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Features of post-colonial literature
Salient features of post colonial literature
Post colonial literatures characteristics
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Colonialism was when Europe took over most of Africa and Asia, and then Post-Colonialism followed. During Post-Colonialism people from Europe began to question the way European literature talked about people of color (Africans, Asians). This lens allows people to see the racism behind what they are reading, that it be intentional or unintentional. It questions poetic ideas like (darkness = evil) and (light = goodness, purity). It all gives you a different perspective on parts of the book to realize what is happening. OMAN tells the story of two friends during the Great Depression who go to a farm to fulfill their wish of owning a farm. Lennie has makes the whole dream harder because he must always watch out to make sure he doesn’t get in trouble. He has already gotten in to trouble in the past, and now he is too in this new farm.
“ I ain’t sure I want you in here no more. A colored man got to have some rights even if he don’t like them” (82).
This tells the reader he has certain freedoms, but they may not necessarily be things he likes to do or have. Being alone isn’t exactl...
Phillis Wheatley marks the beginning of the African-American literary tradition. Although she is the first African-American to become a published author, it is Wheatley’s work that proves her originality as it reflects a specific time in American history, her status as a slave, and a young woman of Christian faith (Harris). Each of these inherently contribute to her fresh African-American perspective. Wheatley is ingenious in the way she subtly ties in the roots of slavery and racism in a way that whites did not feel guarded. Not only does her work allow those with a conscious to at least somewhat consider the African-American point of view, but it invites criticism by those who care not to see African-Americans as intelligent equal beings that deserve respect. Some of the African-American community also criticizes that Wheatley did not speak enough about the injustices of slavery and prejudices of her time (Scheick). These critics are simply unable to see the Wheatley’s intent as her writing breeds originality and attention to a young and well-educated African-American woman whose words could stifle her freedoms if put any other way. In evaluating Wheatley’s On Being Brought from Africa to America, An Hymn to the Evening, and To the University of Cambridge, in New-England it is clear to see that she could only be imitative in style perhaps, but nuances of her heritage is what places her “writing at the heart of any definition of an African-American canon” (Harris).
... Negro mood, individual needs versus the race needs, right versus wrong and civilized verses primal instincts. In the end the Colonel was right. Negroes were born to serve and submit but not to an oppressor. Their serve and submit to their race and family needs.
It is impossible for anyone to survive a horrible event in their life without a relationship to have to keep them alive. The connection and emotional bond between the person suffering and the other is sometimes all they need to survive. On the other hand, not having anyone to believe in can make death appear easier than life allowing the person to give up instead of fighting for survival. In The Book of Negroes by Lawrence Hill, Aminata Diallo survives her course through slavery by remembering her family and the friends that she makes. Aminata is taught by her mother, Sira to deliver babies in the villages of her homeland. This skill proves to be very valuable to Aminata as it helps her deliver her friends babies and create a source of income. Aminata’s father taught Aminata to write small words in the dirt when she was small. Throughout the rest of the novel, Aminata carries this love for learning new things to the places that she travels and it inspires her to accept the opportunities given to her to learn how to write, read maps, and perform accounting duties. Early in the novel Aminata meets Chekura and they establish a strong relationship. Eventually they get married but they are separated numerous times after. Aminata continuously remembers and holds onto her times with Chekura amidst all of her troubles. CHILDREN. The only reason why Aminata Diallo does not die during her journey into and out of slavery is because she believes strongly in her parents, husband and children; therefore proving that people survive hardships only when they have relationships in which to believe.
"The two races have lived here together. The Negro has been here in America since 1619, a total of 344 years. He is not going anywhere else; this country is his home. He wants to do his part to help make his city, state, and nation a better place for everyone, regardless of color and race. Let me appeal to the consciences of many silent, responsible citizens of the white community who know that a victory for democracy in Jackson will be a victory for democracy everywhere” (Medgar Evers in Jackson Mississippi, 2013). This excerpt is taken from a 17 minute speech by Medgar Evers on May 20, 1963, in response to the vocal criticisms of Mayor Allen Thompson’s view of the National Association for the Advancement of Colored People (NAACP) as being ‘outside agitators’.
