Billie Holiday: One Of The Greatest Jazz Voices Of All Time

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Personally one of my favorite artists of all time, Billie Holiday, is known to be a true artist known in American pop and jazz history. She lived an emotional and challenging life, with plenty of stories to tell and enough sorrow to fill a songbook. Holiday sang with incredible profundity, sophistication, and her unique vocals is still considered to be one of the greatest jazz voices of all time.
Billie Holiday, born Eleanora Fagan Gough on April 7th, 1915 was born in Baltimore, Maryland. She was raised primarily by her mother Sadie Fagan, Holiday’s father, Clarence Holiday was teenage jazz guitarist in Fletcher Henderson’s band, and he never married her mother and left while his daughter was still a baby. Her mother was also a young teenager at the time, and in 1927 Holiday dropped out of the fifth grade and moved to Harlem with her mother. She helped her mother with domestic work as a cleaner at a bordello, which led to her discovery of jazz, in particular Bessie Smith and Louie Armstrong. Soon she began prostitution with her mother for additional income, and at the age of fourteen, she was arrested along with her mother for prostitution.
In the early 1930’s, Holiday sang for tips in clubs in New York and it was around that time she took on her stage name. “Billie” was inspired by the actress Billie Dove, and Holiday from her father. In the autobiographical book “Lady Sings the Blues”, Holiday claims her big singing break came in 1933, when she looked for work as a dancer at a Harlem speakeasy. When there wasn’t an opening for a dancer, she auditioned as a singer. (Holiday, Lady Sings the Blues) Holiday wowed the owner and began singing in Harlem jazz clubs and impressed jazz writer and producer John Hammond. He heard her fil...

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...’s rhythm and phrasing, which she incorporated in her own vocal melodies. Holiday wrote in her autobiography “Lady Sings the Blues”, “I spent many a wonderful hours there listening to Pops and Bessie. I remember Pops’ recording of “West End Blues” and how it used to gas me. It was the first time I ever heard anybody sin without using any words”. (Holiday, Lady Sings the Blues) If you listen closely to her songs and Armstrong’s songs, you recognize how Holiday learned how to sing and swing at the same time, similar to Armstrong’s technique. In 1958, a year before she died, Frank Sinatra said that Holiday was “Unquestionably the most important influence on American popular singing in the last 20 years.” Not only did she develop a memorable and unique style of jazz singing but the way she approached her material left its mark on many of her peers, both in jazz and out.

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