The Great Gatsby By F. Scott Fitzgerald Essay

The Great Gatsby By F. Scott Fitzgerald Essay

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In The Great Gatsby, F. Scott Fitzgerald utilized the beauty of words to demonstrate the extents people go to in hopes of pursuing the American dream. This extraordinary classic also exposes one man’s story of troubled love and passion for both the tangible and abstract possessions in a world of riches. Baz Lurhmann astoundingly interpreted Fitzgerald’s composition through motion picture productions. However, due to modernization the 2013 film “The Great Gatsby” at some points diverted from Fitzgerald’s work; resulting to a questionably interesting comparison between both mediums.
In Fitzgerald’s novel, his view of Daisy and Gatsby’s relationship were strikingly contrasting to the portrayal of his character in Luhrmann’s film. Fitzgerald’s words suggested that Gatsby was more attracted to the idea of attaining the so hard-to-get female figure, rather than solely her personality. For approximately five years of being “confused and disordered” scrambling for wealth, Gatsby “wanted to recover something, some idea of himself, perhaps, that had gone into loving Daisy” (Fitzgerald 110). To add into the already intricate visual, Gatsby demanded Daisy to abandon her current livelihood and declare to Tom, “I never loved you” (Fitzgerald 109). The picture painted by Fitzgerald did not scream “true love”, it exclaimed the triumph of overcoming all odds to achieve a long time goal. Gatsby, undoubtedly driven by avidity, took all initiative to reach this success. Contrary to this, Lurhmann’s film causes the audience to perceive Gatsby as a dreamy and immensely romantic individual. In the movie, he was enthusiastically in love with her charming presence, overlooking her wealthy background. It was more about their glorious and irreplaceable con...


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... upon deceit. In the film, Dr. T.J. Eckleburg’s eyes were simply plastered on a billboard. There was nothing more to it. This of course loses the conflict between a man and his knowledge of moral and immoral. This led for the characters in the film to emerge as more vigorous and inhumane, with no underlying sympathy or guilt to consume self-indulgence. Perhaps, the fact that no figure aloof was existent epitomizes the contemporary mentality of utmost freedom.
The modernization exploited by Lurhmann certainly put an interesting twist to Fitzgerald’s masterpiece. Readers and viewers were able to absorb the vision of a lavish lifestyle with a conflicted love story by means of mediums representing both the classic and contemporary. Perhaps, technology in film making should not “borne back ceaselessly into the past” but instead continue to move forward (Fitzgerald 180).

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