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Gender roles in disney movies essays
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Disney appropriate stories that originated in non-American cultures is because they had to manage geopolitical change in the world when traditional order of politics and economics was being underpin the corporations that was experiencing radical revision as a result of that change. Most of those which who decides the story lines and work on the animation feel that in order to stick to the “Disney-way” of things there has to be an allusion of positive learning and family but in a deeper sense Disney draws the attention of children by giving them adventure, power, and love through these films, which ultimately is the magic of Disney. (DD75) Disney also likes to make other cultures look less than British-White Americans which I believe to be a self-reflective to the “real” meaning of switching the folk tales into fairy tales. Disney also like to use this multicultural films to suggests doubt of a stereotype being displayed, repeating thing that should already be known (DD95) such as in The Lion King having black characters named Rafiki which happens to be a spiritual monkey. Disney likes to show popular culture images as well for example during The Hunchback of Notre Dame there are card games, pool dancing, and Esmerelda has a whole music video sequence which also happen in Mulan. In Aladdin, princess Jasmine much like all of the Disney princesses wear revealing halter tops, the genie plays poker and specks of taking trip around the world as he slides a cap on his head, marketing Disney and referencing pop culture. (DD75)
Orientalism is defined as something (as a style or manner) that is associated with or characteristic of the continent Asia as a whole or Asians. For the time being, many of the images that Disney show in its anima...
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...ole of women in America at the time. In the Lion King, Scar is portrayed as basically the “gay evil uncle” owing to his effeminate gestures, speech, and appearance that are stereotypically used as gay markers. Shenzi is likely female but is never actually referred to as one in the movie but is something we can only assume from the general tone of the voice. All the hyenas look very similar and are difficult to distinguish other than by voice accent which shows racist stereotypes of African Americans and or person in lower class.
EC: A positive reading from a film in section 3 is that in Mulan there was never an outbreak about the fact the Ping is a girl aside for Chi Fu, who is portrayed to be homosexual himself; they just kind of accept it and move on. Even Shan-yu, the bad guy, never addresses the fact that Ping is a girl he says, “The soldier from the mountain”.
The first female character that the book introduces to the reader is, O-lan. When she was just a young girl her parents sold her off to the Great House of Hwang, in order to reinsure their survival. Many poor families in China had no c...
Orientalism, which became famous as a term after Edward Said’s book written in 1978, explains a power relation between the Orient and the Occident inspiring from the Foucault’s The Archeology of Knowledge and
Orientalism is never far from what Denys Hay ahs called the idea of Europe, a collective notion identifying ‘us’ Europeans as against all ‘those’ non-Europeans, and indeed it precisely what made that culture hegemonic both in and outside Europe: the idea of European identity as superior one in comparison with ass the non-European peoples and cultures (7).
Li Yu's Male Mencius's Mother epitomizes the normalization of homosexuality through the characters' strict adherence to Confucian gender norms. While initially a condemnation of homosexuality citing the rebelliousness towards the divine design of heterosexuality and the complementary nature of male and female, the story instead romanticizes the self-sacrifice and devotion of the homosexual relationship of two men. The presentation of the homosexual relationship is designed to maximize the acceptance of homosexuality through the application of heterosexual components, such as the definition of a "male" and "female" to Jifang and Ruilang respectively. Jifang establishes his dominance as "male" through his taking of a wife and fathering a child, while Ruilang accepts his "female" definition through the physical transformation of castration and psychological transformation into the Confucian chaste wife and dutiful mother.
Living with their traditional Chinese culture in American society, these eight Chinese-American women suffer the problems of cultural conflicts in compliance with their gender. Asian women were looked at as being "positive, subservient, compliant, quiet, delicate, exotic, romantic and easy to please" (Mulan). They are nicknamed "China dolls" or " lotus blossoms", which are sexually loaded stereotypes of Asian women. These stereotypes discriminate against women by degrading their worth as people. By men taking advantage of their obedience and submissiveness they are showing that these women are not valued and that they have no voice. Judith Butler responds to these roles by saying, "Gender is an act, a performance, a set of manipulated codes and costumes rather than a core aspect of essential identity". By the middle of this century, Chinese women had been playing this manipulative, subservient role for m...
