Fairy tales have many adaptations and meanings. The stories are often a reflection of the location and culture they are written in. Furthermore, these stories take on the attributes of the author. In Charles Perrault’s older tale “Little Red Riding Hood” and Angela Carter’s contemporary adaptation “Wolf-Alice”, a change in inactive vs. active character occurs as a result of the author’s use of narrative focus, character development, and language.
One distinct difference between Charles Perrault’s, “Little Red Riding Hood” and Angela Carter’s, “Wolf-Alice” is the narrative focus. Perrault’s version follows the male character, outlining the wolf’s actions and motivations. The newer adaptation by Carter follows the female character, intimately describing her thought process and motivations. The older fairy tale versions were written by male editors/collectors, in a time where females were seen as the weaker sex, innocent, and more naïve. Carter was a female writer that challenged the way women were depicted. She took the stereotypical female character from the older fairy tales and turned them into liberated strong women, thereby making the female characters an active participant in the story.
Both authors acted differently in the development of their characters. Human qualities are attributed to
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Perrault shows Little Red Riding Hood as innocent and naïve, unaware of the happenings of life. The wolf tells Little Red Riding Hood to take her clothes off and climb into bed, which she does without hesitation. Upon answering all of Red Riding Hood’s questions the author writes “the wicked wolf threw himself on Little Red Riding Hood and gobbled her up” (Tatar, 11). Perrault’s use of suggestive language leaves the reader to draw their own conclusions as to the meaning of the story. Carter, however uses graphic and detailed language when telling her version. This is seen when she
Little Red Riding Hood, by Paul Galdone is a children's book generally for early elementary reading level. It focuses on a young girl,Little Red Riding Hood, who was instructed by her mother to deliver cake and wine to her ill grandmother. Her mother strictly told her not to speak to anyone but the Little Red Riding Hood did anyway. She spoke to a wolf , who questioned her about where she was going. Not knowing any better Little Red Ridding Hood
Warner, Marina. From the Beast to the Blond on Fairy Tales and Their Tellers. New York: Chatto & Windus, 1994. Print.
The Wizard of Oz is a classic a universally loved film. It’s full of adventure, symbolism, and has a feel good story. It’s interesting though to see some parallels the Wizard of Oz had with other well-known classic fairytales. One example, is the famous story of Alice in Wonderland. A classic in its own right, and a staple in nearly everyone’s film repertoire. The similarities between these two stories are numerous. Starting with the main heroines themselves. Both Wizard of Oz and Alice in Wonderland, have a young girl as their main character. Even the character’s appearances and lines are similar. Both sporting a blue dress, and describing their fantasies as curious. When Dorothy arrives in Oz she says, “What a curious place”.
Although both authors claim their stories are true, and thereby that their characters are realistic, there seems to be a gap between the authors' claims and the "reality" of the characterization. This question is closely connected to the fact that both novels belong to the earliest English novels. There was no fixed tradition that the authors worked in; instead the novel was in the process of being established. The question arises whether the two works lack a certain roundness in their narrators.
At first glance the characters Connie from “Where are you going? Where have you been?” and Little Red Riding Hood from the classic fairy tale “Little Red Riding Hood” may seem to have nothing in common. However, from the start one can compare how much they actually have in common. Though these two characters are very different they are the same in many ways. Their story, from beginning to end, is similar. It is easy to see how alike and different they are with the description of Connie and Little Red Riding Hood’s lives, the relationship with their wolves, and their tragic endings.
...ce, although both writings are interesting in their own ways, the most interesting aspect of both writings together is that they both have a similar plot and theme. It is rare that two
Ownership is a symbol of control. As human beings, we tend to put labels on things, believing that everything must belong to someone or something. This issue of ownership does not exclude the world of fairy tales. Fairy tales, much like birds, follow no rules and are free, but can be over ruled by potential superiors. In Donald Haase’s essay entitled, “Yours, Mine, or Ours?” and Lawrence R. Sipe’s case study, “Talking back and taking over: Young children’s expressive engagement during storybook read-alouds”, both scholars claim that children holds the baton of ownership over fairy tales. Although Haase and Sipe lay out an appealing theory and practice for children’s literacy, a story like “The Juniper Tree” by the Grimms brothers suggest skepticism
“I've told her and I've told her: daughter, you have to teach that child the facts of life before it's too late” (Hopkinson 1). These are the first three lines of Nalo Hopkinson's fairy tale “Riding the Red”, a modern adaptation of Charles Perrault's “Little Red Riding Hood”. Perrault provided a moral to his fairy tales, the one from this one is to prevent girls from men's nature. In Hopkinson's adaptation, the goal remains the same: through the grandmother biographic narration, the author advances a revisited but still effective moral: beware of wolfs even though they seem innocent.
At first glance, what makes a fairy tale a fairy tale may seem obvious—some kind of magic, hidden symbols, repetition, and of course it’s evident it’s fiction—but fables are more than that. As Arthur Schelesinger puts it, it’s about “[expanding] imagination” and gaining understanding of mysterious places (618). While doing this, it also helps children to escape this world, yet teach a lesson that the reader may not be conscious of. A wonderful story that achieves all of this is Cinderella, but not the traditional tale many American’s have heard. Oochigeaskw, or The Rough-Faced Girl, and Ashputtle would be fitting for a seven-year-old because they get the gears of the mind turning, allowing for an escape on the surface, with an underlying enlightenment for children of the ways of the world.
The simplicity of fairy tales and non-specific details renders them ideal for manipulation allowing writers to add their own comments often reflecting social convention and ideology. Theref...
Though the evils of the world may discourage us from reaching our full potential, fairytales such as Little Snow-White by Jacob and Wilhelm Grimm teach us that good will always triumph over evil. As many tales of its kind, Little Snow-White uses a number of literary devices to attract a younger audience and communicate to them a lesson or moral that will remain with them throughout their lives. Since children have such an abstract stream of thought, it is vital to use language and devices that will appeal to them as to keep them interested in the story.
Naturally two books related to each other in this way have their similarities and differences in certain areas. Most of the similarities between both books fall in the areas of historical correctness and act...
..., Maria. “An Introduction to Fairy Tales.” Writing and Reading Across the Curriculum. Ed. Laurence Behrens, Leonard J. Rosen. Toronto: Longman, 2013. 230-235. Print.
The fairytale Little Red Riding Hood by Charles Perrault is a story that recounts the adventure of the protagonist Little Red Riding Hood as she fulfills her mother’s wishes to bring a package to her ill grandmother. Perrault’s short story conveys influential life themes on the idea of male predation on adolescent women who fall victim to male deception. Perrault successfully portrays these themes through his use of rhetorical devices such as personifying the actions of the antagonist Wolf predator as he preys on the protagonist Little Red. Perrault illuminates the central theme of upholding sexual purity and being aware of eminent threats in society in his work. Roald Dahl’s poem, Little Red Riding Hood and the Wolf, is an adaptation to
Little Red Cap is the Brothers Grimm’s version of Charles Perrault’s original fairy tale Little Red Riding Hood. The original is written as a moralistic story, in which ‘Little Red Riding Hood’ is eaten by the wolf, the moral being that children, particularly female, should not approach strangers. Feminist critics could argue that the original story is warning against curiosity and freedom. This is because in the original version Little Red Cap is told “not to run off the path” which implies she shouldn’t go beyond the social expectation of women. However, Duffy subverts the classic and as stated in her 2005 interview she “finds a truth which hadn’t been amplified previously”.