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Analysis of metamorphosis by kafka
Philosophy in metamorphosis by kafka
Analysis of metamorphosis by kafka
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This essay will look at Franz Kafka’s 1915 The Metamorphosis from a Marxist perspective. Although on the surface The Metamorphosis is a science-fiction like story of low-income, travelling salesman Gregor Samsa (the protagonist who lives with his parents and sister) being transformed into a giant insect, this close reading of the novel will argue that Gregor Samsa and his transformation are symbolic of the proletariat/working classes under a Western capitalist society. Similarly his boss (who is left unnamed during the whole story) represents the bourgeoisie. Their abusive relationship, as well as Gregor’s passive acceptance of his conditions (before and after the transformation), are indicative of how Kafka perceived the behavior of the working
An obvious explanation for this reaction is that the boss got scared of his monstrous form and left, but adding to all the previous points made in regards to the Marxist allegory of The Metamorphosis, we can safely assume that one of the reasons the boss never came back was because Gregor was now unable to work for him ever again, meaning he had completely lost his value as a human being. This can also be directly related to Karl Marx’s idea that the classes with power only use the working classes as a way to secure the means of production by forcing the proletariat to dedicate their lives to labour. The degradation of Gregor’s professional life extends to his personal life as well, seen as how his family (even his sister who was the closest family member he had) also gradually abandons him. According to Marx and Engels: “The bourgeoisie has torn away from the family its sentimental veil, and has reduced the family relation into a mere money relation” (222). Once Gregor is unable to provide for his family, he becomes useless to them and all the “sentimental vein”, as put by Marx and Engels, is lost in favour of the more affordable option, which is simply to get rid of him and his expenses and move to a smaller house where Gregor won’t be ‘taking up
Thirdly, he suffers isolation from the physical world, which he is no longer able to participate in due to his presence and lack of mobility. Lastly, he suffers isolation from other people around him, especially his family. By the end even his sister, Grete, the most compassionate member of the family, explanations that they should stop thoughtful of the creature as the person they knew. She says that “the fact that we’ve believed it so long is the root of our trouble” (Kafka 48), which can be taken to mean that at some point Gregor stopped being a person not only because of his entrance but since of his non-conformist actions. The beating he receives from his father shows the extent of the cruelty he endures, though his father knows that “family duty compulsory the conquest of disgust and the use of endurance, nothing but patience” (Kafka 36). The tragedy is that this alienation ends up killing Gregor, who “dies not as a vermin, but as a human being thinking of his family”. The transformation is an indication of the breakdown of Gregor’s psyche and alienation within his self. The reader is not told how the transformation
The Metamorphosis is said to be one of Franz Kafka's best works of literature. It shows the difficulties of living in a modern society and the struggle for acceptance of others when in a time of need. In this novel Kafka directly reflects upon many of the negative aspects of his personal life, both mentally and physically. The relationship between Gregor and his father is in many ways similar to Franz and his father Herrman. The Metamorphosis also shows resemblance to some of Kafka's diary entries that depict him imagining his own extinction by dozens of elaborated methods. This paper will look into the text to show how this is a story about the author's personal life portrayed through his dream-like fantasies.
Franz Kafka's The Metamorphosis is a masterfully written short story about Gregor Samsa, a man who devotes his life to his family and work, for nothing in return. Only when he is transformed into a helpless beetle does he begin to develop a self-identity and understanding of the relationships around him. The underlying theme of The Metamorphosis is an existential view that says any given choice will govern the later course of a person's life, and that the person has ultimate will over making choices. In this case, Gregor?s lack of identity has caused him to be numb to everything around him.
The world lies on a thick plate of morality, love, sympathy, opinion, and vitality – all of which are contributions to what shapes humanity. Humanity overtime has strengthened in fluctuating wavelengths through infinite trials and tribulations. In ‘The Metamorphosis,’ the protagonist of the novel, Gregor Samsa, transforms into a vile, repulsive insect: a cockroach. This occurrence strikes a test for the Samsa household, playing a role on their behaviors and the meaning of “humanity” itself.
