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The role of the church in medieval life
Sexuality in the middle ages essay
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The love letters of Abelard and Heloise have instated this couple as the real life Romeo and Juliet. However, these letters convey much more than the passion one man had for a particular woman. The letters of Abelard and Heloise illustrate the power of the Christian church and how it influenced societal ideals in every regard, most especially those about sex and the role of a woman. The letters were written during the 12th century, during this period, religion and ethical views went hand in hand. The feudal society’s system of estates ensured that the clergy were revered, and their ideals were taken as true. This meant that the bible was taken literally, and used in everyday life. The tale of these two lovers reveal a deeper look into the controversial topics of sex within and outside of marriage, the idea of virginity, and the subordinate role of a woman in society.
The idea of sex during the Medieval age would have made any “good” person shiver with disdain. Religion played a major role in the way of thinking during this era. People had been taught to live piously, because this as well as obedience to the church would bring a sinful soul to the eternal afterlife. Therefore, it was also taught that sex was an immoral that was only acceptable in a marriage for the purpose of procreation, but even in marriage there were rules towards Sex. Although the church believed that God sanctified sex within marriage, there were certain limitations, such as on what days it could be done. In the letters, Abelard confesses his guilt on making love to his own wife, because they did so on dates that were unacceptable: “you know the depths of shame to which my unbridled lust had consigned our bodies, until no reverence for decency or for God dur...
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...sery for me – born as I was to be the cause of such a crime! Is it the general lot of women to bring total ruin on great men? Hence the warning about women in the proverbs?...she who had been created by the lord as a helpmate became the instrument of his total downfall.
Heloise embodies societal views of a woman’s role by embracing preconceived expectations.
The letters of Abelard and Heloise provide not only a heartbreaking story between two star crossed lovers, but provides a deep insight to how Christianity influenced societal views. The idea of sex was not one of acceptance, but one of condemnation and toleration, even within a marriage. Virginity was admired, but for the wrong reasons such as societal approval instead of God. Finally, the role of a woman was one that was not highly positive, she was seen as an inferior, whose role was to serve her husband.
Looking back through many historical time periods, people are able to observe the fact that women were generally discriminated against and oppressed in almost any society. However, these periods also came with women that defied the stereotype of their sex. They spoke out against this discrimination with a great amount of intelligence and strength with almost no fear of the harsh consequences that could be laid out by the men of their time. During the Medieval era, religion played a major role in the shaping of this pessimistic viewpoint about women. The common belief of the patriarchal-based society was that women were direct descendants of Eve from The Bible; therefore, they were responsible for the fall of mankind. All of Eve’s characteristics from the biblical story were believed to be the same traits of medieval women. Of course, this did not come without argument. Two medieval women worked to defy the female stereotype, the first being the fictional character called The Wife of Bath from Geoffrey Chaucer’s The Canterbury Tales. The second woman, named Margery Kempe, was a real human being with the first English autobiography written about her called The Book of Margery Kempe. In these two texts, The Wife of Bath and Margery Kempe choose to act uniquely compared to other Christians in the medieval time period because of the way religion is interpreted by them. As a result, the women view themselves as having power and qualities that normal women of their society did not.
Medieval and Renaissance literature develops the concepts of love and marriage and records the evolution of the relation between them. In Chaucer's Canterbury Tales, Christian love clashes with courtly love, as men and women grapple with such issues as which partner should rule in marriage, the proper, acceptable role of sex in marriage, and the importance of love as a basis for a successful marriage. Works by earlier writers portray the medieval literary notion of courtly love, the sexual attraction between a chivalric knight and his lady, often the knight's lord's wife. The woman, who generally held mastery in these relationships based on physical desire and consummation, dictated the terms of the knight's duties and obligations, much like a feudal lord over a vassal. This microcosm of romance between man and woman was anchored by the macrocosm of the bonds among men and their fealty to their lord. The dominance of women and fealty to the leader in courtly love contrasts with the dominance ...
