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Essay on the importance of understanding the holocaust
Holocaust 4 essay
Holocaust 4 essay
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The graphic novels Maus and Maus II by Art Spiegelman possess the power to make the reader understand the pain and suffering that takes place during the Holocaust. Spiegelman uses animals instead of humans in his graphic novels to represent the different races of people. The use of visual mediums in Art Spiegelman’s Maus enhances the reading of the narrative. The graphics throughout the novel help the reader fully understand everything that is happening. The victims of the Holocaust lose sight of who they are during this time and begin to live their life by playing a part they believe they were because of their race. Loman discussed the irony behind the cat-and-mouse metaphor that Spiegelman uses in his graphic novel in his article titled “’Well Intended Liberal Slop’: Allegories of Race in Spiegelman’s Maus”. In his article he states, For many reasons, the translation of the cat-and-mouse metaphor from America to Nazi Germany succeeds brilliantly. As Spiegelman’s research incontrovertibly bears out, in many instances Nazi propagandists represented Jews as mice or rats, claiming thereby that the Jewish presence in Europe was an infestation of vermin that needed to be wiped out. And there are various grotesque ironies that Spiegelman noted in the course of his research; for instance, Zyklon B, the poison used in the gas chambers, was first developed as a pesticide. Loman demonstrates that Spiegelman did not just randomly choose these animals to represent all the people during the Holocaust. Spiegelman used these animals to help demonstrate how these people were feeling. The Jewish people during the Holocaust suffered from dehumanization and treated like vermin. All the advertisements used by Nazi Germany during this time depict th... ... middle of paper ... ...ader understand what people go through during the Holocaust. By illustrating the different races of people using different animals, it helps the reader understand the power of identity during a traumatic event. By telling the Jewish population numerous times that they are worthless, they begin to believe this and in a sense give up in their fight for their life. The graphics go along with the narration of the story to help illustrate to the reader the difficulties faced by the Jewish citizens just because they are Jewish. When the reader sees a cat on the page with a mouse it causes the reader to tense up and really feel the difficulties faced during the Holocaust because of discrimination. The portrayal of the characters as animals in his novel is a sort of allegory to demonstrate the struggles faced during the Holocaust with regards to identity and discrimination.
“The Holocaust: 36 Questions & Answers About the Holocaust.” 36 Questions & Answers About the Holocaust. N.p., n.d. Web. 06 Feb. 2014
In Maus, Spiegelman shows how jews were being dehumanized by using mice to represent the Jews and cats to represent the Germans.Cats hunt and attack mice just like Germans killed and attacked many Jews. Like in Night, Spiegelman father went through the same thing, the Germans took Jews to Auschwitz, they took mostly kids some only two or three years old, “ The kids would scream and scream, so the Germans would swing them by the legs against a wall and they never screamed again.” (Spiegelman, 108). The Germans did not care if the Jew was a child they would still hurt them. The Jews would hide from Germans so they would not be taken away, “ A tunnel made from shoes! be prepared on a moments notice, everything was ready here so 15 or 16 people could hide.” (Spiegelman, 121).Just like mice hide to not get killed so did the Jews, they would hide from the Germans so they would not get hurt or killed. The Germans treated the Jews horribly, “ We knew the stories- they will gas us and throw us in the ovens.This was late 1944… we knew everything. And here we were.” (Spiegelman, 157) The Jews were scared because of all the bad stories they heard from others and their experience. The mice were not accepted by the Germans, they did not like them which is why the were seen as
The violent actions of the Germans during this event force an image upon them that conveys the message that the Germans had little respect for the life of a person, specifically that of a follower of Judaism, and their capability to act viciously. If the Germans are acting so cruel and begin to act this way as an instinct towards the Jews, they are losing the ability to sympathize with other people. This would be losing the one thing that distinguishes a human from any other species, and this quote is an example of the dehumanization of the victim, as well as the perpetrator. Later on in Night, all the Jewish prisoners discover their fate at the camps and what will happen to people at the crematorium. They respond by saying to the people around them that they “...can’t let them kill us like that, like cattle in the slaughterhouse” (Wiesel 31). This simile develops the theme by comparing the Jewish prisoners to cattle in a slaughterhouse and emphasizes what little value their lives had to the Germans, implying they are not worthy of human qualities. The Germans are once again not able to emphasize with the Jews that are around them and being murdered, which over the course of the novel leads to them being
In the story if Maus, written by Art Spiegelman, is not only a story about a father’s story of his life in the Holocaust, but one of a father who has horrific problems relating to his son. These issues are shown from beginning to end and in many instances show the complexity of the...
