In the article, “Katrina Documentary Gives Voice to Survivors,” Dennis O’Neil explains how Spike Lee documents the damage of hurricane Katrina to New Orleans not only structurally, but the emotional hurt as well. The film, ¨When the Levees Broke: A Requiem,¨ is broken into four acts which graphically depict the trauma of hurricane Katrina. O’Neil gives a brief background on Spike Lee and how he made this magnificent production. He talks about the trips to Louisiana, the hundreds of interviews and footage captured of the natural disaster. After the summary of Lee, he goes into detail of the movie which he divides into sections. He speaks of how acts one and two are set up to cover the time period of the first threats of the hurricane to five days after Katrina hit and the damage done during this time. O’Neil mentions how the city 's levee system was not built strong enough to take on a very powerful storm. Proceeding to tell how evacuees move …show more content…
He uses firsthand information from Spike Lee’s documentary, which is credible information. Breaking down the four acts paragraph by paragraph, organizes the information in chronological order. “Three months after Katrina hit, Lee and a small crew made the first of eight trips to New Orleans to shoot raw footage...Ultimately close to one hundred subjects appear in the film, all from various acts of life” (O’Neil 207), this quote shows plenty of material was captured to make a well-informed and very credible documentary, which was used to write this essay. Ethos worked very well for O’Neil because of Spike Lee’s reputation as a producer. Logos on the other hand is used to persuade the reader to feel bad for the people of New Orleans, one statement survivor Fred Johnson said is “It was absolutely horrific conditions, it was like being in the middle of a war and all you could do was stand there and feel helpless” (O’Neil 208). Pathos on the other hand, is not
Bridge to Freedom provides the historical documentary behind the events that served as the narrative for Selma. Instead of a drama, the viewers receive an actual documentary that shows the confrontations between the marchers and the government. Like Selma, it highlights the violence, the deaths, and the beatings, but also goes further back in time to show society’s treatment of African Americans.
Rather than working with nature through multi-tiered flood control with spillways and reservoirs, levees disallowed the river to naturally flood, deteriorated the natural ecosystem, and ultimately weakened the city’s defenses against the hurricane (Kelman). Culture and society further interacted, as beliefs in man’s power over nature and racial discrimination promoted levee expansion and racial segregation, creating a city of racially differentiated risk (Spreyer 4). As a result, inundation mostly impacted the lower land neighborhoods that housed poor people of color. Society and nature interfaced in the application of levees that contained nature’s forces. Ultimately, nature won out: the hurricane overpowered the levees and breached the Industrial Canal, disproportionally flooding the mostly black, low-elevation neighborhoods of New Orleans (Campanella
Dave Eggers events of looting are an accurate portrayal of Spike Lee’s documentary When the Levees Broke. Works Cited Eggers, Dave. Zeitoun. San Francisco: McSweeney's, 2009. Print.
A storm such as Katrina undoubtedly ruined homes and lives with its destructive path. Chris Rose touches upon these instances of brokenness to elicit sympathy from his audience. Throughout the novel, mental illness rears its ugly head. Tales such as “Despair” reveal heart-wrenching stories emerging from a cycle of loss. This particular article is concerned with the pull of New Orleans, its whisper in your ear when you’ve departed that drags you home. Not home as a house, because everything physical associated with home has been swept away by the storm and is now gone. Rather, it is concerned with home as a feeling, that concept that there is none other than New Orleans. Even when there is nothing reminiscent of what you once knew, a true New Orleanian will seek a fresh start atop the foundation of rubbish. This is a foreign concept for those not native to New Orleans, and a New Orleanian girl married to a man from Atlanta found her relationship split as a result of flooding waters. She was adamant about staying, and he returned to where he was from. When he came back to New Orleans for her to try and make it work, they shared grim feelings and alcohol, the result of which was the emergence of a pact reminiscent of Romeo and Juliet. This couple decided they would kill themselves because they could see no light amongst the garbage and rot, and failure was draining them of any sense of optimism. She realized the fault in this agreement,
One example of ethos in the film was when Guttmacher Institute said from 1973-2008, fifty-three million three hundred ten thousand eight hundred and thirty-four unborn babies were killed in the American Holocaust. A tremendous use of ethos was when Ray quoted from the Bible telling the sixth commandment “Thou shall not murder.” The sixth commandment is not the only time he used the Bible and God as a credible source. Comfort mentioned a verse that states “He gave His only begotten Son, that whoever believes in Him should not perish, but have everlasting life.” He used the Bible and God many more times in his arguments and quoted other commandments that one should follow. Ray also uses the very words of Adolf Hitler, leader of the Holocaust, at one point, when Hitler claimed that “[God is] a
An example of Moss’s outstanding usage of ethos, pathos, and logos is Jeffrey Dunn’s story. Dunn held an executive position at Coca-Cola in 2001, when the main company goal was to drive Coca-Cola into poorer areas. On a business trip to Brazil, Dunn realized that “these people need a lot of things, but they don’t need a Coke” and decided to push the company in a healthier direction. This choice led to Dunn’s eventual firing (491-494). This story not only appeals to pathos by getting to readers’ emotions, but also to ethos and logos because Dunn is a credible source and gives an authentic experience that adds to the credible feel of the article. (very good info./analysis, keep but
Throughout the analyzing process, logos, ethos, and pathos are searched for and scrutinized. While reading this article, one may see believe there is a lack of evidence from outside sources to back up an argument, and then quite possibly assume it is just made up and not reliable. Granted, Jones seems to use only one source for his article, which does not necessarily mean he does not state any evidence or logos. This whole article is Jones’s evidence, and the source is himself, because the article is a story about the author’s involvement with violent media.
