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Life after death in Christianity
Life after death in Christianity
Dante alighieri & the divine comedy analysis
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Afterlife: The Implications of the Human Free Will
Dr. Armand M. Nicholi, Jr writes in his book, “The Question of God: C.S. Lewis and Sigmund Freud Debate God, Love, Sex, and the Meaning of Life”, that “Soon after we arrive on this earth, we become aware of the most fundamental fact of our existence—that we won't be here very long” (Nicholi 216). The statement is morbid, but truth isn't always so polite. While lecturing at Oxford University on “Wartime”, C.S. Lewis pointed out “one hundred percent of us die and the percentage cannot be increased” (Nicholi 233). If death is inevitable, what about the afterlife? An exquisite example of a philosophical pursuit to this question is “The Great Divorce” by C.S. Lewis. Lewis was a celebrated
Many readers and scholars have noted a fundamental similarity between Dante’s The Divine Comedy and The Great Divorce because each story is set in
Lewis was profoundly interested in the conditions of souls between death and resurrection. He was convinced that the choices that are made on earth, eventually lead to two possible destinations. Christianity, which Lewis was an apologist, holds the doctrine that the afterlife has within it these two possible destinations, namely heaven or hell. According to one theologian hell can be defined as “a place of eternal conscious punishment for the wicked” (Grudem). Lewis would agree that hell is “the final abode of those who refuse Heaven” (Clark 228). Of heaven, Millard Erickson states, “While heaven is both a place and a state, it is primarily a state” (Erickson 1232). Others, such as famous poet William Blake have suggested that there can be an unorthodox marriage between heaven and hell. The problem is that while The Marriage of Heaven and Hell attacks the orthodox position by arguing that evil is important and necessary, it also seems to argue that “evil” has to be transformed into good (Stewart 43). Lewis mentions in the preface of his novel that “Blake wrote the Marriage of Heaven and Hell […] But in some sense or other the attempt to make that marriage is perennial. The attempt is based on the belief that reality never presents us with an unavoidable ‘either-or’” (Lewis VII). He means that there
Throughout the works of famous pieces of literature such as Dante Alighieri’s Inferno and William Shakespeare’s King Lear, the common theme of justice is prevalent throughout the works. Often resulting in physical pain, the concept of justice throughout these two works of literature reinforces the brute and cruel perspective that Dante and King Lear experience firsthand. The subsequent death of King Lear after Cordelia demonstrates the ultimate guilt in which King Lear experienced due to his arrogant and ignorant perception of the amount of love that Cordelia feels towards her father. Dante’s journey through the afterlife conveys the illumination of his transformation from a sinner who lost his path, to a spiritually righteous man.
A Comparison of Two Accounts of Life After Death Materialism is the view that the body and mind are inseparable, and for there to be life after death then the body must be resurrected. This is much like the Christian view of life after death. John Hick was a materialist and he argued that, in certain circumstances, it would be possible that the dead could exist as themselves after death, if an exact replica were to appear. Hick uses thought experiments to show the person who dies in this world is the same person who is resurrected in the next. He uses examples of using a character named John Smith.
The beginning of the book The Great Divorce by C.S. Lewis was difficult to understand and hard to figure out, but as you read on, you come to find out that this book is about heaven and hell and the people that go there. The narrator, who is the main character in the book, tells the story on what he sees from his eyes. The author describes hell as a dark, cold town with alleys that people live in and no one to be seen on the streets, and heaven as this place that looks beautiful with green grass, mountains, rivers, and animals running around. C. S. Lewis uses different characters throughout the book to help understand the scene and the situations that are going on. The ghosts that go with him to heaven from hell are all different and play a big role in this novel.
Dante, an Italian poet during the late middle ages, successfully parallels courtly love with Platonic love in both the La Vita Nuova and the Divine Comedy. Though following the common characteristics of a courtly love, Dante attempts to promote love by elevating it through the lenses of difference levels. Through his love affair with Beatrice, although Beatrice has died, he remains his love and prompts a state of godly love in Paradiso. Dante, aiming to promote the most ideal type of love, criticizes common lust while praises the godly love by comparing his state of mind before and after Beatrice’s death. PJ Klemp essay “Layers of love in Dante’s Vita Nuova” explains the origins of Dante’s love in Plato and Aristotle themes that designate
“Our sense of self, our sense of humor, our ability to think ahead — gone within the first 10 to 20 seconds” (Shaw, 2017). The afterlife has been questioned so much, especially throughout the thoughts of religion. “Theories abound from logical to irrational, yet there is no concrete evidence about the afterlife.” (Shaw, 2017). The idea of their being an afterlife maybe hard to grasp because it is based on having faith. Due to this, hoping there is a heavenly estate after death is not wrong but there is no significant evidence to supports this idea. Therefore, what waits after death maybe neither heaven nor hell due to the varies influential factors that can contribute to the idea of the afterlife.