Firstly, there were many incidents where the Jewish people were trying to escape the Germans, and so they had to hide their identities. The author represented this disguise by drawing cat masks on his mouse characters (MAUS 1 page 136). These thin masks symbolized how easily they could have been recognized and caught; thus it accurately details how dire the situation was for those who were in hiding. It also helped the reader consciously think about who the oppressor and the oppressed is. Secondly, the animals that represented each race, accurately symbolized what role they played in the events of the Shoah. The Jewish people were represented by a vulnerable animal, mice, and were hunted down by the German people, who were the cats. The Polish people were represented as pigs, because they often sold out the Jewish people (i.e., page 143 MAUS 1). The Americans were drawn as dogs, because they chased cats, and sympathized with the mice. The author’s choice to use mice as the representation of the Jewish people is multifold. The Nazi’s themselves negatively propagated the Jewish people as the “vermin of mankind” who “infected” society. They were treated as subhuman, caged like animals, and forced to live in ghettos where they would be swarming in tight quarters. Its as if the perpetrators, in this symbolic imagery, were
Art Spiegelman's Maus is a renowned comic book that won a Pulitzer Prize. The book was published in two parts, Volume I: "My Father Bleeds History," in 1986, and Volume II: "And Here My Troubles Began," in 1991. It was later integrated into one single volume. The book told Spiegelman's desire to write about his father's experiences during the Holocaust, as well as the experiences themselves. There had been numbers of Holocaust books over the decades, but Maus is different among all. After reading numerous Holocaust books, they become repetitive, because most people are aware of the tragic event. Maus offers not only the tale of the Holocaust, but stories about its victims, and the next generation as well. Its distinction was already displayed through Spiegelman's use of animals for nationalities. This method was perhaps Spiegelman's way to show readers the race hierarchy. Also, this comic book is not of a typical Holocaust story, because it is a legacy of the event. The comic has stories within stories, Vladek Spiegelman's (Art's father), and Art's himself. The comic tells how the Holocaust affected Vladek's life after, and as Vladek told his experiences to Art, it showed how their relationship was affected as well. As Art took in everything his father told him throughout the book, he tried to understand his father. What Art had to make of his father was through the stories during the Holocaust, while he tried to relate to him. All these notions that the comic has makes it distinctive among all other Holocaust books.
The relationship between these animals portray the ideas of the Holocaust very well. Mice are small and scrawny creatures which are usually hunted by Cats. Cats chase mice and attempt to devour them, much like the Germans hunted down the Jews during the mass genocide. Pigs are very greedy and self centered. During the story, the Polish(Pigs) sold out the Jewish people on many occasions (Maus I p. 143). An example is when Vladek and his family were staying at Kawka’s farm. “They may come search here any minute! You’ve got to leave!” In this situation, Kawka was not telling the truth, but only trying to protect herself. Dogs chase cats, which in the book was symbolic because the Americans sympathized with the Jewish people. These are very rudimentary overviews of the animals, but they will serve for the purposes of this essay.
In Art Spiegelman’s Maus, the audience is led through a very emotional story of a Holocaust survivor’s life and the present day consequences that the event has placed on his relationship with the author, who is his son, and his wife. Throughout this novel, the audience constantly is reminded of how horrific the Holocaust was to the Jewish people. Nevertheless, the novel finds very effective ways to insert forms of humor in the inner story and outer story of Maus. Although the Holocaust has a heart wrenching effect on the novel as a whole, the effective use of humor allows for the story to become slightly less severe and a more tolerable read.
