While Herman Melville’s “Bartleby, the scrivener” and Franz Kafka’s “The Metamorphosis” have unrelated plots, they both contain Marxist undertones that address alienation in the workplace as a result of capitalism. The protagonists, Gregor and Bartleby, are examples of how the working class is treated when they do not conform to the conventions of capitalism. Gregor and Bartleby alike are working class men who, through some turn of events, stop working and are deemed useless to those around them. Both of these stories end in the death of the protagonists, as these men are seen as unproductive and discarded by their capitalistic societies. Gregor, the protagonist in “The Metamorphosis”, comes from a poor family, and is a working class man. …show more content…
Gregor and Bartleby are both proletarians in these stories, who belong to the working class. The chief clerk and the lawyer represent the bourgeoisie, the upper class society who earn wealth at the expense of those below them. In the case of Gregor, the bourgeoisie would be represented by his boss, who pays a visit to him in at his home when he is late for work. While in bed, Gregor realizes he may not make it to his job on time and considers the idea of calling in sick due to his recent transformation “Then what if he called in sick? That would be rather embarrassing … because in the course of the past five years, Gregor hadn’t once been ill” (506). This shows how overworked Gregor is, never once has he taken a day off work due to illness, yet nonetheless the chief clerk shows up at his house demanding an explanation for his absence. The chief clerk does not worry about Gregor when he claims he is ill, but instead worries about the effects that Gregor’s illness this will have on his business “we businesspeople often … set aside some minor ailment, in the greater interest of our work” …show more content…
Although not as outwardly demanding as the chief clerk, the lawyer attempts to have Bartleby obey his orders and gets frustrated when Bartleby replies with “I would prefer not to”. The chief clerk even resorts to physical violence in a fit of rage to get Bartleby to cooperate “when this old Adam of resentment rose in me and … I grappled him and threw him”. The lawyer uses ”old Adam” to mean the “sinful character of human nature” in reference to his aggression towards Bartleby (OED). One rebuttal to my argument of the lawyer representing the bourgeoisie would be that the lawyer comes off as a kind-hearted individual who rarely shows signs of aggression or anger towards Bartleby. This is true, however, the lawyer’s appearance is from his own recollection of the story as it is narrated in first person. It is quite possible that the lawyer is an unreliable narrator, as any person narrating a story with himself in it is bound to embellish their kindness and limit their recollection of their downfalls. Gregor’s story is narrated by an omniscient third person narrator, who tells an unbiased and truthful
Franz Kafka's The Metamorphosis is so strikingly absurd that it has engendered countless essays dissecting every possible rational and irrational aspect of the book. One such essay is entitled "Kafka's Obscurity" by Ralph Freedman in which he delves down into the pages of The Metamorphosis and ferrets out the esoteric aspects of Kafka's writing. Freedman postulates that Gregor Samsa progresses through several transformations: a transformation of spatial relations, a transformation of time, and a transformation of self consciousness, with his conscious mutation having an antithetical effect on the family opposite to that of Gregor. His conjectures are, for the most part, fairly accurate; Gregor devolves in both his spatial awareness and his consciousness. However, Freedman also asserts that after Gregor's father throws the wounding apple, Gregor loses his sense of time. While his hypothesis certainly appears erudite and insightful, there really is no evidence within the book itself to determine whether if Gregor has a deteriorating sense of time. If Freedman had only written about Gregor's spatial and conscious degradation, then his entire thesis would be accurate.
Gregor Samsa awakes one morning to discover that he has been transformed into a repugnant vermin. One may never know what initiated this makeover, but the simple truth is that Gregor is now a bug, and everyone must learn to live and move on in this strenuous situation. In Franz Kafka’s The Metamorphosis, the characters that interact with Gregor, including his mother, his father, and his sister Grete, must come to terms with his unfortunate metamorphosis, and each does so by reacting in a unique way. Gregor’s family members are constantly strained by this unusual event, and all three of them are pressed to their breaking point.
