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The value of African American literature
Research in african american literature
The value of African American literature
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Before Harlem’s public life was controlled by consumerism, there was democratic interaction by citizens. Chandler Owens, an African American writer and socialist, believed that cabarets invoked self expression and liberation. He wanted them incorporated into Harlem’s public life. However, other citizens were afraid that their community was going to become the central place for “entertainment and profit” (312). These citizens were afraid that their neighborhood was going to become a place solely for the purpose of making money. In the last paragraph of page 312 to the last paragraph of page 313 of Kevin Mattson’s “The Struggle for an Urban Democratic Public: Harlem in the 1920s” Mattson makes the argument that not only citizens, but also intellectuals came together to fight against issues that they believed were detrimental to their community. He argues that their battle against cabaret had everything to do with their morality and their “balance between rights and duties” (314) and nothing to do with Victorian prudery as Chandler Owen believed. Evidence of these arguments is given throughout the paragraphs. The cabarets not only brought money to Harlem, but also illegal alcohol and offensive advertisements. Mattson reveals that the citizens of Harlem “organized around these issues” (313). They gathered together to hold public meetings to talk about the action they needed to take to salvage their community. Mattson also mentions Edgar Grey who was a respected writer for the Amsterdam News and against cabarets. Grey, as an intellectual, did not fight back against Owen’s notion that those for cabarets just wanted to feel freedom and those who were against cabarets were basing their feelings on Victorian values. Grey founded his a... ... middle of paper ... ...essage in a more believable manner (The Harlem Renaissance, n.d.) In just a few paragraphs Mattson provides concrete evidence for his overall argument by creating more specific arguments and by using evidence from sources from the 1920s. In the three short paragraphs found on pages 312 to 314 he proves that before consumerism took over, Harlem was a place of strong democratic debate by citizens. He illustrates how passionately people gathered to educate themselves on issues that would affect them. His readers realize that without this communication public space is just a place where strangers pass each other by. The democratic interactions created much needed unity among neighbors, but the story of Harlem presented in this text shows how consumer culture and corporate power eventually takes over making Harlem a “playground for a new urban consumer ethic” (292).
Williams, Iain Cameron. Underneath a Harlem Moon: The Harlem to Paris Years of Adelaide Hall. London: Continuum, 2002. Print.
Gilbert Osofsky’s Harlem: The Making of a Ghetto paints a grim picture of inevitability for the once-exclusive neighborhood of Harlem, New York. Ososfky’s timeframe is set in 1890-1930 and his study is split up into three parts. His analysis is convincing in explaining the social and economic reasons why Harlem became the slum that it is widely infamous for today, but he fails to highlight many of the positive aspects of the enduring neighborhood, and the lack of political analysis in the book is troubling.
A three generation African American family of five living in a small, substandard apartment in the city of Chicago faced many obstacles in order to thrive. Blacks often felt that they could “be somebody” when they saw the growing shopping districts, parks and lake side beaches as well as theaters, ballrooms and fancy hotels (Mays). While great strides had been taken in ...
The "New Negro," the Black writers in 1920/30, tried to get out of the dominant white assimilation and practice their own tradition and identity in autonomous and active attitude. In virtue of their activities, the Harlem Renaissance became the time of sprouting the blackness. It offered the life of the black as the criterion to judge how well the democracy practices in America and to weigh the measure of the dream of America. Their vitality and artistic spirit, and dreams were so impressive that the Harlem of the 1920s has never been eluded out from the memory of American (Helbling 2).
The 1920s was a decade for creativity for black Americans that were living in New York city, particularly Harlem. Here Harlem became the race capital. Essentially, “on one hand, there emerged a new generation of black thinkers who were attracted by the promise of socialism” (Locke 929). The thinking Negro, has been encouraged to share a general attitude and focus his attention or controversial issues, to see himself as a view of a social problem.
During the first half of the 20th century, Harlem became a mecca for African American culture and ideas. Home to the Harlem Renaissance, Harlem housed many influential African American leaders and influenced much of African American culture of the 20th century. Harlem’s population exploded during the 1920s-30s due to the Harlem Renaissance, and continued to expand until reaching its peak during the 1950s. The decade of the 195...
Harlem soon became known as the “capital of black America” as the amount of blacks in this community was very substantial. Many of the inhabitants of this area were artists, entrepreneurs and black advocates with the urge to showcase their abilities and talents. The ...
