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Jane Erye
Jane Eyre - Analysis of Nature
Charlotte Bronte triumphs in many arenas with her masterpiece "Jane Eyre". She develops a beautiful setting and endearing characters, that sometimes overshadows some of the more subtle aspects of her novel. One very important element that is sometimes overlooked is the use of nature imagery and comments on the human relationship with the outdoors and human nature. The Oxford Reference Dictionary defines "nature" as "1. the phenomena of the physical world as a whole . . . 2. a thing's essential qualities; a person's or animal's innate character . . . 3. vital force, functions, or needs." We will see how "Jane Eyre" comments on all of these.
Several natural themes run through the novel, one of which is the image of a stormy sea. After Jane saves Rochester's life, she gives us the following metaphor of their relationship: "Till morning dawned I was tossed on a buoyant but unquiet sea . . . I thought sometimes I saw beyond its wild waters a shore . . . now and then a freshening gale, wakened by hope, bore my spirit triumphantly towards the bourne: but . . . a counteracting breeze blew off land, and continually drove me back." The gale is all the forces that prevent Jane's union with Rochester. Later, Brontë, whether it be intentional or not, conjures up the image of a buoyant sea when Rochester says of Jane: "Your habitual expression in those days, Jane, was . . . not buoyant." In
fact, it is this buoyancy of Jane's relationship with Rochester that keeps Jane afloat at her time of crisis in the heath: "Why do I struggle to retain a valueless life? Because I know, or believe, Mr. Rochester is living."
Another recurrent image is Brontë's treatment of Birds. We first witness Jane's fascination when she reads Bewick's History of British Birds as a child. She reads of "death-white realms" and "'the solitary rocks and promontories'" of seafowl. We quickly see how Jane identifies with the bird. For her it is a form of escape, the idea of flying above the toils of every day life. Several times the narrator talks of feeding birds crumbs. Perhaps Brontë is telling us that this idea of escape is no more than a fantasy-one cannot escape when one must return for basic sustenance.
The beginning of the novel starts out with a picture of a peaceful home that is very similar to the Moor House Jane lives in while visiting her cousins. It even states in line 2 that Bronte feels like the place is familiar. There is “marshland stretched for miles” ( ln 1) outside the home like the land of England in Jane Eyre. This common setting is also connecting how much Charlotte Bronte is like her character Jane. Dunn describes Bronte as “passionate [and] assertive” (ln 12) which is much like Jane Eyre’s character. Bronte is also said to not “come back to complain or haunt” (ln 20), and she lives in a “mod...
In Jane Eyre, Charlotte Bronte uses many types of imagery to provide understanding of the characters and also to express reoccurring themes in the novel. Through bird imagery specifically, we are able to see Jane develop from a small, unhappy child into a mature and satisfied young woman. "The familiarity and transcendence of birds have given them a wider range of meaning and symbol in literature than any other animal. The resemblance of their activities to common patterns of human behavior makes them exceptionally suitable for anthropomorphic imagery that links man to the common forms of nature" (Lutwack xii). Through the use of birds such as doves and sparrows Bronte enables the audience to gain insight into the type of person that Jane is, caring, selfless, and independent. It also allows the reader to see what type of person Mr. Rochester is, strong and controlling, by comparing him to eagles and cormorants. The connotations involved with the specific birds mentioned in Jane Eyre allow the reader to become aware of the distinct traits the characters possess and certain reoccurring themes presented in the novel.
Brontë utilizes rain as a symbol in Jane Eyre to function as an indicator of transformation as well as emotional well being for Jane and Rochester. Brontë’s use of rain parallels, to an extent, the definition that Thomas Foster provides in his book How to Read Literature
Jane Eyre finds her own image in St. John Rivers as they share several similarities in their moral determinations. After learning of Bertha Mason’s existence, Jane Eyre refuses to stay in Thornfield, fearing that she might lose her self-respect if she would give into Feeling, or “temptation” (447). The Feeling demands her to comply with Rochester’s entreaty, asking “Who in the world cares for you [Jane]? Or who will be injured by what you do?” (4...
Supernatural values and natural imagery are a major theme throughout Charlotte Bronte’s novel, Jane Eyre. This essay will examine the representation of natural and supernatural values that play an integral role in developing the story in Jane Eyre.
In the novel Jane Eyre, Charlotte Bronte uses Jane Eyre as her base to find out how a character confronts the demands of a private passion that conflicts with her responsibilities. . Mistreated abused and deprived of a normal childhood, Jane Eyre creates an enemy early in her childhood with her Aunt Mrs. Reed. Just as Mrs. Reeds life is coming to an end, she writes to Jane asking her for forgiveness, and one last visit from her.