“If you would not be forgotten as soon as you are dead and rotten, either write things worth reading or do things worth writing.” This maxim applies to the poet Dante Alighieri, writer of The Inferno in the 1300s, because it asserts the need to establish oneself as a contributor to society. Indeed, Dante’s work contributes much to Renaissance Italy as his work is the first of its scope and size to be written in the vernacular. Due to its readability and availability, The Inferno is a nationalistic symbol. With this widespread availability also comes a certain social responsibility; even though Dante’s audience would have been familiar with the religious dogma, he assumes the didactic role of illustrating his own version of Christian justice and emphasizes the need for a personal understanding of divine wisdom and contrapasso, the idea of the perfect punishment for the crime. Dante acts as both author and narrator, completing a physical and spiritual journey into the underworld with Virgil as his guide and mentor. The journey from darkness into light is an allegory full of symbolism, much like that of Plato’s Allegory of the Cave, which shows a philosopher’s journey towards truth. Therefore, Dante would also agree with the maxim, “Wise men learn by others’ harms; fools scarcely by their own,” because on the road to gaining knowledge and spiritual enlightenment, characters who learn valuable lessons from the misfortunes of others strengthen their own paradigms. Nonetheless, the only true way to gain knowledge is to experience it first hand. Dante’s character finds truth by way of his own personal quest.
George MacDonald the narrator/teacher, from whom Lewis found inspiration for his book, is the guide in the journey through the gates of heaven. This provides great wisdom throughout the book which is not understood without reflection. MacDonald in essence presents Lewis with a choice while journeying in the gates of heaven. The stories of lost ghosts in the heavenly gates only provide reflection for Lewis’ own choice. This choice is not revealed by Lewis, rather it is up to the reader to make his/her own choice. MacDonald gives guidance towards our choice, “The choice of every lost soul can be expressed in the words, ‘Better to reign in Hell than serve in Heaven.’ There is always something they prefer to joy....” (71).
Infidelity is a theme found throughout both Dante’s Inferno and One Thousand and One Nights. In the first text, Dante -the protagonist and narrator of the story- first happens upon the unfaithful in the Second Circle of Hell found in Canto V. These individuals are facing punishment for eternity due to their lustful nature as human beings (Alighieri Canto V). The consequences of acting upon their lustful urges result in the adulterers eternally being thrust into an:
He begins by looking at the very common views of death that are held by most people in the world, and tells us that he will talk of death as the "unequivocal and permanent end to our existence" and look directly at the nature of death itself (1). The first view that
“Bernard Williams is a distinguished twentieth-century english moral philosopher” (Jacobsen, p. 104). His perception of death and desire varies greatly from Lucretius who was a Roman follower of the ancient atomism and defended the views of Epicurus who like Lucretius, declared that death is a bad thing for people. On the contrary, Williams asserts that death gives meaning to life and that immorality might not be such a good thing and rather he believes that it is to be undesirable. The reasons as to why Williams thinks that a person’s death is a bad thing is due to the fact that when a person dies they are no longer able to fulfill/satisfy the desires we had when we were alive.
In BJ Millers TedTalk, “What Really Matters at the End of Life?” BJ Miller discusses on how we think on death and honor life. He speaks to the audience about how for the most people the scariest thing about death is not death itself, it is actually dying or suffering. The targeted audience is everyone in the world, because eventually everyone is going to die and everyone thinks about death. BJ 3 has big points in the article saying, Distinction between necessary and unnecessary suffering. Also by having a little ritual that helps with this shift in perspective. Another point is to lift and set our sights on well-being. We need to lift our sights, to set our sights on well-being, so that life and health and healthcare can become about making life more wonderful, rather than just less horrible.
The concept of human mortality and how it is dealt with is dependent upon one’s society or culture. For it is the society that has great impact on the individual’s beliefs. Hence, it is also possible for other cultures to influence the people of a different culture on such comprehensions. The primary and traditional way men and women have made dying a less depressing and disturbing idea is though religion. Various religions offer the comforting conception of death as a begining for another life or perhaps a continuation for the former.
Dante’s Inferno presents the reader with many questions and thought provoking dialogue to interpret. These crossroads provide points of contemplation and thought. Dante’s graphic depiction of hell and its eternal punishment is filled with imagery and allegorical meanings. Examining one of these cruxes of why there is a rift in the pits of hell, can lead the reader to interpret why Dante used the language he did to relate the Idea of a Just and perfect punishment by God.
People in today’s world are more open-minded and opinionated than ever before. This has changed the way literature is viewed today. There are many social groups with different ideologies all who view works of literature in their own way. Although authors express their ideas in their own words the different types of readers can interpret it with their own meaning. In one piece of literature, Dante’s Inferno, the author’s trip through hell can be viewed and interpreted in many ways. An individual can perceive different meanings from Dante’s Inferno based on their beliefs and background.
To understand The Divine Comedy and its impact, an understanding of Dante Alighieri’s life of tragic love and civil war can assist in unraveling the truth on Dante’s philosophical epic. Alighieri’s grief of a lost love and his involvement in a civil war led to his philosophical masterpiece, The Divine Comedy, influenced by classical writers like Homer and Virgil, using a distinct style and use of language that reflect Alighieri’s early life and philosophical involvement.