The book asks two questions; first, why the changes that have taken place on the sidewalk over the past 40 years have occurred? Focusing on the concentration of poverty in some areas, people movement from one place to the other and how the people working/or living on Sixth Avenue come from such neighborhoods. Second, How the sidewalk life works today? By looking at the mainly poor black men, who work as book and magazine vendors, and/or live on the sidewalk of an upper-middle-class neighborhood. The book follows the lives of several men who work as book and magazine vendors in Greenwich Village during the 1990s, where mos...
Kellner, Bruce, ed. The Harlem Renaissance: A Historical Dictionary for the Era. Connecticut: Greenwood Press, 1984
The article discusses the need for these early Chicago saloons as a neighborhood commune for those men who labor long hours only to come home to poverty and despair of a desolate household. Melendy focuses on the mental, physiological, and moral nature of these workingmen. He points out that this saloon culture allows it’s patrons to develop these traits by interacting with their peers—others facing the same despair. These establishments are described as the “workingman’s school. He is both scholar and teacher” (Melendy pg. 78). Patrons gather at the bar, around tables and in the next room amongst games of pool, cards, and darts to discuss political and social problems, sporting news, and other neighborhood gossip. Here men, native and immigrant, exchange opinions and views of patriotism, brotherhood, and lessons in civil government. Melendy describes this atmosphere as cosmopolitan, and articulates that these businesses advertise this issue in their names. For example one of the downtown saloons was entitled “Everybody’s Exchange.” The saloon’s customers experienced a buffet of nationalities upon which was not so for those of poverty in previous decades. Saloons also served as disguises of corruption as Melendy illustrates by declaring “...
A newspaper from 1899 refers to a Negro paper that said, “There is nothing elevating or ennobling about ‘coon songs’ and ‘rag-time music’ and the cakewalk is positively degrading”. This critique is interesting because it is not only by African Americans, but it scorns African Americans. Even though it is odd to say, one could understand where some Cakewalk critics come from if they stay open-minded. Another colored critic from 1897 shared his feelings about a cakewalk in a newspaper that said, “He thinks the exhibition vulgar and degrading to its participants.” and “All the quaint charm of the old negro who did these things for their own sake is lost by these people who do them as a matter of show. Their self-consciousness spoils their naturalness.” The critic’s accusations of the dancers only performing to put on a show rather than “the purpose of keeping alive a characteristic custom of the negro” are comprehensible. While it is certain that some dancers performed honorably, the critic seems to have been justified in his opinion that dancing without a meaningful purpose is rather shameful. White critics had similar things to say about the Cakewalk, and another way that whites degraded African Americans was through sheet music covers filled with stereotypes and
Harlem Renaissance. (2007) The Columbia Eletronic Encyclopedia, 6th ed. Retrieved October 7, 2007 from Web site: http://www.factmonster.com./ce6/ent/A0822748.html
... The Harlem Renaissance was a time of growth and development in for African-Americans. They wrote novels, performed in clubs, and created the genre of Jazz. However, the Renaissance was imprisoned by its flaws. Rather then celebrating the unique culture of African-American’s, it oftentimes catered to what the White Americans would want to see and hear. Although racism seemed to be lower in Harlem and the Northern states, for many Blacks racism was at all time high. The Ku Klux Klan reached membership of astronomical proportions. They marched on Washington DC and handed out membership cards bashing minorities. Less educated Blacks, or those who couldn’t make it to Harlem, were often deemed ignorant. There was a barrier built between those Blacks with an education, and those without. And when the Great Depression hit, African Americans lost their jobs at a rate almost triple that of White Americans. Where was the equality Harlem had fought so hard for? The Harlem Renaissance, although it did achieve some remarkable things, did not redefine African American expression. That ideal, would take many more years of strife, struggle, and segregation to achieve.
Diana Kendall. “Framing Class, Vicarious Living and Conspicuous Consumption”. Colombo, “Rereading America”. Bedfords/St.Martin. Boston, New York, 2010. 330-348
In “To New York”, Senghor talks about the importance of black culture in New York and how cultures need to intermingle and work together in order to create a stronger society. He recognized that Harlem, a city within a city, was somehow alienated because of white cultural dominance in New York City. He felt that Harlem had many things that offered a positive contribution to the cultural unity of the city that were going unnoticed because of the ongoing Civil Rights struggles of that time period. Instead of pushing the message of revolt or fighting back, Senghor wanted people to recognize the importance of diversity and embrace their black cultural heritage, which was a functional part of New York city ...