Analysis The Lives Of Others

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Following the Berlin Wall’s construction in the 1960’s, citizens within the East German state were under heavy surveillance from the Ministry for State Security, or the Stasi, in an attempt to “know everything about everyone.” Directed by Florian Henckel von Donnersmarck, the movie The Lives of Others follows one particular Stasi agent as he carries out his mission to gather information on a well-known writer and his lover. As the film progresses, the audience is able to detect the moral transformation of Stasi Captain Hauptmann Gerd Wiesler primarily through the director 's manipulation of the script, colors and lighting, and music.
While the script is often one of the greatest crucial elements in a film, the brevity of speech and precise …show more content…

e begin to speak more freely, evidenced by his weakly asking the prostitute to stay, the conversation held with the boy in the elevator (“What’s the name of your … ball?”), and the exchange he has with Christa-Maria about …show more content…

The entire film itself is muted in color, with several neutral colors and washed-out greens and blues, all of which are used for a definitive reason. East Germany was practically a prison while the Berlin Wall was up, with citizens unable to leave the country and either being spied on or constantly feeling as though they were under surveillance. There was no freedom, only conformity to the socialist government; it is for this reason that the director chose to have the visuals in the movie reflect how life truly was during that time period. One specific color to note throughout the film is gray; Wiesler frequently wears the same gray coat as a way to blend in to the mediocrity of society. But the gray color may also be seen as a gray moral area in which not only are there two conflicting sides, white vs. black or moral vs. immoral, but the character almost always wearing the gray is himself in a gray moral area. As Wiesler opens his mind and heart to the possibility of actually living a life and having the comfort of love, he begins to realize that the constant spying and listening in are not honorable actions to take, regardless of his belief in the socialist system. Brightness, or the lack thereof, is also important to the changing of Wiesler’s moral compass. Through all of the

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