Oppression Of Women‎ Exposed in Writings of Anjana Appachana

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Anjana Appachana is an author who truly interprets and represents Indian middle class women and their lives through her writings. She makes her characters speak about everyday life of Indian culture and society. The theme of her writing mostly concentrates on the existence of women and their quest for identity. Dealing with domestic issues and the societal behaviour towards women she succeeds in bringing out the suffocating oppressed environment to which Indian women are more often exposed to. The households and the characters actually are the microcosmic view of Indian society. Anjana Appachana is one such writer who unfailingly explores the pain and torment in the quelled world of Indian women. Their concerns, desires and dreams form the dominant issue of Anjana Appachana’s works. Her protagonists are often seen choked by the domestic, traditional and social confinements; they are ever seen struggling for the survival. In revert of all the duties, responsibility and devotion she extends to society, she is given to exploitation, oppression, suffocation and ultimately, silence. The heart filled with pain, the parched saliva and eyes gleaming with tears need to be out poured but these are always halted in the name of shame and ignominy.
Feminism is the most indefinable, evasive and revolutionized subject in history of world literature. This movement had revised the interest in women’s as well as about women writings. Over a long period of time, the role and contribution of women in every area has been underestimated; the spread of feminist movement has commenced the re valuations of women’s academic, literary, social and political role. With the coinage of term “feminism” by Charles Fourier, a Utopian Socialist and French philos...

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...mately "unfit" for entering or continuing with the "pious" institution of marriage. Suppressing her desires to chase her dreams and hobbies comes out as another form of exploitation. To be a good wife, mother and daughter in law, she has to leave her own pursuits. In nutshell, all the works are true representations of the unsympathetic behaviour of society towards women who have been considered as "weaker sex" or "second sex" by the patriarchal society. The silence in the narratives speaks at its highest pitch about the fallacy in modernising the nation without abolishing the barriers of gender.

Works Cited

1. Appachana, Anjana. Listening Now. New York: Random House, 1998.Print.
2. Appachana, Anjana. Incantations and Other Stories.UK: Virago Press, 1992.Print.
3. Sanga, Janna. South Asian Novelist in English: An A to Z Guide. London: Greenwood, 2003. Print.

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