“Year after year, twenty-something women come to New York City in search of the two L's: labels and love” is the very catchy line that opens the film with Fergie’s ‘Labels or Love’ as the soundtrack and The Big Apple as its introductory shot. The scaling deduced from the bird’s eye-view-point of New York City, showing its Metropolitan atmosphere with skyscrapers and the famous Brooklyn Bridge; to the urbanites of the City; then to the lead actors of the film. A fifteen year-old girl watches the film, mesmerizing the ecstatic city while admiring the skinny white bodies of the ladies. And last but never forgotten, she gets carried away with the funky upbeat rhythm of the song emphasizing “Gucci, Fendi, [and] Prada . . .” That is the introduction of Sex and the City and the focus of its cinematography. With its elements, the movie can honestly influence teenage girls. Yet as much as critics such as Maya Gordon of Psychology of Women Quarterly say how media contributes to the sexual objectification and values women “based on their appearance,” this film should be an exemption.
Media has been filled with exaggerated scrutinies and trashed with unreasonable criticisms. It deserves a break. This is the generation of Information Technology. Danger is just around the corner, where a click from a mouse or a remote control and all sex-related garbage can pop out of the monitor. Truly, a vulnerable teenager can easily get lost to temptations. As an adolescent, I can empathize how these sweet girls feel about how horrible their body shapes are, how ugly their face is, and how brands in fashion seem to be worth more than anything in the world. Fashion labels, tiny bodies, and sexual activities are all characterized in Sex and the City. From th...
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...f women & individuality, the sense of fashion, and the passion in a sexual act distinct it from being sexually objectifying. Similarly, this type of film also needs a higher cognitive skill that could reason and reflect upon the tricky features in the entire picture.
Overall, the setting of New York City and the opening credits of the fast transition between sunrise and sunset represent how diverse people now are and how this generation is changing quicker than we can imagine. Hence, with time fleeting and population growing, there is no more use in evaluating others but our own. We are who we made ourselves to be. If we want our kins to become responsible and mature adults, we are their guides.
Works Cited
Sex and the City. Dir. Michael Patrick King. Perf. Sarah Jessica Parker, Kim Cattrall, Kristin Davis, and Cynthia Nixon. Warner Home Videos, 2008. DVD.
The way young girls dress today can be, so say, disturbing to most people and many parents. In Lianne George article, “Why Are We Dressing Our Daughters Like This?” She writes about “the marketing of the clothing and its potential impact of little girls.” She explains the impacts sexual clothing is having on young girls and their parents. She goes on to answer the questions: When did this start? Will it continue? Is there any way to stop it?
...noted to consist of more sexual themes than it did thirty years ago, a fact that changes the way erotic objectification can be analyzed as it can be considered to be more frequent and general but therefore also less purposely objectifying concerning the characters sex.
Deborah Tolman author of “Dilemmas of Desire” dwells on uncovering a wealth of feelings about sexuality from teenage girls who are faced with a lot of struggles in developing sexual identity and detached from their sexuality. One of her main argument is centered on the juxtaposition of media representations of girls as highly sexualized objects. For instance, “the urban girl is viewed as the overly sexual young jezebel. Latinas are often eroticized as exotic, sexually alluring and available.” (Tolman, pg.170). I agree with this statement due to simple fact that we are living in a highly sexualized cultural milieu and evidence of sexualization is seen through mainstream culture. Images such as Sarah Bartman depict African American/ urban portrayal of sexual imagery formed socio-historical
Yet, as I watched, I noticed that much of the imagery being thrown at me seemed more boring than vital, due to the sexuality it portrayed. One rapper after another indulged in his own personal hormonal fantasy, with slithering women flaunting acres of flesh into the camera. These women were not alive. They had become so objectified as to be sexualized robots.
Today, love, sex and romance are three main topics that presented in media as main themes discuss in contemporary popular culture. Social media is important in shaping audience value about feminism through the framework of contemporary media like films, magazines, plays, advertisements, TV shows, graphic novels, etc. The television show “Sex and the City” incorporates “pop feminism” that influences many lives of women. Sex and the City is originally talking about four single thirty-something women living in Manhattan. They are coming to New York in order to seek “love and labels” (Sex and the City). The main theme of Sex and the City is concentrating on contemporary American woman’s conception of sex, love, and romance. As we learned from lecture, sex, love, and romance have a history; they are different in different cultures; they are shaped by gender, class, race, ethnicity, nation, ability, and other differences (Lecture Notes). Sex and the City is focusing on modern American woman’s experiences and their thinks with sex, love, and romance. The four main women characters in Sex and the City represent diversity of gender, class, race, ethnicity, religion, age, able-bodiedness through their different experience and expectations of their life (Lecture Notes). Sex and the City represents that the feminism notions of sex, love, and romance are socially constructed, and this social construction of sex, love and romance are featured in these female characters’ personalities.