“The Metamorphosis” by Franz Kafka, not only tells the troubling story of Gregor Samsa but of the underlying autobiographical influences of Kafka himself. The first similarity is the unhappiness in both men’s careers, both induced by their strong-willed fathers. In the short story, when Gregor awakes he realizes the problem is not that “he found himself changed in his bed into a monstrous vermin” but that he will be unable to do his job, that pays for his parent’s debt (1156). Franz spent his life, unhappy but successful just like Gregor. Franz majored in law to please his father. Both men strived for similar family duties, Gregor to pay off his father’s debt and Franz for a false sense of hope that one day his father would love him (1157; Sulkes).
People today live in an absurd world, where they are constantly working and on the go, they forget what matters most to them like their dreams and aspirations and become work zombies. That is why the stories of the Metamorphosis by Franz Kafka and The Death of Ivan Ilych by Leo Tolstoy speak to me, they comment on the absurdity of mundane daily life and tasks that we have become accustomed to and make you think about the life that you are living. The main characters of the two stories, Gregor Samsa and Ivan Ilych, become overwhelmed by the amount of pressures that they put on themselves and by their families. The two characters epitomize what the workers of today have become and the worst part is they never realize how unhappy they have become until it is too late. I know many of us feel the burden of working to much and not living the way we want to. These stories are very bleak and don't offer hope for the main characters, they failed to adapt and perished because of it. The stories make you feel that as if there is no escaping the absurdity of life, as is the
Although Franz Kafka’s reading are not known to be sexist, some of the characters in his book “The Metamorphosis” reflect the views of the time in 1917. The female characters of the book present the stereotypical view of women as weak caregivers whose only value to their family lies in their ability to marry wealthy men. There is evidence to prove these statements throughout, such as Gregor being the only means of income for his sister’s future, how he is the only one who works, and how he gets cast aside by his parents and sister when he cannot work.
Gregor’s relationship with his father shows resemblance to the relationship between Kafka and his father. Kafka, as a child, suffered abuse from his father. Kafka viewed his father as a forceful monster, which resembles Gregor’s father. Gregor wanted nothing more than the love of his family, especially his father, just as Kafka had wanted. His reason for writing “The Metamorphosis” could also relate to the situation which he lived in. He was a Jew raised in Austro-Hungarian Empire, modern day Czech Republic. He was a Jew in an area of the world which Jews were not well accepted. Gregor was described as cockroach, something that Jew were often equated to during this time period. Jews were treated like vermin, they were thought of a creature that was to be rid of. Gregor experienced similar treatment from his family. They discussed leaving or getting rid of Gregor during the story. Experiences of Gregor are similar to those that Jews would have experienced during Kafka’s life. “The Metamorphosis” could also demonstrate the issues that normal people face every day. People face trials and tribulations every day that change their lives dramatically, nobody has ever been transformed into a bug, but it does represent the extreme circumstances that may
Since the start of The Metamorphosis, Gregor is an ordinary character with a few complex ideals. Although he hates his job, he knows that he must do because it helps support his family. He applies himself “with great earnestness” (Kafka 1182) to his grinding work as a traveling s...
The narrator begins the short story Bartleby the Scrivener by “waiving the biographies of all other scriveners for a few passages in the life of Bartleby, who was a scrivener of the strangest I ever saw or heard of” (pg). Bartleby appears at first as a “pallidly neat, pitiably respectable, incurably forlorn,” (pg) character who is hired by the narrator because of his sedate nature, which he hoped would balance the personalities of his other employees. Bartleby is first isolated from the other characters through the actions of his boss, the lawyer, who “isolated Bartleby from my sight, though not removed from my voice,” (pg) by placing a folding screen around his desk and, “in a manner,
The Yellow Wallpaper” by Charlotte Perkins Gilman and “The Metamorphosis” by Franz Kafka both incorporate “irreal” elements throughout their works. These elements provide an alternative point of view where the lives of main characters are recreated and imagined as part of their surroundings. It’s almost as if the characters are watching their lives from an outside vantage point, rather than living in the moment, which makes it easier to cope with their difficult circumstances. These two works are complementary in establishing relationships, exposing internal conflicts, and escaping the reality that these characters yearn for in their lives.
