Similarities Between Jane Eyre And Grendel

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There are certain feelings that persuade writers to do what they do best. Of course, that feeling could be something different for each author, such as love, loss, peace, hatred, etc. The examination of these feelings is what makes an author’s work a piece of art and at the same time something humanly conceivable (since a majority of the time art is neither humanly conceivable nor understandable to those who merely observe it). And so when a writer decides to let these emotions that they have once felt, that perhaps they have felt for others, be translated into something perfectly tangible and comprehensible, an understanding is born between them and those they preach to. In John Gardner’s Grendel, Charlotte Bronte’s Jane Eyre and Joseph …show more content…

Often in the event of solitude one finds that the individual put under such conditions feels the need to strike back at the forces holding them, however, that does not usually serve them well. Now, this is perfectly understandable looking at humans, and most other creatures, from a more animalistic view. It is natural to either fight or run from the things that one finds uncomfortable or altogether frightening. In Jane Eyre, Bronte uses a younger, more naïve version, of her heroine to depict this instinct as Jane attempts to attack her aunt with words saying that “[she] will never call [Ms. Reed] aunt again as long as [she] lives…” and promises to “tell anybody who asks [her] this exact tale…” that “people think [Ms. Reed] is a good woman, but [she is bad]; hard-hearted” (Bronte 41). In Jane’s case, solitude is her enemy though she may claim later it is but a friend. However, fighting back against this foe is not to Jane’s advantage and furthers her own isolation. Bronte utilizes this factor to mark, later in the piece, a progression of her character, but also in that moment of …show more content…

While isolation may help some with different processes of healing, or finding one’s self, it can also be quite maddening to be solitary for long periods of time. Since humans are social creatures it is imperative that we have some form of positive interaction with other humans. Bronte again examines her theme of solitude but from a darker perspective as she creates her character the estranged Bertha Rochester, wife of Jane’s love interest Mr. Rochester. Bertha is described rather negatively physiologically and behaviorally throughout the novel: “The maniac bellowed: she parted her shaggy locks from her visage, and gazed wildly at her visitors. I recognized well that purple face, --those bloated features…the lunatic sprang and grappled his throat violently, and laid her teeth to his neck: they struggled” (Bronte 71). Bertha was supposed to have lost her mind shortly after Mr. Rochester and she married, yet the fact that Mr. Rochester locked her in a room (while understandable since mental institutes at the time were nothing but torture chambers) did not aid in her health or betterment. Solitude can drive people to extremes, and while she is locked in that room she is described in a more monstrous and animalistic way than she is when out of the room as she “removed [Jane’s] veil from [her] gaunt head, rent it in two parts, and flinging both on

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