In the discourse of family relations, views of women, and sex, it is necessary to begin with the standing that Catholicism held on the issues. The nuclear family model was the ideal of the Catholic Church; for this model provided protection, stability, and business connections. Ozment describes the nuclear family as the “total subjection of the wife to home and husband, of the home to the production of children, and of the children to the will of their parents” (Ozment, pg. 2). This view provides that a woman’s only purpose in life was to marry and bear children; if this was not viable she could enter the convent as not to be a finical burden upon her family. The Catholic Church also had strict views on the topic of sex, which was no sex outside of marriage and only in marriage to procreate. This view was held for the Church believed that “an upright person took pleasure only in God and used the things of the world to God’s glory, fallen men and women were enslaved to their lust and passions, no longer masters of their wills, and eager to worship the world in place of its creator” (Ozment, pg....
In Zora Neale Hurston’s novel, Their Eyes Were Watching God, the reader is treated to an enthralling story of a woman’s lifelong quest for happiness and love. Although this novel may be analyzed according to several critical lenses, I believe the perspectives afforded by French feminists Helene Cixous and Luce Irigaray have been most useful in informing my interpretation of Hurston’s book. In “The Laugh of the Medusa,” Cixous discusses a phenomenon she calls antilove that I have found helpful in defining the social hierarchy of women and relationships between them in the novel. In addition, Cixous addresses the idea of woman as caregiver, which can be illustrated through the character of Janie in Their Eyes Were Watching God. On the other hand, Luce Irigaray discusses the different modes of sexual desire of men and women in her essay, “The Sex Which is Not One.” Many examples supporting and refuting her claims can be found in the novel. According to Cixous, the most heinous crime committed by men against women is the promotion of antilove. “Insidiously, violently, they have led [women] to hate women, to be their own enemies, to mobilize their immense strength against themselves, to be the executants of their virile needs” (1455). Their Eyes Were Watching God offers many examples of women in vicious contention with one another, usually involving or benefiting a man. Janie is confronted by the malice of her female neighbors in the very first chapter of the novel, as she arrives back in Eatonville after her adventure with Tea Cake. “The women took the faded shirt and muddy overalls and laid them away for remembrance. It was a weapon against her strength and if i...
“The Trial of Katherina Hetzeldorfer” is a male perspective of a case against Katherina Hetzeldorfer, a woman accused of acting like a man during sexual acts, as well as having a wife who she passed off as her sister. This account highlighted the lack of representation for women accused of homosexuality in medieval Europe as well as the negative view of women taking on male roles. The “Lesbian Love Letter from a German Manuscript” is a more informal, first-person account of a sapphic relationship. It is poetic in nature, with the author utilizing figurative language to praise her lover’s beauty. “The Penitential of Theodore” is a set of instructions for priests to guide confessors in penance. It is an excellent example of the controversy in opinion about male versus female homosexuality. Specific rules govern detailed sexual interactions, implying that these acts happened as precedents for the rules. Many of these rules regard homosexual relations and the number of years of penance necessary to absolve oneself of the sin. As a commentary on the theories of social constructionism and essentialism, Alice Echols’ “Hidden From History: Reclaiming the Gay and Lesbian Past” review offers thoughtful insight into the strengths and weaknesses of each argument. This cluster of texts illustrates a diverse experience of lesbianism in medieval Europe while commenting on the lack of male understanding of lesbian
Through her words and actions, the true nature of women was exposed; her story and “weakness” showcases what women’s innate nature corresponds to. Eve represents everything about a woman a man should guard against; she is the original sinner, and cannot be trusted in both form and symbol. The idea that her actions are not without warrant, and therefore she is a representation of us is, in fact, what has been propagated throughout hundreds of years. Eve is woman, and because of her, all women are by nature disobedient, prone to temptation, weak-willed. The connotations associated with womanhood, in turned have become, untrustworthy, deceitful,
...ifestyle of the relationship between Abelard and Heloise. If the two were truly in love, then they would fight to stay together rather than give up themselves to a higher being or to what society was asking for in the way of how a relationship should be defined religiously. If Abelard and Heloise were truly in love, even the Church would be unable to separate the two.
