In The Nature of Tragedy, Aristotle presents that art is used to as a means to rid one’s feelings. Aristotle’s argument consists of how he defines tragedy as an art which surrounds its central idea around a topic which has great importance as well as is serious. According to Aristotle a tragedy is comprised of six parts that help develop its purpose, which is to simply mimic action. Therefore, Aristotle makes it clear that art, in specific tragedies, serve to imitate a specific individual or object to place that person or scenario into perspective. Tragedy helps the actors and viewers to follow along with an organized plot which to Aristotle is the most important aspect of a tragedy. In a sense Aristotle presents this argument with the intention of explaining that when one watches a tragic scene, he/she tends to forget about the current situation and can relieve certain emotions and feelings in the process.
In R.G. Collingwood’s Magic or Amusement, he makes a clear distinction between “amusement art” and “magical art” and their purposes. Amusement art serves at the surface, meaning it is just to entertain and not engage the person on a deeper emotional level. Collingwood makes it clear that magical art is the form that will encourage humans as a race to enlighten ourselves and to give meaning to a concept not understood. The separation between the two arts, demonstrates Collingwood’s opinion that magical art is the highest form that will engage the audience into thinking within themselves and becoming self-aware, but also encourages people to remain aware and consider the amusement art. Collingwood goes on to mention that amusement art and magical are cannot occur at the same time. Therefore, art itself is categorized into ...
... middle of paper ...
... those who may use art as a creative outlet simply for their emotions, have contributed greatly to people who view their art. A great example of this is “The Persistence of Memory” by Salvador Dali. This painting in particular has many different interpretations, but in general it causes people to ponder upon the way they spend their time. This piece of art is quite significant and relevant to today’s day and age as it helps the viewer reflect and have the opportunity to better him/herself. When someone who waste their time on something that does not contribute to their overall happiness, they usually do not stop and wonder why they continue to do so. Seeing this image will allow them to reflect and make a decision to either change and be truly happy or to remain the same. Regardless of that person’s choice, the art made them question an aspect of their daily lives.
Need Writing Help?
Get feedback on grammar, clarity, concision and logic instantly.Check your paper »
- Out of Aristotle’s apprehension of tragedy, four out of the six ideas are used in the tragic drama, “Oedipus the King” by Sophocles. These ideas are tragic hero, hamartia, peripeteia, and anagnorisis. The tragic hero is a person of greatness, and noble stature who usually contributes to their own downfall. Oedipus has greatness and noble stature; he’s sublime, in the way that he cares for his people. What leads to his own downfall is his own pride, which came out when he solved the riddle of the Sphinx and was praised by marrying the queen of Thebes, making him feel untouchable, “Here I am myself- you all know me, the world knows my fame: I am Oedipus.... [tags: Sophocles, Literary Analysis]
971 words (2.8 pages)
- In writing a tragedy, there are certain standards and guidelines to which an author or playwright must follow. One such standard is the Aristotelian definition of tragedy and the tragic hero. William Shakespeare’s The Tragedy of Macbeth is a perfect mold of an Aristotelian Tragedy. It displays all eight aspects of Aristotle’s definition of tragedy. It is set mainly in Scotland, but briefly in England during the eleventh century. It illuminates the ideal plot, in which the action of the story, or Macbeth’s murder of Duncan along with his meticulous planning of other murders, takes place over the course of several days in Scotland, particularly at Macbeth’s castle in Dunsinane.... [tags: Tragedy, shakespeare, aristotelian, Aristotle,]
1184 words (3.4 pages)
- In the reading “Poetics” by Greek philosopher Aristotle, the word Tragedy is defined as “an imitation of an action that is serious complete and of certain magnitude; in language embellished with each kind of artistic ornament” (Aristotle 1). This indicates that tragedy is foreshadowing what might happen in the future. In the book of Oedipus Rex, written by Sophocles, a Greek Philosopher as well, tragedy is well defined throughout the book. The components of tragedy are the following: good or fine, fitness of character, true to life or realistic, true to themselves, necessary or probable, yet more beautiful.... [tags: Tragedy, Oedipus, Sophocles, Aristotle]
