Intersectionality in Crash: A Look Into Anthony

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Intersectionality in Crash: A Look into Anthony In the world of sociology and the studies of human interaction, the term intersectionality has been defined as, “the idea that various biological, social, and cultural categories – including gender, race, class, and ethnicity – interact and contribute towards systematic social inequality” (“Definition of Intersectionality – Sociology”). However, as Dr. White defined the term on the Spring 2014 Final Writing Assignment sheet, these categories that make up one’s identity can “intersect or interact in ways that can either advantage or disadvantage the person’s well-being and development” (White). In regards to the text, David M. Newman’s Identities & Inequalities: Exploring the Intersections of Race, Class, Gender, and Sexuality, Newman progressively explores the concept of intersectionality throughout the entirety of the text, but he does not ever actually define the term itself. Although an exact, clear-cut definition of the term “intersectionality” has not been officially established, the concept of the term is fairly simple to understand. Every person has different social identities that they carry to their name. Intersectionality is simply an analysis of how those different identities play off of each other and how they affect the person they are describing. In the 2004 film Crash, directed and written by Paul Haggis along with fellow screenplay writer Bobby Moresco (“Crash: Full Cast & Crew”), the entire storyline of the film is heavily influenced by intersectionality and skewed perceptions of other social groups within society. The character that I am choosing to focus on specifically is the character Anthony, played by Christopher Bridges (also known as Ludacris). Anthony’s ... ... middle of paper ... ... that the film opens with. While the story may be slightly dramatic and pieces of the story “coincidentally” seem to fall into exactly the wrong place at the wrong time causing the tragedies in the film to happen, the events in this film are entirely capable of being a reality. Racism and prejudice continue to be prevalent issues in our society, but like Anthony, we can learn to overcome anything that holds us back from putting unity into practice and making our world a better place for everyone. Works Cited Crash. Dir. Paul Haggis. Lions Gate Entertainment, 2004. DVD. "Crash: Full Cast & Crew." IMDb., 1 Jan. 2014. Web. 2 May 2014. "Definition of Intersectionality - Sociology.” Boundless., n.d. Web. 2 May 2014. White, Sharon Lee. "Race, Class, Gender, and Sexuality in the film Crash.” Blackboard, 28 Apr. 2014. Web. 2 May 2014

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