Interviews are very popular among most individuals especially researchers and scholars as they attempt to obtain information and data from an interviewee. However, there are many factors that influence the interview and which determines its success or failure. Often, the interviewer takes charge of the situation, and they have the sole responsibility of asking the questions while the interviewee provides an explanation or an answer to the question asked. As a result, an interview can be defined as a consultation or a discussion in person through which information and data are exchanged regarding a particular phenomenon event with the intention of establishing the interviewee’s position. It is easy to tell the mood and success of the interview
Yet, when discussing the origins and impact of Orientalism, the concept continues to be bolstered by the trendy era of technology. The illustration of the Orient is currently being viewed on television, in films, and on the World Wide Web. These representations of the Orient are available in a lot of condensed forms, and are simpler and more effective than before. The concept of Orientalism is a European created mirror reflecting itself. The Orientalist described himself by defining the Oriental and this helped him be superior. The representation of the Orient through arts and literature empower the thought of Orientalism, and whereas people at large will write their own history, i feel this distorts the facts and results in misconceptions about the Orient.
As I sat down with Jordan Fisher, on April 30th, we looked out the window to a gloomy, rainy day. It was wet and nasty day, but Jordan agreed to sit down with me to discuss his position as an HR officer. Jordan started with the Federal Government, 30 years ago at the age of 20. Now 50 Jordan is looking forward to retiring with his wife, stating “I enjoy it here, I really do—but I can’t wait to retire.” While Jordan plans to work for one more year before retiring, the knowledge and experience that he has gained from the position will never leave him. Jordan has been a very successful H.R. official because he has integrity, used effective communication and proper documentation.
The dragon lady character archetype is usually one-dimensional and portrayed in a demeaning nature. Their characters are frequently never the lead, never have a backstory, and almost always are rendered to a simple and plain villain that lacks any sort of depth or complexity in character. In addition, the dragon lady archetype is extremely problematic in the nature that the role usually objectifies and fetishizes Asian-American women into quite literally a one-dimensional object that tends to be nothing more than overtly sexual, mysterious, and physically aggressive. The dragon lady archetype is not simply a 21st century issue in Hollywood, the stereotype is historical. The dragon lady character trope is historical in the sense that this archetype is repeated in film throughout the years starting from the 1920’s where Asian-American actress Anna May Wong first depicted the dragon lady on the big screen (Gee). Since the first characterization of the dragon lady, the trope has become a sort of standard in films cast with Asian-American women. In present day, the problematic and demeaning stereotype can be seen in films such as Kill Bill: Volume 1 starring Lucy Liu, X2: X-Men United starring Kelly Hu, and Rush Hour 3 starring Youki Kudoh
Is it because he was a woman that he cried out at the sight of a child being harmed? Did he not cry out at the death of his wife because she was a woman? The role of the female in this story reveals a sense of inferiority towards women. These questions that the story raises show how women were viewed as inferior and weak in the eyes of the Chinese culture.
The story follows Mulan, a female warrior who disguises herself as a man to defend her country against Rourans. As a variation on the commonly known fairytale, this script puts almost all of the its main powerful characters as females. Rather than making all the powerful leaders male and
According to Said, one definition of Orientalism is that it is a "style of thought based upon an ontological and epistemological distinction made between 'the Orient' and the 'Occident'." This is connected to the idea that Western society, or Europe in this case, is superior in comparison to cultures that are non-European, or the Orient. This means that Orientalism is a kind of racism held toward anyone not European. Said wrote that Orientalism was "a Western style for dominating, restructuring, and having authority over the Orient." This Western idea of the Orient explains why so many European countries occupied lands they believed to be Oriental.
The Disney movie, Mulan, is a fantastic movie that depicts gender-stereotyped roles, socialization of gender roles, and consequences of over stepping one’s gender role. Both males and females have a specific role in the Chinese society that one must follow. Mulan made a brave choice pretending to be a man and going to war against the Huns in place of her father, risking serious consequences if she were to get caught. She broke the socialization of gender roles and could have been faced with very serious consequences of her actions. The Chinese society in Mulan exemplifies the typical gender roles of males and females, the consequences of displaying the opposite gender role, and showed what the society expected in males and females in characteristics and attitudes.
For example, many characters in the movie broke barriers of the traditional black male and female gender roles. Sofia’s aggression and strength, Shug’s sexual assertiveness, and Harpo’s insecurity throughout Sofia’s on and off relationship are major examples of disruption in between traditional gender roles and the actual traits portrayed by the character. The disruption between gender roles sometimes can also result to sexual ambiguity that was displayed in the relationship between Shug and
Orientalism is a tradition of Western representations of the Orient, created in the context of Western political dominance over the Orient, which understand and master the inferior.