which was responsible for state surveillance, attempting to permeate every facet of life. Agents within and informants tied to the Stasi were both feared and hated, as there was no true semblance of privacy for most citizens. Directed by Florian Henckel von Donnersmarck, the movie The Lives of Others follows one particular Stasi agent as he carries out his mission to spy on a well-known writer and his lover. As the film progresses, the audience is able to see the moral transformation of Stasi Captain
Following the Berlin Wall’s construction in the 1960’s, citizens within the East German state were under heavy surveillance from the Ministry for State Security, or the Stasi, in an attempt to “know everything about everyone.” Directed by Florian Henckel von Donnersmarck, the movie The Lives of Others follows one particular Stasi agent as he carries out his mission to gather information on a well-known writer and his lover. As the film progresses, the audience is able to detect the moral transformation
Film Education 2007, Education guide, Lionsgate, viewed Monday 4th of April 2011, Das Leben der Anderen (The Lives of Others) 2006, DVD, Buena Vista Pictures, Burbank, California, United States of America. Written and directed by Florian Henckel von Donnersmarck
condition. Sound has the unique ability to transcend boundaries, cultures, and ideologies through speech, music, and the noises which we distinguish categorically through memory and experience. It is this transcendental quality of sound which Florian Henckel von Donnersmarck chose as a central theme in the film “The Lives of Others”. The film expresses beautifully the effect that music and language have upon our ability to feel empathy and compassion. The use of sound in the film explores the human potential
The Lives of Others Introduction The film The Lives of Others directed by Florian Henckel von Donnersmarck takes place in East Berlin in 1984 where the population of the German Democratic Republic is kept under strict control by the Stasi, the German secret police. Gerd Wiesler, a cold hearted member of the Stasi, is given the position to collect evidence against a playwright named Georg Dreyman without his consent or knowledge. Many of the characters do not change their morals except for Gerd Wiesler
documentaries to animes, to silent films. I have dabbled in a little of everything so far. I am known to watch a few of these to pass my summer as well. So, when it came time to watch the foreign film “The Lives of Others” directed by Florian Henckel von Donnersmarck, I was fully aware of what to expect. From the subtitles to funny English accents, to sharpening my skill of being able to read the words and focus on the action at hand. You could say I 'm somewhat of an expert in those areas. Thank
death, however, they start questioning their stances. The movie unfolds as the two main characters become alike. Hneckel von Donnersmarck’s use of outstanding mise-en-scene and sound—especially the musical leitmotifs—powerfully persuades the viewers that the pursuit of goodness alone can bind two seemingly
great feel for the movie once we saw that. The director of the movie was a man named Florian Henckel von Donnersmarck. He’s an outstanding director on the movie stage. Donnersmarck was born in Cologne, Germany on May 2, 1973. Florians parents were both from East Germany. He is famous for his other movie called the “Tourist” and he’s won countless movie awards. For his work on the movie “The Lives of Others” Donnersmarck won the best foreign film award. The “Lives of Others” portrays a very clear