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The things they carried essay theme
The things they carried essay theme
The things they carried book review essay
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Highly controversial, the Vietnam War incited widespread anti-war protests throughout the United States. Those most averse to the war were the young adults who were greatly affected by the draft. Consequently, many demonstrations were held at colleges and universities. Strongly opposed to the conflict in Vietnam, Tim O’Brien participated in many of these rallies during his time at Macalester College in St. Paul, Minnesota. Although O’Brien had a bright future awaiting him at Harvard Graduate School, his political career was cut short upon receiving a draft notice just weeks after graduating. O’Brien was sent to Vietnam where he served from 1968 to 1970 in an infantry unit. Upon returning from the war, O’Brien described his experiences in a series of publications and compiled them in a collection of short stories; his book The Things They Carried is considered to be a generational piece and his magnum opus. Throughout his stories, O’Brien blurs the line between fiction and nonfiction in recounting his Vietnam era war stories by using contemporary war diction, unique narrative style and anecdotal experiences. In doing so he stresses his readers’ recognition of the importance of storytelling remembering wartime experiences.
O’Brien begins his short story, “How to Tell a True War Story” with these simple words: “This is true.” He then goes on to tell the story of his friend, Rat Kiley, who writes to his friend’s sister telling her that her brother was killed the week before. The narrator then explains how to determine whether or not a war story is true. He then switches gears to talk about the day of Curt Lemon’s death. Although the narrator remembers the day vividly, every time he looks back to the exact moment of his death, detail...
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... Gale. 2011. Print.
Holm, Catherine Dybiec. Critical Essay on “How to Tell a True War Story,” in Short Stories for Students. Detroit: Gale. 2002. Print.
“How to Tell a True War Story.” Short Stories for Students. Ed. Carol Ullmann. Vol. 15. Detroit: Gale, 2002. 117-131. Print.
Naparsteck, Martin. “An Interview with Tim O’Brien,” in Contemporary Literature. Vol. 32, No. 1, Spring 1991. 1-11. Rpt. Short Stories for Students. Detroit: Gale. 2011. Print.
O’Brien, Tim. Interview by Christine Chen. The Stanford Daily. Print.
O’Brien, Tim. “How to Tell a True War Story.” The Things They Carried. New York: Houghton Mifflin, 1990. Print.
O’Brien, Tim. “On the Rainy River.” The Things They Carried. New York: Houghton Mifflin, 1990. Print.
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Tim O’Brien is a very gifted author, but he is also a veteran of the Vietnam War and fought with the United States in that controversial war. Tim O’Brien was drafted into the Vietnam War in 1968. He served as an infantryman, and obtained the rank of sergeant and won a Purple Heart after being wounded by shrapnel. He was discharged from the Vietnam War in 1970. I believe that O’Brien’s own images and past experiences he encountered in the Vietnam War gave him inspiration to write the story “The Things They Carried.” O’Brien tells the story in third person narrative form about Lt. Jimmy Cross and his platoon of young American men in the Vietnam War. In “The Things They Carried” we can see differences and similarities between the characters by the things they hold close to them.
An interesting combination of recalled events and editorial commentary, the story is not set up like a traditional short story. One of the most interesting, and perhaps troubling, aspects of the construction of “How to Tell a True War Story” is O’Brien’s choice to create a fictional, first-person narrator who might just as well be the author himself. Because “How to Tell a True War Story” is told from a first-person perspective and O’Brien is an actual Vietnam veteran, a certain authenticity to this story is added. He, as the “expert” of war leads the reader through the story. Since O’Brien has experienced the actual war from a soldier’s point of view, he should be able to present the truth about war...
The truth to any war does not lie in the depths of storytelling but rather it’s embedded in every person involved. According to O’Brien, “A true war story does not depend on that kind of truth. Absolute occurrence is irrelevant. A thing may happen and be a total lie; another thing may not happen and be truer than the truth” (pg. 80). Truths of any war story in my own opinion cannot be fully conveyed or explained through the use of words. Any and all war stories provide specific or certain facts about war but each of them do not and cannot allow the audience to fully grasp the tru...
Tim O’Brien is doing the best he can to stay true to the story for his fellow soldiers. Tim O’Brien believed that by writing the story of soldiers in war as he saw it brings some type of justice to soldiers in a war situation.
Tim O’Brien’s novel The Things They Carried challenges the reader to question what they are reading. In the chapter “How to Tell a True War Story”, O’Brien claims that the story is true, and then continues to tell the story of Curt’s death and Rat Kiley’s struggle to cope with the loss of his best friend. As O’Brien is telling the story, he breaks up the story and adds in fragments about how the reader should challenge the validity of every war story. For example, O’Brien writes “you can tell a true war story by its absolute and uncompromising allegiance to obscenity and evil” (69), “in many cases a true war story cannot be believed” (71), “almost everything is true. Almost nothing is true” (81), and “a thing may happen and be a total lie; another thing may not happen and be truer than the truth (83). All of those examples are ways in which O’Brien hinted that his novel is a work of fiction, and even though the events never actually happened – their effects are much more meaningful. When O’Brien says that true war stories are never about war, he means that true war stories are about all the factors that contribute to the life of the soldiers like “love and memory” (85) rather than the actual war. Happening truth is the current time in which the story was being told, when O’Brien’s daughter asked him if he ever killed anyone, he answered no in happening truth because it has been 22 years since he was in war and he is a different person when his daughter asked him. Story truth
The impact of the Vietnam War upon the soldiers who fought there was huge. The experience forever changed how they would think and act for the rest of their lives. One of the main reasons for this was there was little to no understanding by the soldiers as to why they were fighting this war. They felt they were killing innocent people, farmers, poor hard working people, women, and children were among their victims. Many of the returning soldiers could not fall back in to their old life styles. First they felt guilt for surviving many of their brothers in arms. Second they were haunted by the atrocities of war. Some soldiers could not go back to the mental state of peacetime. Then there were soldiers Tim O’Brien meant while in the war that he wrote the book “The Things They Carried,” that showed how important the role of story telling was to soldiers. The role of stories was important because it gave them an outlet and that outlet was needed both inside and outside the war in order to keep their metal state in check.
