Analysis Of One Dead In Attic By Chris Rose

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The back panel of 1 Dead in Attic: Post-Katrina Stories by columnist Chris Rose does not summarize his self-publication. Rather, it dedicates the book to a man named Thomas Coleman who met his demise in his attic with a can of juice and the comforts of a bedspread at his side. This dedication closes with “There were more than a thousand like him.” That is the life force of Rose’s book. It is not a narrative, it does not feature a clear conclusion, and there is not a distinct beginning, middle, or end. Rather, it exists as a chronology of Rose’s struggle to reestablish normalcy following a time of turmoil. Rose himself states in his introduction “After the storm, I just started writing, not attempting to carve out any niche but just to tell …show more content…

He sent his words into the void for months, targeting both individuals experiencing similar situations within the scope of the Times-Picayune and those who were elsewhere desiring an account of events. Although not a native New Orleanian, he had made the metropolis his home. He evacuated for the storm but returned as soon as he could to provide newspaper coverage of the area. At this time of vulnerability, the newspaper existed to familiarize the uninformed with the new normal. Hurricane Katrina induced a diaspora of New Orleans natives across the country, and these people sought updates regarding their beloved city. Strangers utilized the same channel of communication to acquaint themselves with foreign circumstances. Those who had stayed behind delved into the newspaper seeking a foundation of hope to cling onto, and an understanding voice. This extensive audience encountered the same words and emotional …show more content…

A storm such as Katrina undoubtedly ruined homes and lives with its destructive path. Chris Rose touches upon these instances of brokenness to elicit sympathy from his audience. Throughout the novel, mental illness rears its ugly head. Tales such as “Despair” reveal heart-wrenching stories emerging from a cycle of loss. This particular article is concerned with the pull of New Orleans, its whisper in your ear when you’ve departed that drags you home. Not home as a house, because everything physical associated with home has been swept away by the storm and is now gone. Rather, it is concerned with home as a feeling, that concept that there is none other than New Orleans. Even when there is nothing reminiscent of what you once knew, a true New Orleanian will seek a fresh start atop the foundation of rubbish. This is a foreign concept for those not native to New Orleans, and a New Orleanian girl married to a man from Atlanta found her relationship split as a result of flooding waters. She was adamant about staying, and he returned to where he was from. When he came back to New Orleans for her to try and make it work, they shared grim feelings and alcohol, the result of which was the emergence of a pact reminiscent of Romeo and Juliet. This couple decided they would kill themselves because they could see no light amongst the garbage and rot, and failure was draining them of any sense of optimism. She realized the fault in this agreement,

In this essay, the author

  • Analyzes how rose's book, 1 dead in attic: post-katrina stories, is a chronology of his struggle to reestablish normalcy.
  • Analyzes how chris rose sent his words into the void for months, targeting both individuals experiencing similar situations within the scope of the times-picayune and those elsewhere desiring an account of events.
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