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Importance of editing in film making
Importance of editing in film making
The importance of film editing
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Editing in The Shining In his classic horror film, The Shining, Stanley Kubrick utilizes many different elements of editing to create unique and terrifying scenes. Kubrick relies on editing to assist in the overall terrifying and horrifying feel created in the movie. Editing in the movie creates many different effects, but the most notable effects created add to the continuity of the film as well as the sense of fear and terror. One scene in particular stands out as a masterfully edited moment in the movie. In this scene, Wendy and Danny Torrance leave the inside of the hotel to go outside and explore the giant hedge maze. Wendy and Danny both run around in excitement as they delve deeper and deeper into the massive maze. The scene then cuts to a shot of Jack throwing a ball around the lobby of the hotel in boredom. He walks up to a three-dimensional model of the maze that is on a table in the lobby. The camera then cuts to a close-up of the model of the maze, and the audience sees what appears to be miniature versions of Wendy and Danny exploring the many corridors of the hedge maze. The audience can hear Wendy and Danny talking, and this helps assist the allusion of Jack watching the two go through the maze.
However, on the whole Ghost World shows a great deal of editing skill. Editing is not only used in the film as a method of joining events and creating a convincing timeline, but is also used as a tool to develop characters and emphasize different themes in the story. However, because the entire film is not treated with the same attention to detail, weak edit points stand out like eyesores. Yet, while hindering its overall effectiveness as a film, it is also this possession of both successful and unsuccessful editing that makes Ghost world such an excellent example of what a difference good editing can make in a production.
The Shining is a 1977 horror novel by Stephen King that is based on events at the Overlook Hotel where the Torrance family is snowed in for the winter which leads to some unfortunate events. Maus I: a Survivor’s Tale: My Father Bleeds History is a 1986 graphic novel by Art Spiegelman about the story of his father during the Holocaust. Both of these novels are good stories that are filled with episodes and events that are demonstrated differently. Although the plots of The Shining and Maus 1 bear some minor similarities, the difference between them are more clear, which includes whether the plot is linear and sequential, and the use of stream of consciousness, foreshadowing, and flashbacks. The novel Maus I is story within a story so it goes back and forth from the present and the past, which means the plot is not completely linear and sequential. In the other hand, the novel The Shining is more linear and sequential than Maus I. Both of the novels contains flashbacks and has foreshadowing but The Shining has more foreshadowing than Maus I but less flashbacks. The Shining clearly includes stream of consciousness while in Maus I it is not.
Of special note is that the horror is created, in large part, by suggestion rather than a heavy sledgehammer approach, In the most famous sequence of the film, the man d...
... time line of events. Which also goes hand in hand with Jacks insomnia, which shatters the barriers between reality versus fantasy, and memory versus dream for the spectator. Lastly the vast and bizarre camera angles from which the film was shot in help maintain the uncertain feeling for the spectator.
Far-Reaching History of The Shining The world of The Shining is a supernatural one, a world in which ghosts are real and can directly affect the living world. Yet this Supernatural world is also intended to be rational, one with “verisimilitude”, (“Writing The Shining” pg 60). What makes the ghosts in The Shining feel real? They mimic the less literal ghosts of the real world. As Diane Johnson, screenwriter of The Shining, remarks: “To what extent supernatural forces existed and to what extent these were psychological projections was something [Kubrick and I] discussed at length, finally deciding that the ghosts and magical apparitions at the Overlook Hotel were both” (“Writing The Shining” 58).
“Do you have the slightest idea what a moral or ethical principle is?” Deontology, or the adherence of one’s actions to a certain moral or ethical principle of operation, stands as an intruiging philosophy by itself. The opening sentence of this essay clearly possesses relevance to deontology. However, the quote does not originate from any philosopher, but instead from Jack Torrance of Stanley Kubrick’s The Shining. The film, from a superficial point of view, stands as an atmospheric horror film. However, instead of providing audiences with just a technically proficient film, Kubrick weaves the grounds for a foreboding subtext throughout his film. This essay examines The Shining by examining Robert Tonkin’s distinction between religion and
Perhaps no other film changed so drastically Hollywood's perception of the horror film as did PSYCHO. More surprising is the fact that this still unnerving horror classic was directed by Alfred Hitchcock, a filmmaker who never relied upon shock values until this film. Here Hitchcock indulged in nudity, bloodbaths, necrophilia, transvestism, schizophrenia, and a host of other taboos and got away with it, simply because he was Hitchcock.