Within the first few pages of the novella readers promptly discover the proletariat in the story. Laboring as a traveling salesman, Gregor trys to support his family and pay off his father's debt due to a failed business venture. While lying in bed, he comments on his life as a traveling sales man “Day in, day out-- on the road...I've got the torture of traveling worrying about changing trains, eating miserable food, at all hours...”(Kafka 4). The words he chooses to describe his job, “torture”, “worrying,” “miserable” dramatically show his discontent with his daily labor. Having no option other than to continue working at his monotonous job, because he is a member of the class wage labors. They have no means of creating ...
From the beginning of The Metamorphosis Kafka offers a comical depiction of Gregor’s “squirming legs” (Kafka 13) and a body in which “he could not control” (7). Gregor’s initial reaction to this situation was the fact he was late to his dissatisfying job as a salesman, but Gregor knows that he has to continue his job in order to keep the expectation his family holds upon him to pay of the family’s everlasting debt. When Gregor’s family eventually realizes that Gregor is still lying in his bed, they are confused because they have expectations on Gregor that he will hold the family together by working. They know if Gregor was to quit his job there would be a great catastrophe since he is the glue to keeping their family out of debt. The communication between his family is quickly identified as meager and by talking to each other from the adjacent walls shows their disconnection with each other. Kafka introduces the family as lacking social skills in order to offer the reader to criticize and sympathize for Gregor’s family dynamics. Gregor’s manager makes an appearance quickly after experiencing the dysfunction within the fami...
The lawyer, also the narrator, hires Bartleby to work as a scrivener at his business that involves bonds, mortgages and titles. The lawyer thinks he has all of his scriveners behaviors “on lock”. Although Bartleby started as a hard working employee, he eventually and in a calm manner refuses to do any requested work by the lawyer by simply saying, “I would prefer not to”. The lawyer doesn’t fire Bartleby after he declines to work, instead he gives Bartleby another chance. The lawyer preference to remain calm shows that he chooses to stray from confrontation. Bartleby continuous refusal to work leads to him being fired, but he refuses to leave. The lawyer’s philosophy and careful balancing of his employees is compromised by Bartleby actions. The lawyer moves his entire practice to another building to only find Bartleby there. Bartleby is arrested and continues in his bizarre daze. The lawyer visits Bartleby to convince him to eat and get through to him, but it doesn’t work and Bartleby dies. The lawyer sensitivity and empathy towards Bartleby raises questions to the lawyers sincerity. Ultimately, my goal is to demonstrate what was the lawyer’s intent to help Bartleby?
Gregor is the son of middle-class family in Prague. He has been the sole supporter of his family since his father lost business and fell into depression because of his financial loss. The Samsas are in a great amount of debt; Gregor, the dutiful son, takes over their debt as his
In Franz Kafka’s short story, Metamorphosis, the idea of existentialism is brought out in a subtle, yet definite way. Existentialism is defined as a belief in which an individual is ultimately in charge of placing meaning into their life, and that life alone is meaningless. They do not believe in any sort of ultimate power and focus much of their attention on concepts such as dread, boredom, freedom and nothingness. This philosophical literary movement emerged in the twentieth-century, when Kafka was establishing his writing style in regards to alienation and distorted anxiety. A mirror to his own personal lifestyle, this story follows the short and sad life of a man unable to break out of the bonds society has placed on him. These bonds are not only evident in the work place, but at home too. Being constantly used and abused while in his human form, Gregor’s lifestyle becomes complicated once he becomes a giant insect and is deemed useless. Conflicts and confusion arise primarily between Gregor and his sister Grete, his parents, and his work. Each of these three relationships has different moral and ethical complications defining them. However, it is important for one to keep in mind that Gregor’s metamorphosis has placed him into a position of opposition, and that he has minimal control over the events to take place. Conflicts will also occur between family members as they struggle with the decision of what to do with Gregor. In the end they all come to the agreement that maintaining his uselessness is slowly draining them and they must get rid of him.
Within the first few pages of the novella, we as readers quickly discover Gregor's role as the proletariat in the story. He is forced to labor as a traveling salesman, trying to support his family and pay off his father's debt from a failed business venture. While lying in bed, he comments on his life as a traveling salesman, "Day in, day out--on the road... I've got t...