One of the ones that is most obvious is when Jane says "Till morning dawned I was tossed on a buoyant but unquiet sea . . . I thought sometimes I saw beyond its wild waters a shore . . . now and then a freshening gale, wakened by hope, bore my spirit triumphantly towards the bourne: but . . . a counteracting breeze blew off land, and continually drove me back." Jane had just saved Mr. Rochester's life before she said that. She's using the stormy sea to represent the relationship she has with Rochester. Not only does Jane use the ocean as a symbol but so does Rochester. "Your habitual expression in those days, Jane, was . . . not buoyant." The buoyant sea image Rochester used is to symbolize that their relationship if what keeps Jane floating when it comes to her health. We see that the nook begins with Jane's childhood. We read that since she was young she would read books and in one book in particular she was able to relate because she identified with it and it was while reading Bewick's History of British Birds. For young Jane being able to fly above everything everyday of life was a way of escaping the life he had. Bronte not only used birds to symbolize how Jane wanted to escape reality but also how at Lowood nutrition wasn't a major
Eventually, she returns to her former employer, discovering Thornfield in ashes, Mrs. Rochester dead, and Mr. Rochester blind and free from wedlock. Flooded with motifs, Jane’s continual struggles between her passions and responsibility prevail as the main theme of Bronte’s entrancing narrative. From the introduction of Jane’s orphan life, she battles between her ire at cousin John’s antics and obedience to Aunt Reed’s reluctant guardianship.
Jane Eyre’s continuous search for love, a sense of belonging, and family are all thoroughly displayed by Charlotte Brontë. Jane starts off as a despised orphan who is captivated by the thought of love, believing that it will help her achieve happiness. Throughout the novel, Jane attempts to find different substitutes to fill the void in her life.
Throughout the novel, Brontë touches light on the struggle between passionate love and the moral obligations we learn through religion. Jane and Rochester’s relationship is constantly tested by the moral standards Jane holds herself to. However, one can argue that love is blind and may cause someone idolize their lover. The passages above exemplify how Jane and Rochester replace their religious and moral responsibilities with their love for each other.
Immediately from the start Bronte’s character Jane is different. She is an orphan, mis-treated and despised by her family. She has no clear social position, is described as “less than a servant” and treated like one. A protagonist who one would assume had no characteristics worth aspiring too. Jane is displayed perfectly in her hiding behind the curtain. She is placed by a window, which beyond is icy and cold, contrasting immensely from the inside of the fire and warmth. A clear statement of the icy coldness of the family she has been put to live with, and her fiery and passionate nature which we discover th...
The use of elemental imagery in Jane Eyre, sustained throughout the novel both metaphorically and literally, is one of Charlotte Brontë's major stylistic devices. The natural opposition of the two elements of water and fire ("the war of the earthly elements", as Jane puts it) highlights the need for the titular heroine to find equilibrium between points identified as extremes. However, as David Lodge notes, "we should be mistaken in looking for a rigidly schematic system of elemental imagery and reference in Jane Eyre". Fire and water images in the novel have their shifting associations, which reflect on the characters of Jane, Rochester and St John Rivers. The broad suitability of the images shows that they can be both destructive forces and agents of renewal. Using them as both allows Brontë to show how far the characters have learnt to reconcile the Romantic desire for passion with the need for restraint, for it is only in that way that true personal selfhood can be realised. And this search for a personal selfhood, where one is judged on one's own character, not society's usual manner of judgment based on title, money or beauty, can be said to be the focus in the novel.
Several natural themes run through the novel, one of which is the image of a stormy sea. After Jane saves Rochester's life, she gives us the following metaphor of their relationship: "Till morning dawned I was tossed on a buoyant but unquiet sea . . . I thought sometimes I saw beyond its wild waters a shore . . . now and then a freshening gale, wakened by hope, bore my spirit triumphantly towards the bourne: but . . . a counteracting breeze blew off land, and continually drove me back." The gale is all the forces that prevent Jane's union with Rochester. Later, Brontë, whether it be intentional or not, conjures up the image of a buoyant sea when Rochester says of Jane: "Your habitual expression in those days, Jane, was . . . not buoyant." In fact, it is this buoyancy of Jane's relationship with Rochester that keeps Jane afloat at her time of crisis in the heath: "Why do I struggle to retain a valueless life? Because I know, or believe, Mr. Rochester is living."
In the well-praised novel Jane Eyre, the balance of passion (early 19th Century romanticism) and reason (Victorian realism) is represented as a major theme throughout. Bronte successfully displays the balance of passion and reason between Jane's relationship with Mr. Rochester and St. John Rivers as an obligatory aspect of marriage as well as a necessary ideology of life. Jane struggles with the balance of passion and reason initially with her relationship with Mr. Rochester at Thornfield. Her internal conflict soon continues when she meets St. John Rivers at Marsh End. Although Jane does not properly balance the novel's theme of passion and reason instantly, she achieves the balance at the end of the novel with Mr. Rochester.
Love is an important theme in the famous novel Jane Eyre by Charlotte Bronte. Jane's love for Rochester is clearly noticible throughout the novel. But Jane's true love for Rochster becomes appearent in only a few of her actions and emotions. Although it may seem Rochester manipulated her heart's desire, this can be disproven in her actions towards him. Jane followed her heart in the end, by returning to Rochester.