Just about everyone can voice their opinions on a film that viewed as we all do after leaving the theatre. It may be found to be useful when a friend or individual is interested in seeing the film themselves. However, I believe the only way that you could understand a film is by analyzing the film beyond the average person. When one begins to analyze they begin to develop an understanding of the film and may grow to love the film. The director Hitchcock is a fairly well known director. He has directed many different films from Vertigo to Psycho that are found to be popular with the viewers. In this paper I am going to analyze certain elements that spoke out to me during the film. Those elements that spoke to me the most during the film was the lighting techniques, camera movement, and symbols.
Modern day horror films are very different from the first horror films which date back to the late nineteenth century, but the goal of shocking the audience is still the same. Over the course of its existence, the horror industry has had to innovate new ways to keep its viewers on the edge of their seats. Horror films are frightening films created solely to ignite anxiety and panic within the viewers. Dread and alarm summon deep fears by captivating the audience with a shocking, terrifying, and unpredictable finale that leaves the viewer stunned. (Horror Films)
My grandfather has always talked about how much movies have changed in such a short amount of time. His favorite movie, E.T.: The Extra-Terrestrial, is an example of how editing and special effects have changed drastically since only 1982 and even from the early 1900s. Watching a movie from this year compared to a movie from the 1930s, the viewer would notice many differences ranging from effects, transitions and especially quality. When film started in the late 1800s, there was no digital technology to edit films. There have been many contributors in the film industry that have helped evolve film to its digital age of today. Edwin Porter was the first person in film history to create a narrative film. Lev Kuleshov created a technique gives films certain moods to it and can affect a person’s emotions just by the way images are juxtaposed and edited together. Danny Boyle is an example of a modern day director that developed a set of guidelines that a director should reciprocate while filming. Film editing has revolutionized and developed so much since the early 1900s to now because of important contributors throughout its history that developed new technology and techniques.
The climactic scene towards the end where Michael reveals he is a man is full of cuts, moves that go from one shot to the next. In the scene the camera jumps around between Michael giving his speech, the cameramen frantically moving to get the right angle, the director freaking out trying telling the cameras where to move, and the other actors reacting to his speech. A jump cut, a cut from one scene to the next when the time and place has changed in the next scene, is used when Dorothy is going with Julie to her Dad’s farm. The first clip has them on the train heading to farm in the mid afternoon and then the film jumps to the truck arriving on the farm in the evening. The movie also uses a montage, a collection of shots edited together to create a specific look and feel, to show Dorothy’s photoshoots and magazine covers she appears on. They show glimpses of her posing for different photoshoots, one in a red dress, one in a cowboy costume, one with a male model, and then they show the magazine or article with the photo on it. This helps to show how popular Dorothy is, and helps pass time in the movie to jump to the next important
...successful collaboration of sound, colour, camera positioning and lighting are instrumental in portraying these themes. The techniques used heighten the suspense, drama and mood of each scene and enhance the film in order to convey to the spectator the intended messages.
the room. Light can really add a element to your scene . In this scene kubrick did a lot to add to
...of what an individual can truly be to give ambiguities of framing and atmosphere. The ending of the film is by far the most unnerving scenes of all time. This is done in one shot in front of the camera, no other dialogue is said but narration.
This film takes advantage of lots of short quick cuts in all of the action scene to keep the audience 's attention. The most used shot the tight shot to show character reactions and thought and decisions help convey a characters thoughts without having to state it outright. Most of the images on film are open, setting up the next shot for the camera to move next. They also use pan shots to show entrances and changes in location and create the illusion of motion in Matrix with it. The structural rhythm of the film is very quick helping with that action feeling. It play with the juxtaposition of the Matrix and real world. The film also frequently uses match cutting to drop in agents where people used to