Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Dream career being an architect
My career as an architect
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Dream career being an architect
Louis Henry Sullivan, born 1856 in Boston, is one of the most famous American architects and is widely regarded as “The father of the skyscraper.” Sullivan’s designs, which number more than one hundred, are prevalent throughout a number of major cities in the U.S. Throughout his life Sullivan was intrigued with architecture and saw success from an early age. In his early years Louis Sullivan attended public schools around the Boston area and spent most of his summers on his grandparent’s farm. After graduating high school, Sullivan enrolled at MIT in 1872. Though successful academically, he was impatient and decided after completing his first year to drop out and pursue an apprenticeship or go to Paris to study architecture. Richard Hunt, It was Edelmann who would introduce Sullivan to his long-term business partner, Dankmar Adler. At the age of 24 Sullivan partnered up with Adler in 1881 and formed the Adler and Sullivan architectural firm. The duo found most of their success in numerous Chicago commercial buildings. With Sullivan’s design ability and Adler’s business intelligence, the two paired perfectly. The 1880s were a perfect time for the firm as they saw great expansion and the commissioning of a large number of works. Sullivan and Adler experimented in residential and some commercial endeavors, and while substantial they didn’t hold interest for long. In 1886, however, the firm got the commision for the Auditorium building, an office building and hotel combined around an auditorium. The 10 story building was completed in just under 3 years and while displaying a mostly simple granite exterior, the interior is where Sullivan and Adler’s work is truly expressed. The auditorium owes its lavish ornamentation to Sullivan’s great talent in the subject; the interior features an arched ceiling, plasterwork, and an abundance of light bulbs. Not only does the auditorium have astounding beauty, it features an amazing acoustical design thanks to Adler’s structural talent. As the first famous work of the firm the auditorium put Sullivan and Adler’s expertise on the Louis. Where many architects found trouble expressing the height of their skyscraper’s, Sullivan developed a new method to make the 10 story building appear much taller. Sullivan made the vertical elements of the building stand out by using decorative brick work, and set the horizontal elements back to make the building appear to have much greater height. The design was so successful in making the building stand out, Sullivan was drawn to Buffalo to design the Guaranty building. Now known as the Prudential building, it features a 16 story terra-cotta exterior using the same principle as the
Born in Ohio, Cass Gilbert studied at MIT and in Europe he subsequently set up practice in St. Paul with a former classmate, James Knox Taylor. After a ten-year partnership they split and Gilbert moved on to New York City. Although he had already designed notable buildings, such as the Broadway Chambers Building in 1899 and the Union Club in 1901, his widespread recognition came mostly after winning an Exposition gold at the Fair where he also designed the Palace of Fine Arts, which is now known as the St. Louis Art Museum.
The "Mixed Metaphors in Chicago. " Architectural Review August, 1933. v. 74 pp. 47-49.
Richard Morris Hunt was an American architect born in 1827. Hunt was born in Brattleboro, Vermont. His dad was a lawyer and US congressman, so their family had lots of money. He first attended Boston Latin School, and then in 1943 when his father died, he traveled to Europe to study art and architecture. In 1846 he would become the first American to attend the Ecole des Beaux Arts in Paris, the finest architecture school in the world. He finally settled in New York in 1855, where he made it his goal to raise the standard of design.
Le Corbusier was a Swiss-French artist mostly known for his work in architecture, but also practiced some in painting, design, and writing. He was closely associated with the new “modern” architecture movement and was a leader in the new field of urban planning in the mid 20th century. The works he produced can be found in Europe, the United State, and India. His work was both widely praised and criticized throughout his life and after his death. In addition to producing many great works of architecture, Le Corbusier led a full and very interesting personal life.
It is the new decade after the end of world war two and modernism is a well-established practice. Its pioneers and spearheads are prevalent figures looming over the new architects and designers who are trying to make their mark in the shadows of such historically influential people. With new technologies and materials emerging from the world wars the next era of modernism had started to evolved, bringing with it philosophies and ideas which seemed far removed from those of the pioneers of modernism “What emerged in the late 1940s and 1950s was an expanding synthesis of questions utterly removed from the confident statements of the pioneers.”(Spade 1971,10) Two significant buildings were designed in the 50's, both of them for educational institutes and to house students of architecture, there were both designed in completely different styles and methods. The first is Ludwig Mies van der Rohes' Crown Hall, finished in 1956 and designed as a part of a campus master plan for the Illinois Institute of technology in Chicago. Mies' design for Crown Hall is one of his most realised expressio...
