Racism, Sexism, and Sexuality in M. Butterfly Essay

Racism, Sexism, and Sexuality in M. Butterfly Essay

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The show and the theory are directly related by several points that have already been previously stated. The stereotypes mentioned in M. Butterfly are direct representations of the stereotypes mentioned in the theory. Though M. Butterfly is a major piece that has been directly known for its examples, other shows are known for such examples as well. “The highly profitable reincarnation of different version of the Butterfly story, from David Belasco’s Madame Butterfly to Alain Boublil and Claude-Michel Schonberg’s Miss Saigon (1989), might well embody a ‘long line of Western misrepresentation of Asians, perpetuating a damaging fantasy of submissive ‘Orientals,’ self-erasing women, and asexual, contemptible men’” (Lee 13). Having more examples of shows with harsh Asian representations show that these ideas of Orientalism have been around longer than the spectators could have been previously perceived. “Stereotypes in popular culture and art enact a violent dismemberment that focuses attention on particular body parts and feature (in the case of Asians, eyes, noses, and hair, as well as skin) by highlighting or visually severing them from the rest of the body” (Lee 89). This quote is finally discussing a topic of Orientalism that doesn’t directly have to do with sexuality, power, or gender. It makes a point about some of the ideas that are brought up today as specifically “Asian.” The pointing out of the specific facial and bodily features anyone can see anywhere in the world today. Certain genetic aspects are seen amongst different racial groups across the globe and when they see something different than their own, it is easy to point it out. To say some specific aspect is Asian or Oriental, could come off as racist, when said with ...


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