Van Heerden, Ivor Ll. "The Failure of the New Orleans Levee System Following Hurricane Katrina and the Pathway Forward." Public Administration Review, 67.6 (2007): 24-35.
Media Coverage on Hurricane Katrina News of the devastating hurricane Katrina and its economic, political, social, and humanitarian consequences dominated global headlines in an unprecedented manner when this natural catastrophe struck the region of New Orleans in mid August 2005 (Katrinacoverage.com). As a tradition, large-scale disasters like Katrina, inevitably, bring out a combination of the best and the worst news media instincts. As such, during the height of Hurricane Katrina’s rage, many journalists for once seized their gag reflex and refused to swallow shallow and misleading excuses and explanations from public officials. Nevertheless, the media’s eagerness to report thinly substantiated rumors may have played a key role in bringing about cultural wreckage that may take the American society years to clean up. To begin with, anybody privy to the events in New Orleans that ensued after Hurricane Katrina struck knows that horrible things that had nothing to do with natural causes happened: there were murders, gunfire directed at a rescue helicopter, assaults and, courtesy of New Orleans’ city police department, a myriad other crimes that most probably went unreported (Katrinacoverage.com).
The category 3 storm changed the lives of the residence who lived there forever. The storm in combination with the fault of the man-made flood protection walls (levee’s) resulted in the death of at least 1,300 people (1). With nearly half the victims over the age of 74, deaths were caused by; drowning, injury/ trauma and heart conditions (2). Hurricane Katrina was one of the most costliest storms to land on American soil, costing around US$135 billion in damages (3). Although the number of deaths caused by Hurricane Katrina are not as high as other natural disasters, Katrina displaced a massive amount of people from their homes, around 85% of the population were displaced directly after the storm hit (6). Being one of the most devastating natural disasters to hit the United States, Hurricane Katrina impacted not only the residence of New Orleans by also many of the surrounding
On August 29, 2005, Hurricane Katrina hit New Orleans as a Category 3 hurricane on the Saffir-Simpson Hurricane Scale with winds up to one-hundred and forty miles per hour. Katrina was one of the costliest and deadliest hurricanes to ever hit the United States. One-thousand eight hundred deaths, seven hundred missing and one-million displaced is evidence of the human toll that Katrina caused and $84 billion in cost makes Katrina the most expensive natural disaster in United States history. (Blackwell) While these numbers are devastating, the environmental impacts of Katrina still threaten the citizens of New Orleans today. The environmental impacts from Katrina were compounded by man-made environmental hazards. (West)
Some of the damage done by Hurricane Katrina could have potentially been avoided if protection systems were installed to the proper extents. In Louisiana, “some parts of the metro area continue to lack hurricane protection built to federal standards” (Webster). Had the greater Louisiana area been better protected, it is very likely that more people would have survived and the total cost of the storm been less. Even in areas where levees...
The documentary Freedom Summer was released on January 17, 2014 by veteran documentarian Stanley Nelson. The documentary was made to serve as a reminder of the summer activists spent in 1964 in order to register African-American voters. The film showed the state of Mississippi during that time as being filled with hatred and segregation toward African Americans. The film is trying to show us the people who united together to bring freedom to African Americans. Even white people rebelled with African Americans to show that they did not support racism and that African Americans should have the right to vote just like any citizen.
Fink, Sheri. "Hurricane Katrina: after the flood." The Gaurdian. N.p., 7 Feb. 2014. Web. 17 Apr. 2014.
Ethos and logos are used as an appeal in the essay. It was a story with a lot of emotion which she had successfully handled in the whole essay. She presented the essay in the real life with many facts, she gave poetic touch to her essay because of some of the metaphors she used like we didn 't breathe it. She used both logos and pathos in