In Chicago, he worked for architect Joseph Lyman Silsbee. Wright drafted the construction of his first building, the Lloyd-Jones family chapel, also known as Unity Chapel. One year later, he went to work for the firm of Adler and Sullivan, directly under Louis Sullivan. Wright adapted Sullivan's maxim "Form Follows Function" to his own revised theory of "Form and Function Are One." It was Sullivan's belief that American Architecture should be based on American function, not European traditions, a theory which Wright later developed further. Throughout his life, Wright acknowledged very few influences but credits Sullivan as a primary influence on his career. While working for Sullivan, Wright met and fell in love with Catherine Tobin. The two moved to ...
James F. O'Gorman, Dennis E. McGrath. ABC of Architecture. Philadelphia: University of Pennsylvania Press, 1998. Document. October 2013.
It appears that from the very beginning, Frank Lloyd Wright was destined by fate or determination to be one of the most celebrated architects of the twentieth century. Not only did Wright possess genius skills in the spatial cognition, his approach to architecture through geometric manipulation demonstrates one aspect of his creativeness. Forever a great businessman, Wright seemed to know how to please his clients and still produce some of the most innovative and ridiculed buildings of the early century. While the United States appeared to be caught up in the Victorian style, Frank Lloyd Wright stepped out in front to face the challenge of creating "American architecture" which would reflect the lives of the rapidly growing population of the Midwest United States. Howard Gardner in his book "Creating Minds" does not make any mention of Frank Lloyd Wright, an innovator who drastically influenced architecture of the twentieth century around the world.
Description Son of a yeoman farmer, Samuel Slater was born in Belper, Derbyshire, England on June 9, 1768. He became involved in the textile industry at the age of 14 when he was apprenticed to Jedediah Strutt, a partner of Richard Arkwright and the owner of one of the first cotton mills in Belper. Slater worked for Strutt for eight years and rose to become superintendent of Strutt's mill. It was in this capacity that he gained a comprehensive understanding of Arkwright's machines. Believing that textile industry in England had reached its peak; Slater immigrated secretly to America in 1789 in hopes of making his fortune in America's infant textile industry.
“In the Cause of Architecture” is an essay written by Frank Lloyd Wright in 1908. In this work, Wright outlines many of his architectural values. This text goes into great detail about the philosophy behind Frank Lloyd Wright’s architecture, as well as many important milestones in his life, such as working for Adler and Sullivan. This text is useful because it comes straight from Frank Lloyd Wright himself. It talks about many things important to his role as a notable American, such as his influences for his architecture and his architectural
In order to create innovative public architecture, considered to be the most civic, costly, time intensive and physical of the arts, the project holds a degree of risk, strife, and negotiation . Overcoming these tasks and creating worthy public architecture is a challenge designers try to accomplish, but are rarely successful. The people involved in a potential public building, can be larger than the building itself. Public architecture tries to please all, even the doubters and critics, but because of the all these factors, a building is closer to failing than succeeding.
Frank Lloyd Wright, American architect, who was a pioneer in the modern style, is considered one of the greatest figures in 20th-century architecture. Wright was born June 8, 1867, in Richland Center, Wisconsin. When he entered the University of Wisconsin in 1884 his interest in architecture had already acknowledged itself. The university offered no courses in his chosen field; however, he enrolled in civil engineering and gained some practical experience by working part time on a construction project at the university. In 1887 he left school and went to Chicago where he became a designer for the firm of Adler and Sullivan with a pay of twenty-five dollars a week. Soon Wright became Louis Sullivan’s chief assistant. Louis Sullivan, Chicago based architect, one of America’s advanced designers. Louis had a profound influence on Frank Lloyd Wright. Wright was assigned most of the firm’s home projects, but to pay his many debts he designed ‘Bootlegged Houses’ for private clients in his spare time. Sullivan disapproved, resulting in Wright leaving the firm in 1893 to establish his own office in Chicago.
Frank Lloyd Wright has been called “one of the greatest American architect as well as an Art dealer that produced a numerous buildings, including houses, resorts, gardens, office buildings, churches, banks and museums. Wright was the first architect that pursues a philosophy of truly organic architecture that responds to the symphonies and harmonies in human habitats to their natural world. He was the apprentice of “father of Modernism” Louis Sullivan, and he was also one of the most influential architects on 20th century in America, Wright is idealist with the use of elemental theme and nature materials (stone, wood, and water), the use of sky and prairie, as well as the use of geometrical lines in his buildings planning. He also defined a building as ‘being appropriate to place’ if it is in harmony with its natural environment, with the landscape (Larkin and Brooks, 1993).
One of America’s most celebrated architects of the 20th century is commonly recognized as Frank Lloyd Wright, whose most renowned project would be Fallingwater, a union of architecture, man, and nature.
Jencks believes “the glass-and-steel box has become the single most used form in Modern Architecture and it signifies throughout the world ‘office building’” (27). Thus, modern architecture is univalent in terms of form, in other words it is designed around one out of a few basic values using a limited number of materials and right angles. In...