The author illustrated his characters as different types of animals where in the Jews are represented as mice and the Germans as cats. This representation proposes how the Jews facing the Nazis are as helpless as a mouse caught by a cat. The first part for instance, is introduced by a quotation from Hitler in which he deprives the Jewish race of human qualities by reducing them to a mere vermin: “The Jews are undoubtedly a race but they are not human: (Spiegelman I, 4).
In Maus II, the Jews are mice and the germans are cats what I noticed when reading this is how the Germans treat the Jews and how terrible they treat them like not giving them food, or making them work extra and not get anything to eat all day. The Germans are cats and cats eat mice that is why they are treating the jews like this because the Germans think that the Jews are worthless and that they should be treated the wrong way.
Using lines and basic shapes to emphasize shading and detail and then teamed with such a complex theme, Art’s story and graphics join together in a complimentary marriage. With the nearly childlike drawings and the intense mature storyline, there is a message that this is being written by the child telling the story of the parent. The story emphasizes his father’s inability to grow and repair from his past but even without the words you can almost see that Art has never truly be able to move past his the trauma of growing up with his parents. Using his frustrations and the need to explore the history of his father’s idiosyncrasies, Art creates a poignant story not only about the tragedy of the holocaust, but of the realities of being a child growing up with survivor parents.
Art Spiegelman's Maus II is a book that tells more than the story of one family's struggle to live thought the Holocaust. It gives us a look into the psyche of a survivor's child and how the Holocaust affected him and many other generations of people who were never there at all. Maus II gives the reader a peek into the psyche of Art Spiegelman and the affects of having two parents that survived the Holocaust had on him. Spiegelman demonstrates the affects of being a survivor's child in many ways throughout the book. Examining some of these will give us a better understanding of what it was like to be a part of the Holocaust.
The books Maus I and Maus II, written by Art Spiegelman over a thirteen-year period from 1978-1991, are books that on the surface are written about the Holocaust. The books specifically relate to the author’s father’s experiences pre and post-war as well as his experiences in Auschwitz. The book also explores the author’s very complex relationship between himself and his father, and how the Holocaust further complicates this relationship. On a deeper level the book also dances around the idea of victims, perpetrators, and bystanders. The two books are presented in a very interesting way; they are shown in comic form, which provides the ability for Spiegelman to incorporate numerous ideas and complexities to his work.
...from the Germans. The Germans were drawn as cat to show the fierce authority and power they have over the Jewish. The Americans were drawn as dogs to show how they help the Jewish mice free themselves from the German cats. The relationship between the Jewish mice, German cats, and American dogs represents a dog-cat-mouse food chain. The Jewish rats are attacked by the German cats, and the Jewish mice are freed by the American dogs, by the Americans successful attempt to conquer the German cats. Also in the story, there is evidence of relationships and stereotypes of Poles, French, and Gypsies. The use of animals gives readers a better understanding of the Holocaust. It also gives reader the knowledge from a surviving victim’s perspective. It is significant that authors do more than write a story, but also tell a story in a way a person can visually experience it.
What if you were a holocaust survivor and asked to describe your catastrophic experience? What part of the event would you begin with, the struggle, the death of innocent Jews, or the cruel witnessed? When survivors are questioned about their experience they shiver from head to toe, recalling what they have been through. Therefore, they use substitutes such as books and diaries to expose these catastrophic events internationally. Books such as Maus, A survivor’s tale by Art Spiegelman, and Anne Frank by Ann Kramer. Spiegelman presents Maus in a comical format; he integrated the significance of Holocaust while maintaining the comic frame structure format, whereas comic books are theoretically supposed to be entertaining. Also, Maus uses a brilliant technique of integrating real life people as animal figures in the book. Individually, both stories involve conflicts among relationships with parents. Furthermore, Maus jumps back and forth in time. Although, Anne Frank by Ann Kramer, uses a completely different technique. Comparatively, both the books have a lot in common, but each book has their own distinctive alterations.