The back panel of 1 Dead in Attic: Post-Katrina Stories by columnist Chris Rose does not summarize his self-publication. Rather, it dedicates the book to a man named Thomas Coleman who met his demise in his attic with a can of juice and the comforts of a bedspread at his side. This dedication closes with “There were more than a thousand like him.” That is the life force of Rose’s book. It is not a narrative, it does not feature a clear conclusion, and there is not a distinct beginning, middle, or end. Rather, it exists as a chronology of Rose’s struggle to reestablish normalcy following a time of turmoil. Rose himself states in his introduction “After the storm, I just started writing, not attempting to carve out any niche but just to tell …show more content…
He sent his words into the void for months, targeting both individuals experiencing similar situations within the scope of the Times-Picayune and those who were elsewhere desiring an account of events. Although not a native New Orleanian, he had made the metropolis his home. He evacuated for the storm but returned as soon as he could to provide newspaper coverage of the area. At this time of vulnerability, the newspaper existed to familiarize the uninformed with the new normal. Hurricane Katrina induced a diaspora of New Orleans natives across the country, and these people sought updates regarding their beloved city. Strangers utilized the same channel of communication to acquaint themselves with foreign circumstances. Those who had stayed behind delved into the newspaper seeking a foundation of hope to cling onto, and an understanding voice. This extensive audience encountered the same words and emotional …show more content…
A storm such as Katrina undoubtedly ruined homes and lives with its destructive path. Chris Rose touches upon these instances of brokenness to elicit sympathy from his audience. Throughout the novel, mental illness rears its ugly head. Tales such as “Despair” reveal heart-wrenching stories emerging from a cycle of loss. This particular article is concerned with the pull of New Orleans, its whisper in your ear when you’ve departed that drags you home. Not home as a house, because everything physical associated with home has been swept away by the storm and is now gone. Rather, it is concerned with home as a feeling, that concept that there is none other than New Orleans. Even when there is nothing reminiscent of what you once knew, a true New Orleanian will seek a fresh start atop the foundation of rubbish. This is a foreign concept for those not native to New Orleans, and a New Orleanian girl married to a man from Atlanta found her relationship split as a result of flooding waters. She was adamant about staying, and he returned to where he was from. When he came back to New Orleans for her to try and make it work, they shared grim feelings and alcohol, the result of which was the emergence of a pact reminiscent of Romeo and Juliet. This couple decided they would kill themselves because they could see no light amongst the garbage and rot, and failure was draining them of any sense of optimism. She realized the fault in this agreement,
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Show MoreThe primary purpose of the video is to inform the viewers about the hardships that the citizens of New Orleans faced after Hurricane Katrina. They tie in the overall difficulty the community faced by primarily focusing on Herbert Gettridge and thus giving the audience to form a connection with him. The main viewership is directed to adults interested in not only Hurricane Katrina but also the follow up storm Rita and the damage done by the two storms. This goes into a more personal account of the Hurricane as told through people that have lived in New Orleans. The video shows the difficulties the citizens faced with rebuilding –not only their homes, but also their lives. Both reflective and informative are descriptions that could be used to describe the tone. The story shows the emotional trauma the citizens go through with the memories they share of the event. Various people throughout the biopic share their personal struggles of dealing with the ruins Katrina left behind, this appeals to the viewers emotions and makes it pathos. Though, watching the families struggle to financially reconstruct their homes and have to deal with faulty insurance companies is logos. The aftermath Hurricane Katrina left behind was still being fixed years
On August 29th, 2005, Hurricane Katrina, the most expensive hurricane in American history, made landfall in Louisiana with winds of one hundred and twenty-seven miles per hour (“Hurricane Katrina Statistics Fast Facts”). The sheer magnitude of the amount of lives and property lost was enormous, and it was triggered simply by warm ocean waters near the Bahamas ("How Hurricane Katrina Formed"). Nature was indifferent to whether the raging winds and rain would die off in the ocean or wipe out cities; it only follows the rules of physics. A multitude of American authors has attempted to give accounts and interpretations of their encounters with the disinterested machine that is nature. Two authors, Stephen Crane and Henry David Thoreau, had rather contrasting and conflicting interpretations of their own interactions with nature. Crane’s work, “The Open Boat,” is story based on his experience as a survivor
Hurricane Katrina is approaching New Orleans, Louisiana, including the Ninth Ward, where Lanesha and her guardian, Mama Ya-Ya live. The chapter, titled “Sunday”, starts off with the newspapers and the televisions emphasizing the word “evacuate”. Mama Ya-Ya, who is normally up and about, ready to greet the day, is curled up on the couch asleep. Something has been bothering Mama Ya-Ya; Lanesha even sees it when she wakes up.