The Metamorphosis took place when Gregor Samsa wake up transform in a parasite, but everything else appears normal, so in spite to go back to normal, he goes back to sleep. As he start thinking about his job as a salesman and how his boss never accept excuses, “He was a tool of the boss, without brains or backbone” (5) or how is the life of the others that work in sales, he looks the clock and realized he is late and he already missed his train for work and what consequences would bring. Between that his family started to worry about why he is not leaving jet and finally his boss arrives to check on him personally, but Gregor’s door was close, he tries to explain his situation to his boss but suddenly anybody understands a word, ”Did you understand a word? The manager was asking … Oh my God!, cried [Gregor’s] mother” and in order for Gregor does not lose his job because he still needs to paid his father debt after his family business broke, Gregor manages to open the door shortly with his mouth. But his horrible appearance, everybody immediately rejected, his boss left and his family make him stay in his room and Gregor exhausted falls sleep. Initially, Grete -Gregor’s sister- decide take care of him, realizing his brother’s new likes and Gregor stayed under the coach, looking at her; captivating his parents away from the task, among they talked about the difficult financial situation that they have and how they need to solve it between Gregor recovers. With time, Grete empower Gregor’s situation and to making feel more comfortable, she wants to remove the furniture and let Gregor moves free; so with the help of Gregor’s mother, they started the task until Gregor’s left himself out, protecting his precious portrait and his mother ...
The Metamorphosis is a among Franz Kafka’s famous stories. The story is about a haunted man who changed into an insect. The author has written the story based on various theories such as Marxism, existentialist and religious views. It is also a reflection of a hostile world with major themes being abandonment, self-alienation, and troubles relationship. It reveals people’s struggles while in the modern society where one is neglected in the time of need (Franz 8). The cultural and social setting of the story helps in supporting the major themes of the story. In as much as the story is a dramatic fiction, it is necessary to explore the interior monologue style in order to inform the audience what the protagonist is thinking.
In Franz Kafka’s The Metamorphosis, the transformation of the character Gregor from a man to one of the most hated insects, a vermin, may seem exaggerated and ridiculous, becoming more so over the course of the story the action builds and the emotions and ideas of the characters in the story begin to change and become more prominent. Kafka’s intention, however, is to expose and explore the impoverishment of human psychology with respect to the ways in which changes in one’s circumstances and conditions reshape notions people have of the way they believe in justice and mercy which will be explore further in this analysis of Gregor Samsa.
Franz Kafka’s The Metamorphosis is a novella that follows the story of Gregor Samsa who, one day, wakes up as an insect. On the surface, it’s just a story about a man who’s transformed into a bug; but, when deeper analyzed, you come to understand that it’s a about a man who was always a bug conflicted by his identity in a class struggle between what is known as the proletariat and the bourgeoisie. Kafka’s work was written in a time in history when the struggles between the classes were becoming more defined due to the rise of industrialization and other changing social structures. This story can best be interpreted though a Marxist lens. In Kafka’s The Metamorphosis, his Marxist ideology comes through in the way the characters represent the struggle between the proletariat and bourgeoisie classes during the turn of the century.
In the novella “The Metamorphosis”, Franz Kafka focuses on the topic of alienation and considers its underlying effect on the human consciousness and self-identity. The alienation Kafka instigates is propagated towards the main character Gregor Samsa, who inevitably transforms into a giant cockroach. The alienation by family relations affects him to the extent that he prioritizes his extensive need to be the family’s provider before his own well-being. This overwhelming need to provide inevitably diminishes Gregor’s ability to be human-like. Kafka also enforces the idea of the ability to resurrect one’s self-identity following psychologically demanding events. In this essay, I utilize Gregor Samsa’s metamorphosis to address that alienation, in its various forms, is instrumental in the dehumanization process and can also oppositely induce a restoration of self-identity. The metamorphosis acts as a metaphor to express the inhumane change of state that occurs to a victim of alienation; it also formulates Gregor’s epiphany. He suffers through three forms of alienation: exploitation, violence, and neglect. The joint presence of these three external forces deprives him of a human distinctiveness, but in turn, influences a final realization that enforces the restoration of his self-identity, and therefore human identity.
While Herman Melville’s “Bartleby, the scrivener” and Franz Kafka’s “The Metamorphosis” have unrelated plots, they both contain Marxist undertones that address alienation in the workplace as a result of capitalism. The protagonists, Gregor and Bartleby, are examples of how the working class is treated when they do not conform to the conventions of capitalism. Gregor and Bartleby alike are working class men who, through some turn of events, stop working and are deemed useless to those around them. Both of these stories end in the death of the protagonists, as these men are seen as unproductive and discarded by their capitalistic societies.
