Analysis Of Crash The Movie

David Geller
Prof. Forleo
Intro to Film
12/21/17
Crash-Synthesis Paul Haggis’ 2004 film “Crash” is an examination of the human condition in the very diverse city of Los Angeles. This film is an emotionally engaging look at prejudice which the film finds in all people regardless of ethnic background or social status. Paul Haggis uses several film techniques in this film in order to engage and immerse the viewer in a character study. Crash’s story can seem confusing at first mostly because it’s really just a collection of loosely intertwining sub plots. But all of them show how human lives can intersect without the knowledge of those experiencing these relationships, all of the characters are connected by one event or another. Each of them carries with
The movie begins with the out of focus shots of the car headlights which might perhaps be setting up the viewers to observe that the film characters will not be what they appear and might as well lack spotlight right through the movie as well. The cinematography about the preponderance of the movie is delicate as the director choose to spotlight additional on close-ups and the rare feelings on the actor’s expressions and faces. There are extremely few scenes where several action is essential to bear the film, however the scenes that do include action, for instance the carjacking attempted of character of Terrence Howard’s, Cameron, and the resulting chase of police in the course of Los Angeles, it was steady with the storyline and essential to the on the whole plot. The viewpoint shots that were utilized in the movie bring the observers additional into the action of the movie and decreased the space between the characters and audience. This permitted the a variety of stereotypes and depictions of the characters to turn out to be additional pronounced, and although a few of the