The first century morality was not unlike our twenty-first century morality. Premarital and extra-marital affairs exist in both. Prostitution is common in both centuries. The speed in which sexual perverseness can occur in today’s society can occur at a much more rapid rate due to the Internet, however, with the same outcome as it was then, the defiling of one’s body, a body that belongs to God. God forgives us as Christians, as King David wa...
Romance can be defined as a medieval form of narrative which relates tales of chivalry and courtly love. Its heroes, usually knights, are idealized and the plot often contains miraculous or superatural elements. According to Tony Davenport the central medieval sense of romance is ' of narratives of chivalry, in which knights fight for honour and love.' The term amour coutois ( courtly love) was coined by the French critic Gaston Paris in 1883 to categorise what medieval French lyricists or troubadours referred to as ' fin armors'. Romances and lyrics began to develop in the late fourteenth century England, author like Chaucer or Hoccleve produced some of the first english medieval narratives. But how does medieval literature present the expericence of romantic love. In order to answer this question this essay will focus on two tales from Chaucer's Canterbury Tales: the Knight's Tales and the Franklin's Tales. It will show that medieval romance can be used as a vehicle to promote chivalric behaviour as well as exploring a range of philosophical, political, and literary question.
“The Knight’s Tale”, for example, uses the concept of a knight not only to parody the concept of the hero, but also to question the well-established courtly love convention. This last concept refers to a set of ideas about love that was enormously influential on the literature and culture of the medieval times for it gave men the chance to feel freely. Also, it gave women the opportunity to be an important element in the story – not only decorative. However, when scrutinizing the tale, the readers can realise that all the aspects of a knight’s love are exaggerated and conveyed throu...
During the Middle Ages, Courtly love was a code which prescribed the conduct between a lady and her lover (Britannica). The relationship of courtly love was very much like the feudal relationship between a knight and his liege. The lover serves his beloved, in the manner a servant would. He owes his devotion and allegiance to her, and she inspires him to perform noble acts of valor (Schwartz). Capellanus writes, in The Art of Courtly Love, “A true lover considers nothing good except what he thinks will please his beloved”. The stories of Marie de France and Chrétien de Troyes illustrate the conventions of courtly love.
Bloch, R. Howard. Medieval Misogyny and the Invention of Western Romantic Love. Chicago: U of Chicago P, 1991.
The Middle Ages were a time of expanding and experimenting sexually for the people. Religious figures who had taken vows of celibacy had children, sometimes with more than one woman. Even some popes of the time had illicit affairs. However, adultery was often condoned, especially in knights, because the Chivalry Code expected of them certain “actions”:
St. Augustine's sordid lifestyle as a young man, revealed in Confessions, serves as a logical explanation for his limited view of the purpose of sexuality in marriage. His life from adolescence to age thirty-one was so united to passionate desire and sensual pleasure, that he later avoided approval of such emotions even within the sanctity of holy union. From the age of sixteen until he was freed of promiscuity fifteen years later, Augustine's life was woven with a growing desire for illicit acts, until that desire finally became necessity and controlled his will. His lust for sex began in the bath houses of Tagaste, where he was idle without schooling and "was tossed about…and boiling over in…fornications" (2.2). Also during that time, young Augustine displayed his preoccupation with sexual experience by fabricating vulgarities simply to impress his peers. In descript...
“The Wife of Bath’s Tale” is written in an entertaining and adventurous spirit, but serves a higher purpose by illustrating the century’s view of courtly love. Hundreds, if not thousands, of other pieces of literature written in the same century prevail to commemorate the coupling of breathtaking princesses with lionhearted knights after going through unimaginable adventures, but only a slight few examine the viability of such courtly love and the related dilemmas that always succeed. “The Wife of Bath’s Tale” shows that women desire most their husband’s love, Overall, “The Wife of Bath’s Tale” shows that the meaning of true love does not stay consistent, whether between singular or separate communities and remains timeless as the depictions of love from this 14th century tale still hold true today.