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Recommended: A report on a museum visit
Research Project: Las Meninas Paintings
Velazquez first painted Las Meninas in 1656 as a portrait for the king of Spain. Many other artists have attempted to recreate or make their own rendition of the subject. Pablo Picasso made a series of 55 paintings pertaining to the same subject of Las Meninas. regarded as one of the most influential paintings, many artists have taken inspiration form this monumental work.
One of my first cultural awakenings happened when I was 10. In the summer entering fifth grade, my parents took us on a trip to Spain. On of the most memorable moments from our week long vacation to Spain included our visit to Museo del Prado in Madrid. I was surrounded by a large array of European art, but Velazquez’s Las Meninas particularly mesmerized me. . It was possibly its monumental size that interested, but non-the less it was probably my favorite thing I saw at the museum. Following our visit to Madrid, we journeyed to Barcelona. Ones again we visited many museums, and ones again I was mesmerized by one artwork in particular, Las Meninas. This time, however it was Picasso’s rendition. The painting that I had fallen in love with previously was presented to me again with different compositions, colors ad styles. There was something about the similarities yet differences that fascinated the young me until today. Now that I have attained more knowledge about art and I am able to understand it better, these types of artworks continue to captivate me.
The original: Velázquez Las Meninas
Diego Velazquez painted the original “Las Meninas” painting in the year 1656. The baroque painting done in Oil painted on canvas is currently located in Museo del Prado in Madrid ("Velazquez - Las Meninas: Analysi...
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...tting and the suitcases to contribute to his theory of journeys. The oil on canvas allow for the blurring effect and the realistic quality of the painting.
Works Cited
"About Dali - Unparalleled Collection of Salvador Dali Art Works." Unparalleled Collection of Salvador Dali Art Works About Dali Comments. N.p., n.d. Web. 16 May 2014.
"Forgetting Velázquez. Las Meninas." Forgetting Velázquez. Las Meninas. N.p., n.d. Web. 27 May 2014.
"Pablo Picasso Biography." Bio.com. A&E Networks Television, n.d. Web. 15 May 2014.
"Picasso: Peace and Freedom: Room 6: Las Meninas." Tate. N.p., n.d. Web. 16 May 2014.
"Velazquez - Las Meninas: Analysis and Interpretation - Posters - Prints."Velazquez - Las Meninas: Analysis and Interpretation - Posters - Prints. N.p., n.d. Web. 08 May 2014. .
Two of the most extensively analyzed works of art are Diego Velasquez's Las Meninas and Jan Van Eyck's Arnolfini Double Portrait. Both of these artist's talent won them recognition not only during their lifetime but after as well. Both Velasquez and Van Eyck have a justly earned title as the most talented artists of their respective times. A detailed examination of the details and intricacies of these artist's respective masterpieces, their similarities, and what sets them apart not just from each other but from other paintings from their time period and style, will lead the viewer to a better understanding of the mentalities of these gifted artists and how they transcend their respective genres and contemporaries to create their own artistic identities.
· Penrose, Roland. Picasso at Work. With introduction and text. Photographs by Edward Quinn. New York: Doubleday & Company Inc., n.d.
In this work, the colors and shapes come together to form the depiction of a woman in a chair gazing out at the landscape beyond a window. This subject matter relates to Picasso’s infamous relationship with women and may serve as a depiction of one of the many women he was linked with. The painting depicts the woman with a dual omniscient and introspective vision. Picasso develops this dichotomy through the depiction of a wayward eye gazing out the window and a larger ubiquitous eye glaring directly at the viewers. In constructing such a contrast, the painter is able to convey the personality...
South University Online. (2013). HUM 1002: History of Art from the Middle Ages to Modern Times: Week 4: Art of the Americas: 14th Century to the Present. Retrieved from myeclassonline.com
Diego Rivera was deemed the finest Mexican painter of the twentieth century; he had a huge influence in art worldwide. Rivera wanted to form his own painting fashion. Although he encountered the works of great masters like Gauguin, Renoir, and Matisse, he was still in search of a new form of painting to call his own (Tibol, 1983). His desire was to be capable of reaching a wide audience and express the difficulties of his generation at the same time, and that is exactly what h...
