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Importance of editing in film making
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"Editing and Bonnie and Clyde" Immediately in the film Bonnie and Clyde, director Arthur Penn uses editing to l;et the viewer know that the film will be moving at a rapid tempo. As photographs quickly flash across the introduction, it lets the viewer know that the action will be fast paced. Throughout Bonnie and Clyde the use of editing does indeed glamourize the criminal activity of the Barrow gang, and is also used to recruit the viewer to the Barrow’s side. This begins early as the rollicking banjo music that is played during getaway scenes is almost cartoon like, in which the hero always escapes. In contrast to traditional chase scene music; this banjo picking lets the viewer know that these are just kids “out having some fun”. Another …show more content…
There were many notes, and some were even relevant. I won’t list all of them, but here are some of Penn’s editing that led the audience into certain ways of thinking and feeling. There was the long shot of C.W parking the car on the empty street; we just knew that this was a bad idea. Then Penn shows C.W tapping his fingers; you just know the boy is getting nervous. There is the obvious challenge to authority when Penn shows us a close-up of the bullet-riddled foreclosure sign. There is also a two-shot in which we see Clyde’s sympathy for his first shooting victim, whereas in the same shot, Bonnie looks quite cool and collected. Shortly afterward, Penn uses a close-up to show the victim lying in a hospital bed and positively identifying the robbers; this lets the viewer know that the manhunt is about to begin. One excellent use of editing is when we see our first graphically violent scene, as Clyde commits his first murder. The reverse shot of the man clinging to the car, and then getting shot in the face was very effective. After the robbery, as the trio is sitting in the theater, Penn uses close-up shots of each character to portray their frame of mind. Bonnie is clearly focused on “we’re in the money”, whereas Clyde is worried about the impending murder charges, and C.W is showing his nervousness and regret by sweating
The events played in the movie were obviously crucial to the gunfight, but there were other circumstances that contributed. Perhaps the biggest problem that went unmentioned was the Benson Stage Robbery where Bud Philpot was murdered.
In cinema, lighting, blocking and panning drastically influence what an audience will notice and take away from a scene. Orson Welles’s 1941 Citizen Kane has numerous examples of effectively using these aspects within mise-en-scène, cinematography and editing to portray the importance of specific events and items in the film. The scene where Kane writes and then publishes his “Declaration of Principles” (37:42-39:42) in the New York Daily Inquirer after buying them focuses on important elements of the film, aiding the audience by combining lighting, blocking and panning to define significant roles and objects that further the movie as a whole.
Three additional children followed Clyde’s birth, and the families financial difficulties worsened as the price for cotton bounced up and down. After some years the Barrow’s found it impossible to provide for their children and sent them to live with relatives in east Texas. At one relatives home Clyde developed two interests that remained with him to the end of hid life: a passion for music, and an obsession with guns. Even as Clyde drove along the lane in Louisiana to his death, he carried a saxophone and reams of sheet music, as well as an arsenal of firearms. Clyde loved and named his guns, and regarded them as tokens of his power.
Somewhere out in the Old West wind kicks up dust off a lone road through a lawless town, a road once dominated by men with gun belts attached at the hip, boots upon their feet and spurs that clanged as they traversed the dusty road. The gunslinger hero, a man with a violent past and present, a man who eventually would succumb to the progress of the frontier, he is the embodiment of the values of freedom and the land the he defends with his gun. Inseparable is the iconography of the West in the imagination of Americans, the figure of the gunslinger is part of this iconography, his law was through the gun and his boots with spurs signaled his arrival, commanding order by way of violent intentions. The Western also had other iconic figures that populated the Old West, the lawman, in contrast to the gunslinger, had a different weapon to yield, the law. In the frontier, his belief in law and order as well as knowledge and education, brought civility to the untamed frontier. The Western was and still is the “essential American film genre, the cornerstone of American identity.” (Holtz p. 111) There is a strong link between America’s past and the Western film genre, documenting and reflecting the nations changes through conflict in the construction of an expanding nation. Taking the genres classical conventions, such as the gunslinger, and interpret them into the ideology of America. Thus The Western’s classical gunslinger, the personification of America’s violent past to protect the freedoms of a nation, the Modernist takes the familiar convention and buries him to signify that societies attitude has change towards the use of diplomacy, by way of outmoding the gunslinger in favor of the lawman, taming the frontier with civility.
An early scene in George Roy Hill’s film Butch Cassidy and the Sundance Kid (1969) shows illustrious bandit Butch Cassidy walking into a bank and observing a series of security upgrades (e.g. an alarm system, a safe, and several different locks). As Butch Cassidy exits the establishment, he asks the security guard, “What happened to the old bank?” The guard responds, “People kept robbing it.” Butch remarks, “Small price to pay for beauty.” Although Butch Cassidy’s disappointed assertion may have been rooted in disappointment for the loss of a heist rather than the loss of architectural merit, it leads one to question: To what extent are cultural attributes lost at the expense of new technology? I will consider this question as I examine the ways in which Butch Cassidy and the Sundance Kid highlights the
Capote presents alternating perspectives, the four members of the Clutter family Nancy, Kenyon, Mrs. Clutter and Mr. Clutter, being victims, and the two murderers, Dick Hickock and Perry Smith. These different perspectives allow the reader to relive each side of the story for example, “Good grief, Kenyon” (Capote 17). Then the next part begins "Dick was driving a black 1949 Chevrolet sedan” (Capote 22). The alternating views help to control each section of thoughts and help prevent the reader from misinterpreting the thoughts. I found it easier to read since so many characters were involved. By using this perspective the reader gathers pieces of the puzzle leading up to an awful Clutter family murder.