One of bar scenes show how the men in black said they worked for the immigration center and have the right to capture the protagonist but they were lying. The black community was willing to resist the oppression from the Caucasian men in black. When the man in black asked a black character named Fly, if he has a green card, he was stereotyping the black man. Fly responded “green card?...my people built this country…you ever been to South Carolina?...my people built that…all I know is when they got off the boat there was nothing there. Now there are shopping malls…” This quote is one of my favorite because of how Fly’s response had demonstrated his pride concerning his African heritage and roots. He was clear that his people were not to be portrayed as immigrants. They were brought to America as slaves against their will. Although they were at America before most immigrants arrived, they are portrayed as second-class
“The history of the American Negro is the history of this strife, – this longing to attain self-consciousness, manhood, to merge his double self into a better and truer self. In this merging he wishes neither of the older selves to be lost. He would not Africanize America, for America has too much to teach the world and Africa. He would not bleach his Negro soul in a flood of white Americanism, for he knows that Negro blood has a message f...
During the Harlem Renaissance period, many poets used it as a time to express their feelings and pain they endured, even after gaining freedom and rights as an African American. After feeling free for the first time, things turned to the worst when the New South restored White Supremacy and was still legal. Almost nineteen percent of African Americans lived in the New South. It was difficult everyday of their lives to feel like they were free because they were always being compared to their ancestors and seen as slaves and nothing more. (ushistory.org)
African- American folklore is arguably the basis for most African- American literature. In a country where as late as the 1860's there were laws prohibiting the teaching of slaves, it was necessary for the oral tradition to carry the values the group considered significant. Transition by the word of mouth took the place of pamphlets, poems, and novels. Themes such as the quest for freedom, the nature of evil, and the powerful verses the powerless became the themes of African- American literature. In a book called Fiction and Folklore: the novels of Toni Morrision author Trudier Harris explains that "Early folk beliefs were so powerful a force in the lives of slaves that their masters sought to co-opt that power. Slave masters used such beliefs in an attempt to control the behavior of their slaves"(Harris 2).
It is human nature to tell stories and to appreciate and participate in theatre traditions in every society. Every culture expresses theatre and may have their own traditions that have helped pave the way for how they are today. The involvement of African-Americans has increased tremendously in theatre since the nineteenth century and continues to increase as time goes on. African-Americans have overcome many obstacles with getting their rights and the participation and involvement of Theatre was something also worth fighting for. American history has played an important role with the participation of African-Americans in theatre. Slavery occurrence in America made it difficult for blacks in America to be taken seriously and to take on the characters of more serious roles. With many obstacles in the way African-Americans fought for their rights and also for the freedom that they deserved in America. As the participation of African-Americans involvement within the theatre increase so do the movements in which help make this possible. It is the determination of these leaders, groups, and Theaters that helped increase the participation and created the success that African-Americans received throughout history in American Theatre.
“Everytime I think about it I feel like somebody’s poking a red-hot iron down my throat…We live here and they live there. We black and they white. They got things and we ain’t. They do things and we can’t…I feel like I’m on the outside the world peeping in through a knot-hole in the fence…” (20).
He begins his address by stating that wise men (and women) should think it is illogical to hold Black people in a “state of servitude” for the color of their skin. Black people are being not only looked down on, but are being held them by white people, making them incapable of moving forward in life, and excelling. Allen reminds them that the treatment they receive is worse than that shown to animals, because “[…] a merciful man would not doom a best to” this type
In From Slavery to Freedom (2007), it was said that “the transition from slavery to freedom represents one of the major themes in the history of African Diaspora in the Americas” (para. 1). African American history plays an important role in American history not only because the Civil Rights Movement, but because of the strength and courage of Afro-Americans struggling to live a good life in America. Afro-Americans have been present in this country since the early 1600’s, and have been making history since. We as Americans have studied American history all throughout school, and took one Month out of the year to studied African American history. Of course we learn some things about the important people and events in African American history, but some of the most important things remain untold which will take more than a month to learn about.
Throughout the years, the image of the African American culture has been portrayed in in a negative light. Many people look to African, and African American literature to gain knowledge about the African American culture. The true culture and image often goes unseen, or is tarnished because writers who have no true insight or experience, have proceeded to write about things in which they are uneducated.. For years the world has seen writers attempt to taint and damage the image of the African American. Through strength and determination, several African American writers have been able to portray the true image and struggle of the Negro through various writings and narratives. This has helped give a factual insight about the African and the African American. Three particular authors helped give detailed insight about the African and The African American. African American themes of tribal belief, slavery, and The black family were displayed in the works of Chinua Achebe, Fredrick Douglass, and Ann Petry.
But one hundred years later, the Negro still is not free”. Which shows how even though the Emancipation Proclamation freed the African Americans from slavery, they still are not free because of segregation. He then transitions to the injustice and suffering that the African Americans face. He makes this argument when he proclaims, “We can never be satisfied as long as the Negro is the victim of the unspeakable horrors of police brutality. We will not be satisfied until justice rolls down like waters and righteousness like a mighty stream”.