1332 words (3.8 pages)
- Aristotle’s definition of a tragedy is defined by six major parts which consist of plot, character, imagery, diction, melody, and spectacle. All these traits come together to create a fiction which dramatizes the events that may happen in the near future in order to purge emotions from the audience. Aristotle uses Sophocles OEDIPUS REX as a form to describe what a tragedy should have to be considered a tragedy. Knowing that OEDIPUS REX is the embodiment of a tragedy in Aristotle’s view, To Build A Fire would not fall under Aristotle’s view of a tragedy, but of a modern tragedy.... [tags: Tragedy, Poetics, Character, Sophocles]
1338 words (3.8 pages)
- The Nature of Tragedy:In the century after Sophocles, the philosopher Aristotle analyzed tragedy. His definition: Tragedy then, is an imitation of an action that is serious, complete, and of a certain magnitude; in language embellished with each kind of artistic ornament, the several kinds being found in separate parts of the play; in the form of action, not of narrative; through pity and fear effecting the proper purgation of these emotions.Aristotle identified six basic elements: (1) plot; (2) character; (3) diction (the choice of style, imagery, etc.); (4) thought (the character's thoughts and the author's meaning); (5) spectacle (all the visual effects; Aristotle considered this to be t... [tags: essays research papers]
1035 words (3 pages)
- Re-evaluating Tragedy Fifth century Athens created the institutionalisation of tragedy as an art form throughout the polis. Originating as Dionysian celebrations through masks, dithyrambs and dance, tragedy developed into an architectural form for playwrights, namely Aeschylus, Sophocles and Euripides, to encapsulate the struggle of the human condition in its attempts to reconcile good and evil existence. Aristotle deconstructed tragedy and its form into the “imitation of an action that is serious, complete and of a certain magnitude”.... [tags: Tragedy, Sophocles, Greek mythology, Euripides]
1564 words (4.5 pages)
- A tragedy’s itended purpose is to raise emotions of both pity and fear through a catharsis. The audience often feels empthatic for the protagonist, as he or she is likely described as a tragic hero. In order to be classified as a tragic hero there are specific criteria that must be met. Aristotle dissected tragedy to further understand the purpose, components, and the criterium. Through his studies, Aristotle formulated, Poetics, his very own book explaining his theory on tragedy. Aristotle defined tragedy as the “imitation of action according to the “law of probability or necessity” (“Outline of Aristotle's Theory of Tragedy.").... [tags: pity, fear, catharsis, William Shakespeare]
1135 words (3.2 pages)
- The Relation between Seneca’s Hercules Furens and Aristotle’s Poetics The intent of this paper is to discuss Seneca’s Hercules Furens in relation to Aristotle’s description of tragedy as outlined in the Poetics. It begins by discussing character, and attempts to determine the nature of Hercules’ error (a(marti/a).1 The paper then discusses matters of plot (mu~qoj), attempting to determine the degree to which Hercules Furens meets Aristotle’s requirements for good tragedy in this regard. According to Aristotle, the best tragedy evokes feelings of fear and pity.2 Since characters in a tragedy must perform action (pra~cij), it follows that the best tragedy must contain some action that... [tags: Aristotle Poetics Politics Essays]
1791 words (5.1 pages)
- The Beautiful in Kant's Third Critique and Aristotle's Poetics ABSTRACT: I argue that Kant's analysis of the experience of the beautiful in the third Critique entails an implicit or potential experience of the sublime, that is, the sublime as he himself describes it. Finding the sublime in the beautiful is what I call philosophical beauty. I then consider some aspects of Aristotle's analysis of tragedy in the Poetics, specifically his identification of the key elements of tragedy as those involving the experience of fear and pity, which leads to a catharsis of these emotions.... [tags: Kant Third Critique Aristotle Poetics Essays]
3443 words (9.8 pages)
- The Influence of Aristotle on William Wordsworth’s Poetry and William Shakespeare’s Plays Aristotle’s Poetics is not one of his major works, although it has exercised a great deal of influence upon subsequent literary studies and criticism. In this work Aristotle outlines and discusses many basic elements that an author should adhere to in order to write a great tragedies and/or poetry. Two important topics that Aristotle addresses and believes to be crucial to the art work is the mimesis, or imitation of life, and that the audience has an emotional response from the work, or a catharsis.... [tags: Aristotle Tragedy Tragedies]
677 words (1.9 pages)