A more modern outlook on the film recognizes the film's flaws but gives it, it’s credit as the last fully realized work of one of the most important directors in American cinema history. Ford understood that an audience's recollections of older, less complex Westerns would add a layer of expressiveness to the viewing experience. The black-and-white structure helps him achieve this. Ford’s decision to shoot the film in black and white in 1962 produced a dark, anachronistic look, while the unconcealed soundstage effects of the film’s opening scene reinforced Ford’s vision of a wilderness, interiored Western frontier. Just as Ford intended, many of the flashback scenes are masked in darkness, whereas the frame tale is immersed in light. This con...
...and framing, Hitchcock expresses the horror of wrongful imprisonment through visual devices. Hitchcock allows Hannay to escape the snare of the police into the open world, as Hannay finds himself outside in a parade. Hannay, now free from the confines of the sheriff’s office and walking amidst the people, is now vindicated, living momentarily in the comfort of anonymity. But Hitchcock re-plays his fears, so of course Hannay will soon be back in the binding spotlight in the next sequence. Yet it is more than the fear of police and confinement that is a mark of the Hitchcock film - it is the visual expression of these psychological states that are examples of the artistry of Hitchcock as an auteur. And as seen through the first shot of the chosen sequence in which the sheriff’s laugh is merged with the crofter’s wife’s screams, Hitchcock went beyond the German Expressionists that he admired, manipulating sound to express ideas in their purest, most subtle forms.
The film had many elements, one being dialogue especially in that first scene. Kasdan had the guys who approached Mack just being them self’s and saying things how the normally would in a real life situation. “Do you respect me, or do you respect my gun” says one of the guys to Simon. Another element was the camera shots and sound effects that made me feel the way the characters did. Like in this first scene the way the camera paneled around the car as the guys were harassing him showed how over whelming the situation was. Then when you could hear the tow truck coming down the street showed a sense of
Capote’s structure throughout the entire book created an excellent backbone to tell the two alternating perspectives of the book that is of the victims; the clutter family and the murders; Dick Hickock and Perry Smith. This allowed Capote to not have a bias towards the accounts being told. The pattern of victims then the murderers causes an attractive puzzle where the reader collects an amount of information leading to the climax of the actual slaughter. He actually contin...
My grandfather has always talked about how much movies have changed in such a short amount of time. His favorite movie, E.T.: The Extra-Terrestrial, is an example of how editing and special effects have changed drastically since only 1982 and even from the early 1900s. Watching a movie from this year compared to a movie from the 1930s, the viewer would notice many differences ranging from effects, transitions and especially quality. When film started in the late 1800s, there was no digital technology to edit films. There have been many contributors in the film industry that have helped evolve film to its digital age of today. Edwin Porter was the first person in film history to create a narrative film. Lev Kuleshov created a technique gives films certain moods to it and can affect a person’s emotions just by the way images are juxtaposed and edited together. Danny Boyle is an example of a modern day director that developed a set of guidelines that a director should reciprocate while filming. Film editing has revolutionized and developed so much since the early 1900s to now because of important contributors throughout its history that developed new technology and techniques.
Bonnie Parker grew up with a normal childhood went to school every day was an above average student. She was born in Rowena Texas on October 10, 1910. Her father Charles Parker was a brick layer, but he died when bonnie was only four. After her father’s death the family moved in with her grandparents by Dallas Texas. She met Roy Thornton and soon after they got married, but Thornton got in trouble with the law and sentenced to five years in prison leaving bonnie on her own. She had a waitress job but was unhappy after Roy left. Until went to visit a friend in West Dallas where she then met Clyde Barrow. Clyde was born March 24, 1909 in Telico Texas. Clyde Barrow’s father was Henry Barrow who was a share cropper. He was one of eight children in the family. Clyde’s academics was anything but consistent. When his father quit farming the family moved to West Dallas which was were his dad opened a service shop. Clyde started high school but that was short lived he dropped out of school. Bonnie and Clyde met in West Dallas at a mutual friend’s house .Bonnie’s life prior to their crime spree was completely normal for a teenage high school student job at a café, showing no signs of becoming a notorious robber. Clyde on the other hand was the complete opposite. After dropping out of high school he went out with his brother selling stole...
Capote uses different voices to tell the story, creating an intimacy between the readers and the murders, the readers and the victims, and all the other players in this event—townspeople, investigators, friends of the family. This intimacy lead...
In his classic horror film, The Shining, Stanley Kubrick utilizes many different elements of editing to create unique and terrifying scenes. Kubrick relies on editing to assist in the overall terrifying and horrifying feel created in the movie. Editing in the movie creates many different effects, but the most notable effects created add to the continuity of the film as well as the sense of fear and terror.
Edwin S. Porter contributed the following editing styles and techniques to film. He used a dissolve between every shot just and he frequently had the same action repeated across the dissolves. According to Filmrefrence.com “Edison Company’s new Vitascope projector in Indiana and California, and Porter worked with them as a projectionist in Los Angeles and Indianapolis. Later that year he went to work for Raff & Gammon in New York but left after the Edison Company broke with Raff & Gammon. He then toured with entertainers through the Caribbean as an exhibitor of motion pictures, and in early 1897 he helped build the projector at the Eden Musée”(Filmrefrence.com.2014).