images in this painting, all of which have the power to symbolize to us, the viewer, of the painter’s
Art movement’s characteristics vary from nation to nation, but painting can be used as a critique of the socio-political reality in a given nation. It is a creative way to communicate with a population about economic, education and social issues. Therefore, The History of Cuernavaca and Morelos: Crossing the Barranca (ravine) Detail (1929-30) Fresco by Diego Rivera is a good example of how an artist uses his creativity to connect with people in relation to Mexican history. Art is an inspired way to share the complexity and challenge of a community. It can be used a way to respond to them likewise. Therefore, the concept of accessibility takes ingenuity. With his deepen knowledge of European and ancient Mexican art, it was not a documentation
Las Meninas is considered one of the greatest paintings of all time by critics and casual admirers of art alike. It was painted during a time when Spain’s glory was declining, and Velázquez was surrounded by the remnants of a once-great court, which was now in shambles and debt. King Philip had entered depression, due to the fact that he did not have a suitable male heir to the throne and was bankrupted by the Thirty Years’ War, and paid little effort to governing his country. He had lost power, and his portrait in the mirror of Las Meninas illustrates the shadow of what Philip had once been. The center and main focus of the painting is La Infanta Margarita, Philip’s five-year-old daughter. Light streams through a window onto her face, illuminating her with a golden light. Two of her meninas, or ladies-in-waiting, are located on either side of the princess, one kneeling and offering her a glass of water with another rising from a curtsy. On the right side, the dwarf Mari-Bárbola and the midget Nicolas Pertusato stand, along with a brown dog. Behind them, a man and woman are in conversation. On the left side, a massive canvas looms over the group as Velázquez, the artist, stands behind it with his brush and palette. On the dark back wall, two paintings hang along with a mirror which reflects the countenances of the king and queen. A man stands in the doorway of a door in the back of the room, with his hand on a curtain as if he has just pulled it open. The room appears almost empty, save for the figures in it, and this emptiness is amplified by the room’s high ceiling. Diego Rodríguez de Silva y Velázquez’s masterpiece, Las Meninas, conveys a message telling of the crumbling political situation and uncertain future of Spain at the ...
In 1934 Rivera renamed his mural "Man, Controller of the Universe," it has dimensions of 15.75 x 37.5 feet and the medium used was fresco paint (5). This famous mural can be seen in the "Museo del Palacio de Bellas Artes," in Mexico City. He combined several elements by using large shapes to small shapes, dark hues to light hues, as well as line which all lead to a focal point in the middle of the mural to put emphasis on the central figure. It has asymmetrical balance and it showed Capitalism vs.
Modern art serves to immerse us more thoroughly in a scene by touching on more than just our sight. Artists such as Grosz, and Duchamp try to get us to feel instead of just see. It seems that this concept has come about largely as a way to regain identity after shedding the concepts of the Enlightenment. “Philosophers, writers, and artists expressed disillusionment with the rational-humanist tradition of the Enlightenment. They no longer shared the Enlightenment's confidence in either reason's capabilities or human goodness...” (Perry, pg. 457) It is interesting to follow art through history and see how the general mood of society changed with various aspects of history, and how events have a strong connection to the art of the corresponding time.
This painting has deviated from the standard Renaissance model in that it goes beyond depicting subjects and scene, and employs exaggerated form, color emphasis, abnormal planar depiction, and visual directionality. The aspects of this painting have become the embodiment of the story told and the characters there held. The artist has used various techniques of color, line, and juxtaposition in order to portray an idea which supersedes the sum of its parts, and thereby leads the viewer through a thought.
One of Spain’s awe-inspiring painters in history, Diego Velazquez not only painted beautiful and detailed artwork, but also created a broad story for the viewer to recreate and reinvent. One such painting, according to the Prado Museum, is “Las Meninas,” in which he tells the story of Infanta Margarita, her little meninas, and of course her parents (“Museo del Prado”). Velazquez effectively uses baroque style, intricate colors, and accurate positions in “Las Meninas” to allude that social status is imperative.
The word art is an encompassing one, vastly interpreted and with multiple definitions. In the case of Picasso's painting Guernica, art informs, educates and expresses. Its power lies in its ability to capture and compel an audience nearly six decades after the modern world's "other" day of infamy. To understand fully the painting that evolved out of the Spanish painter's outrage, one must know its context. "Why do you think I date everything I do? Because it is not sufficient to know an artist's works--it is also necessary to know when he did them, why, under what circumstances" (Picasso). An appreciator who knows the saga of Spain's historical fishing village is given a depth of experience that only a genius like Picasso could portray --"it may well be the most terrifying document on the horrors of war ever to be produced by an artist" (Wertenbaker 126).
His sketchbooks are packed with many ideas and observations that gave an insight into his exploration. it makes the sketches just as authentic as his artworks by allowing viewers to see how he become the artist he
The Web. The Web. 2 Mar. 2014. The 'Standard' of the 'Standard'. http://www.neatorama.com/2008/10/25/10- fun-facts-about-pablo-picasso/#!zB04z>. Warncke, Carsten & Peter.