego, and
Madame Bovary offers a scathing indictment of the oppression of females in the nineteenth century. Emma Bovary's life is used as an example to illustrate how women's lives were circumscribed and dictated to by the men surrounding them. Emma is presented as an average woman with fantasies of love and luxury in her heart. These fantasies are never fulfilled due to her early marriage (dictated by her father) and her middle-class lifestyle (dictated by her husband). Her dreams are trapped between the wills of the two men in her life and though she tries, in her own way, to break free from them, she does not find fulfilment in her life, leading to her eventual unhappiness and demise.
Tolstoy, however, has a fatalistic approach to the subject. In The Death of Ivan Ilych, the chronological end of the story is placed at the beginning. From the very beginning, the reader is aware of the title character’s fate. The story then tells of the long and grueling battle with death that Ivan Ilych faces.
Tolstoy, Leo. “The Devil”. The Death of Ivan Ilyich and Other Stories.Trans. Richard Peaver and Larissa Volokhonsky. New York: Alfred A. Knopf, 2009. Print.
to abide by it. In the novel, Emma meets a pitiful doctor named Charles Bovary.
A. The Epic of Russian Literature. New York: Oxford University Press, 1950. 309-346. Tolstoy, Leo. "
Psychoanalytic Theory itself has, what seems to be, two contradictory halves: Freudian psychoanalysis and Lacanian psychoanalysis. The first half focuses solely on the author and the unconscious mind; the second considers the unconscious, but prefers to concentrate on outside influences by deconstructing the text itself. According to Freud, interpretation is achieved by examining conflicts and symbols, such as Freudian slips and dream images. These outlets are help to determine whether an individual’s external behavior coincides (or conflicts) with their internal emotion. Freud placed emphasis on sexuality and the Oedipus complex, which is the idea of repressed sexual feelings toward a parent of opposite sex. He also defined three levels of the subconscious mind: the ego, the super-ego, and the id. Barry explains that the stages align with “the consciousness, the conscience, and the unconscious” respectively (93). On the other hand, Lacan, a follower of Freud, concentrated on the relationship between an author and his or her work. He claimed the two were inexorably connected, that objectivity is nonexistent. In an essence: an author’s personality is used to interpret the text and, in contrast, the text is used to gain insight about the author. Regardless of the emphasis, psychoanalytic criticism engages an
Bourgeois reality with its mediocre, imbecile, foul aspects which all build the real surroundings around Emma is reflected in her illusory conceptions and ideals. Emma is constantly in revolt against the mediocrity and she escapes into her fantasies which she mainly borrows from the romances she reads. In this respect, the act of reading in Madame Bovary is given great emphasis in the aim of presenting Emma’s illusions about the luxury, romantic love and adventure in the imaginary world she lives in. At that point, it...
Sigmund Freud, probably the most famous psychologist and most controversial of the twentieth century, has helped shaped how we consider our views of the world. His theories bring forth a new kind of thinking to the psychology world and show why we think them. It’s a way many don’t think but may put forth the reasoning to it. There are many though that think Freud was just another crazy psychologist that was on drugs. Though his many proofs behind his major theories such as: the conscious and unconscious mind, the Id, Ego, and Superego, psychosexual theory, and others as well, can prove why it wasn’t just a drug trip Freud was on.
Madame Bovary is Gustave Flaubert’s first novel and is considered his masterpiece. It has been studied from various angles by the critics. Some study it as a realistic novel of the nineteenth century rooted in its social milieu. There are other critics who have studied it as a satire of romantic sensibility. It is simply assumed that Emma Bovary, the protagonist, embodied naive dreams and empty cliché that author wishes to ridicule, as excesses and mannerisms of romanticism. She is seen as a romantic idealist trapped in a mundane mercantile world. Innumerable theorists have discovered and analysed extensively a variety of questions raised by its style, themes, and aesthetic innovations. In this research paper an attempt has been made to analyse life of Emma Bovary as a paradigm of Lacanian desire.
In the story of Alice in Wonderland we follow Alice down a rabbit hole into a land of pure wonder, where the logic of a little girl holds no sway. In Gustave Flaubert’s Madame Bovary, we witness exactly the opposite as Emma Bovary, a most romantic creature, is purposely cast into a harshly realistic world. In either case, a creature is put into an environment unnatural to her disposition, yet in Flaubert’s example, Emma shares the world we inhabit, and thus the message her story brings is much more pertinent. To convey this message, Flaubert replicates not a world of fantasy, but rather the real world, with all its joy, sadness, and occasional monotony intact. Then he proceeds to dump an exaggeratedly sentimental woman, Bovary, with the training, appearance, and expectations of an heiress, into the common mire and leave her there to flounder in the reality of middle class life as a farmer’s daughter. From Madame Bovary’s reactions within this realistic situation, and from the novel’s outcome, a message is rendered concerning romanticism itself, and its misplacement in a cacophonous and uncomplimentary world.