...ien writes this story in a completely non traditional way and manages to create a whole new experience for the reader. He takes the reader out of the common true, false diameters and forces the reader to simply experience the ultimate truth of the story by reliving the emotional truth that the war caused him. Although this may be a bit challenging for the reader, it becomes much easier once the reader understands the purpose for the constant contradictions made by O’Brien. The difference between “story-truth” and “happening-truth” is that “story-truth” is fictional, and “happening-truth” is the actual factual truth of what happened. The “story-truth” is the most important when it comes to O’Brien, and understanding his work. It is meant to capture the heart and mind of the readers and take them on a journey through war with the O’Brien, as he experienced and felt it.
In The Things They Carried, an engaging novel of war, author Tim O’Brien shares the unique warfare experience of the Alpha Company, an assembly of American military men that set off to fight for their country in the gruesome Vietnam War. Within the novel, the author O’Brien uses the character Tim O’Brien to narrate and remark on his own experience as well as the experiences of his fellow soldiers in the Alpha Company. Throughout the story, O’Brien gives the reader a raw perspective of the Alpha Company’s military life in Vietnam. He sheds light on both the tangible and intangible things a soldier must bear as he trudges along the battlefield in hope for freedom from war and bloodshed. As the narrator, O’Brien displayed a broad imagination, retentive memory, and detailed descriptions of his past as well as present situations. 5. The author successfully uses rhetoric devices such as imagery, personification, and repetition of O’Brien to provoke deep thought and allow the reader to see and understand the burden of the war through the eyes of Tim O’Brien and his soldiers.
Through The Things They Carried, Tim O’Brien moves beyond the horror of fighting in the Vietnam War to examine with sensitivity and insight the nature of courage and fear. Included, is a collection of interrelated stories. A few of the stories are brutal, while others are flawed, blurring the distinction between fact and fiction. All the stories, however, deal with one platoon. Some are about the wartime experiences of soldiers, and others are about a 43-year-old writer reminiscing about his platoon’s experiences. In the beginning chapter, O’Brien rambles about the items the soldiers carry into battle, ranging from can openers, pocketknives, and mosquito repellent o Kool-Aid, sewing kits, and M-16 assault rifles. Yet, the story is truly about the intangible things the soldiers “carry”: “grief, terror, love, longing… shameful memories (and) the common secret of cowardice” (Harris & O’Brien 21).
King, Rosemary. "O'Brien's 'How to Tell a True War Story.'" The Explicator. 57.3 (1999): 182. Expanded Academic ASAP.
Several stories into the novel, in the section, “How to tell a true war story”, O’Brien begins to warn readers of the lies and exaggerations that may occur when veterans tell war stories.
In his assessment of storytelling, O’Brien highlights the challenges of telling stories by including many tales that take place after the Vietnam War. For example, back in America, the soldier’s of Vietnam found
In “How to Tell a True War Story” by Tim O’Brien, Orwell’s ideas are questioned and the competition between the truth and the underlying meaning of a story is discussed. O’Brien’s story depicts that the truth isn’t always a simple concept; and that not every piece of literature or story told can follow Orwell’s list of rules (Orwell 285). The story is told through an unnamed narrator as he re-encounters memories from his past as a soldier in the Vietnam War. With his recollection of past encounters, the narrator also offers us segments of didactic explanation about what a “true war story” is and the power it has on the human body (O’Brien 65). O’Brien uses fictional literature and the narration of past experiences to raise a question; to what extent should the lack of precision, under all circumstances, be allowed? In reality, no story is ever really truthful, and even if it is, we have no proof of it. The reader never feels secure in what they are being told. The reliability of the source, the author, and the narrator are always being questioned, but the importance of a story isn’t about the truth or the accuracy in which it is told, but about the “sunlight” it carries (O’Brien 81).
The Things They Carried by Tim O’Brien offers readers very unique and interesting view of the Vietnam War and the mentality of a soldier.
O’Brien subjectifies truth by obscuring both fact and fiction within his storytelling. In each story he tells there is some fuzziness in what actually happened. There are two types of truths in this novel, “story-truth” and “happening-truth” (173). “Happening-truth” is what happened in the moment and “story-truth” is the way the storyteller reflects and interprets a situation. O’Brien uses these two types of truths to blur out the difference between fact and fiction. For example, when Rat Kiley tells a story he always overexaggerates. He does this because “he wanted to heat up the truth, to make it burn so hot that you would feel exactly what he felt,” (85). This is the same for most storytellers, even O’Brien. When he tells the story of Norman Bowker he makes his own truth stating, “He did not freeze up or lose the Silver Star for valor. That part of the story is my own” (154). Not everything that O’Brien said was fact, however, it made the the meaning of the story effective and significant. O’Brien reveals that he never killed a man after devoting a whole short story to “The Man I Killed.” When his daughter asks “Daddy, tell the truth, did you ever kill anybody?” he can honestly say “Of course not,” or “Yes,” (172). This illustrates the subjectivity of truth, how both truths can in fact be true. This goes for all the stories told in this novel, the truth is held in the storyteller 's