One of the saddest aspects of Franz Kafka's novella, The Metamorphosis, concerns the fact that young Gregor Samsa genuinely cares about this family, working hard to support them, even though they do little for themselves. On the surface, Kafka's 1916 novella, seems to be just a tale of Gregor morphing into a cockroach, but a closer reading with Marx and Engels' economic theories, unveils an impressive metaphor that gives the improbable story a great deal of relevance to the structure of Marxist society. Gregor, the protagonist, denotes the proletariat, or the working class, and his unnamed manager represents the bourgeoisie. The conflict, that arises between the two after Gregor's metamorphosis, contributes to his inability to work. This expresses the impersonal and dehumanizing structure of class relations.
In The Metamorphosis Kafka illustrates a grotesque story of a working salesman, Gregor Samsa, waking up one day to discover that his body resembles a bug. Through jarring, almost unrealistic narration, Kafka opens up the readers to a view of Gregor’s futile and disappointing life as a human bug. By captivating the reader with this imaginary world Kafka is able to introduce the idea that Gregor’s bug body resembles his human life. From the use of improbable symbolism Kafka provokes the reader to believe that Gregor turning into a bug is realistic and more authentic compared to his unauthentic life as a human.
Franz Kafka's "The Metamorphosis" offers a powerfully symbolic expression of personal anguish and uncertainty. The story's opening sequence tells of a man named Gregor Samsa who awakes one morning to find that he has been inexplicably transformed into a giant insect. Isolation, fear, and personal resentment eventually overwhelm the creature. At last, when Gregor Samsa is completely abandoned, death succumbs him. The emotional distress and internal struggle for Samsa in "The Metamorphosis" is quite logical for Kafka's audience. The circumstance of Samsa's sudden fate, however, is not. Kafka solves this problem by providing intimate details about the unbelievable, forcing the audience to accept things otherwise deemed ridiculous. In "The Metamorphosis," for example, Kafka describes inse...
In Franz Kafka’s short story, Metamorphosis, the idea of existentialism is brought out in a subtle, yet definite way. Existentialism is defined as a belief in which an individual is ultimately in charge of placing meaning into their life, and that life alone is meaningless. They do not believe in any sort of ultimate power and focus much of their attention on concepts such as dread, boredom, freedom and nothingness. This philosophical literary movement emerged in the twentieth-century, when Kafka was establishing his writing style in regards to alienation and distorted anxiety. A mirror to his own personal lifestyle, this story follows the short and sad life of a man unable to break out of the bonds society has placed on him. These bonds are not only evident in the work place, but at home too. Being constantly used and abused while in his human form, Gregor’s lifestyle becomes complicated once he becomes a giant insect and is deemed useless. Conflicts and confusion arise primarily between Gregor and his sister Grete, his parents, and his work. Each of these three relationships has different moral and ethical complications defining them. However, it is important for one to keep in mind that Gregor’s metamorphosis has placed him into a position of opposition, and that he has minimal control over the events to take place. Conflicts will also occur between family members as they struggle with the decision of what to do with Gregor. In the end they all come to the agreement that maintaining his uselessness is slowly draining them and they must get rid of him.
On the surface, Franz Kafka's 1916 novella, The Metamorphosis, seems to be just a tale of a man who woke up one morning to find himself transformed into an insect. But, a closer reading with Marx and Engel's economic theories in mind reveals an overarching metaphor that gives the improbable story a great deal of relevance to the structure of society. Gregor Samsa, the protagonist, signifies the proletariat, or the working class, and his unnamed manager represents the bourgeoisie. The conflict that arises between the two after Gregor's metamorphosis renders him unable to work represents the impersonal and dehumanizing structure of class relations. The metaphor of the story can be divided into three main parts (although they overlap within the story.) First, Kafka establishes the characters and the economic classes which they represent. Then, he details Gregor's metamorphosis and the way in which it impedes his labor. Finally, he describes the final results of the worker's inability to work: abandonment by his family and death. Although a man cannot literally be transformed into an insect, he can, for one reason or another, become unable to work. Kafka's novella, therefore, is a fantastic portrayal of a realistic scenario and provides us with a valuable insight into the struggles between economic classes.