In Drea Knufken’s essay entitled “Help, We’re Drowning!: Please Pay Attention to Our Disaster,” the horrific Colorado flood is experienced and the reactions of worldly citizens are examined (510-512). The author’s tone for this formal essay seems to be quite reflective, shifting to a tone of frustration and even disappointment. Knufken has a reflective tone especially during the first few paragraphs of the essay. According to Drea Knufken, a freelance writer, ghostwriter and editor, “when many of my out-of-town friends, family and colleagues reacted to the flood with a torrent of indifference, I realized something. As a society, we’ve acquired an immunity to crisis. We scan through headlines without understanding how stories impact people,
“When I saw my house three weeks after the storm, I was glad it stood but I knew it was time for change. Now five years later, I have learned that for me to enjoy the beauty of this place, there is a cost to bear. I love this place and am here to stay, but I have to invest more than I had imagined. The hurricane has greatly affected our lives but not only in a bad way.”
The book Unfathomable City: A New Orleans Atlas by Solnit and Snedeker it not an atlas of roads, but a journey through the sights, smells, and heritage of the great city of New Orleans through maps and essays. Within it are the essays “When They Set the Sea on Fire” by Antonia Juhasz about the BP oil spill in the Gulf. As well as “No Sweetness is Light” by Shirley Thompson about the sugarcane industry in New Orleans. The two essays compare greatly in the concepts of deception, greed, and the cause of sickness. The artifice in these essays bring so much false hope and suffering to the people of New Orleans.
Natural disaster can be traumatic events that have a huge impact on the mental health of communities often resulting in an increase in mental health needs that don’t get met. In 2005, one of the worst natural disasters in U.S. History, Hurricane Katrina, hit the states of Louisiana and Mississippi affecting 90,000 square miles. In addition to the 2000 people killed and million displaced as a result of the Hurricane, a significant number of people, according to multiple studies, suffered and continue to suffer from mental health issues including stress, anxiety, depression and PTSD. After the Hurricane, communities were both physically and emotionally devastated leaving individuals without loved ones, homes, belongings or jobs (Rhodes, J., Chan, C., Paxson, C., Rouse, C. E., Waters, M. and Fussell, E., 2010. p. 238). The Gulf Coast, whose mental health system had been obliterated by the Hurricane, was in desperation of mental health services in order to prevent chaos and initiate recovery immediately. The U.S. government did not provide sufficient services; thus, illustrating how the affected communities’ mental health needs weren’t being met and continue to not be met today. The survivors of Hurricane Katrina did not receive sufficient mental health services due to lack of government action and lack of programs with the capacity to assist large numbers of people which resulted in the individuals and communities affected to endure homelessness, poverty, and mental health issues even till this day.
News of the devastating hurricane Katrina and its economic, political, social, and humanitarian consequences dominated global headlines in an unprecedented manner when this natural catastrophe struck the region of New Orleans in mid August 2005 (Katrinacoverage.com). As a tradition, large-scale disasters like Katrina, inevitably, bring out a combination of the best and the worst news media instincts. As such, during the height of Hurricane Katrina’s rage, many journalists for once located their gag reflex and refused to swallow shallow and misleading excuses and explanations from public officials. Nevertheless, the media’s eagerness to report thinly substantiated rumors may have played a key role in bringing about cultural wreckage that may take the American society years to clean up.
Waters, Alice and Katrina Heron. “No Lunch Left Behind.” New York Times. 19 February 2009. Print.
to Paycheck is the documentation of a slice of Katrina’s life, raising awareness of the struggles
In “Lydia’s Story,” nurse Jan Brideau describes the tragedies of Hurricane Katrina. The author elaborates how countless people had the hope and determination in the face of terrible adversity. The story stresses the importance of keeping your thoughts in a positive mindset, but also shows the reader that moving forward is only half the battle, and sharing your story to others finishes the fight. The tragedy of Hurricane Katrina is remembered from the survivors who never lost hope.
Was Eleanor mentally healthy or unhealthy? In the book The Haunting of Hill House, written by Shirley Jackson, the main character was Eleanor Vance. She was a 32-year-old woman that showed signs that she was mentally unhealthy. After receiving an invitation to stay at Hill House from Dr. Montague, a stranger to Eleanor and the rest of the invited guests, she made the carefree decision to accept the invitation to the comfortable country home (2). She felt as though Hill House was her calling, even though she had never laid eyes on the property and had no knowledge of what to expect. There was no way to know if the doctor could have been a psychopath that wanted Eleanor for some crazed morbid “experiment,” yet she had
The storm is the main metaphor in this story; it is seen as the lust that stomps through their lives like the storm rages through a single d...
Fink, Sheri. "Hurricane Katrina: after the flood." The Gaurdian. N.p., 7 Feb. 2014. Web. 17 Apr. 2014.
The population of New Orleans, affected not only by the storm but also by structural failures of the levee system designed to protect the city, was predominately African American and largely poor. This combination illuminated long-standing racial and class-based tensions. (Trivedi, 2011)