Sexual content is shown to teens much too often on tv. The media is becoming more explicit with sex on tv (“Sexuality, Contraception, a...
In Visual Pleasure and Narrative Cinema, Mulvey states that, “Traditionally, the woman displayed has functioned on two levels: as erotic object for the characters within the screen story, and as erotic object for the spectator within the auditorium, with a shifting tension between the looks on either side of the screen.” (Mulvey 40). A woman’s role in the narrative is bound to her sexuality or the way she
In reality, women have to live up to various standards. In Rosewarne’s writing, one standard that is brought to light is that whatever is portrayed on these advertisements promoting a precise body figure, hair color, skin color, etc. is what a women has to look like in order for men to find them pleasurable. Nonetheless, this mindset on young girls is truly damaging our youth into thinking that they have to look that way in order to feel admirable by society. A new report by the American Psychological Association says, “Advertising and media images that encourage girls to focus on looks and sexuality are harmful to their emotional and physical health” (Jayson). This is destructive to society because the media is molding social labels that can conclude in the development of unhealthy social and physical habits. Women and young girls intensify the representation of seeing their bodies as sexual objects from a young age. Rosewarne highlights this in her article when she says ”The basic idea of a pin-up is to provide an inexpensive, mass-produced image of a woman for a man 's viewing pleasure” (Rosewarne 317). Also stating that “women are ‘bodies’ rather than ‘somebodies” (Rosewarne 318). Furthermore, when she talks about the pinups in relation with the standards she says, “Pin-ups help define what men find attractive, in the
These movies allowed female characters to embody all the contradictions that could make them a woman. They were portrayed as the “femme fatale” and also “mother,” the “seductress” and at the same time the “saint,” (Newsom, 2011). Female characters were multi-faceted during this time and had much more complexity and interesting qualities than in the movies we watch today. Today, only 16% of protagonists in movies are female, and the portrayal of these women is one of sexualization and dependence rather than complexity (Newsom, 2011).
“ The media needs to take responsibility for the effect it has on our younger generation....why aren’t we regulating things like calling people fat”(Lawrence). The actress Jennifer Lawrence expressed her opinion in what she believes that the media is responsible for the damaging body image that has affected the younger generation into believing this image is ideal. Considering this quote, recently there have been more .The negative body image in female adolescents has been affected by the influence of impossible body types in the media such as the doll “Barbie” and characters in popular children shows.
Have you ever noticed walking into a large shopping complex and seeing children as young as 6 years old wearing midriff bearing t-shirts and short skirts? And wondered to yourself why the younger generation of today portray themselves like that and why their parents allow it. It all goes back to the strong impact that sexualization portrayed in media and marketing has on everybody in today’s society especially young children from toddlers to late teens, both girls and boys. They see it everywhere from movies/television shows, magazines, clothing, computer games, toys, the music industry and of course the internet.
In today’s society, everyone is worried about their external appearance; both with and without clothes on. Women and men experience discomfort, anxiousness, and worry about how they appear to the opposite sex. Some men even worry how they appear in locker rooms to other men, even if they are heterosexual. Media has depicted to a lot of young adults of how women and men should appear and act sexually. Pornography has created false images of how sex should look and feel like, especially women who have perfect sized boobs, perfect sized labia’s and are skinny. Having the best sized boobs and the symmetrically sized labia’s does not determine if sex is pleasurable or not. As mentioned by Laurie Mintz in “A Letter to Young Sexually Active Heterosexual
Also, the film revealed women empowerment and how superior they can be compared to men. While demonstrating sexual objectification, empowerment, there was also sexual exploitation of the women, shown through the film. Throughout this essay, gender based issues that were associated with the film character will be demonstrated while connecting to the real world and popular culture.
HBO's Sex and the City has become a cultural icon in its 6 seasons of running. Based on Candace Bushnell's racy book Sex and the City, the show exhibits an unprecedented example of the sexual prowess of women over the age of 35. The result is an immense viewing audience and an evolving view on the "old maid" stigma that a woman's chances of finding love are significantly reduced after thirty-five. In this paper, we will closely analyze the characters and themes of Sex and the City to explain the significance of what the show represents in American culture.