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Recommended: How religion uses art
So the end of the semester is here. I have chosen to write a paper instead of participating in the flash mob for a couple of reasons. First, I have a very difficult time coming up at the end of this month and it is pulling me apart emotionally. I feel lost and am existing in a fog and can’t be relied upon to make a cohesive decision or to contribute anything of value. It isn’t fair to my classmates for me to cry if I am “bumped too hard” emotionally, so I have chosen to work alone. Second, I want to express what is locked up inside of me about my experience with this class and how it has impacted my life. Therefore, it is safer to work alone at this time for me and for others. If I work alone I won’t obligate others to deal with my emotional state. I took this class as it was suggested for my degree. Art History, though very interesting to me, was not a class that I expected to change me. As we made our way through that huge 1000 page book, something wonderful was happening inside of me. We were examining and deconstructing the artwork of the masters throughout history. As we did so, we learned to read the messages of the art and how to interpret what the artist may have been trying to communicate. One piece at a time we thought discussed and considered, sharing with one another our thoughts and our own interpretations. Though we did not discuss every single work of art in that big fat book, we covered a lot of ground. As we analyzed and considered, I found myself reaching inside of my own soul to search for the meaning of my own works. At that point, I was unsure of how to communicate the message that has been burning in my heart for the past 30 years. Before long I began to understand the message of my own artw... ... middle of paper ... ...nd spoke of God acting upon the lost sinner. The message seemed to be of sinners living their lives in indulgence and lasciviousness, and the light of God illuminating upon man; enlightening and calling the lost soul to repentance. Caravaggio himself is portrayed as confessing his lost state before God and his own acceptance of his guilty state before Him. One work of his is of King David holding the head of Goliath the giant in his hand. Other artists painted or sculpted David with their own self portrait or likeness portrayed as the hero having slain the giant, however, Caravaggio portrayed himself as the one that was slain. He paints his own face on the giant As we moved through Vermeer, Picasso, Van Gogh, the messages become more and more parallel. Man to man, man speaking of man, to man or about man. God is completely removed from the messages of art.
This book was also one of my first encounters with an important truth of art: that your work is powerful not because you convey a new emotion to the audience, but because you tap into an emotion the audience already feels but can't express.
The Biblical Story of David, a young Israeli shepherd boy who slayed the Philistine giant, Goliath has been artistically portrayed in many different ways throughout the centuries. During the Baroque and Renaissance eras, three famous artists sculpted their own interpretation of what the Israelite King may have looked like. These men were Gianlorenzo Bernini, Michelangelo di Lodovico Buonarroti Simoni and Donato Di Niccolo di Betto Bardi, otherwise known as Donatello.
People can have many different opinions depending on a topic, but what is truly difficult is getting a complete level of understanding from every opinion, or understanding the point of view of each opinion. Even accepting the points of view can be difficult for some people, who believe that their opinions are right. Luckily, people can learn about the other person’s frame of reference, and at the very least understand the topic or the person a little better. This particular topic is art, which is known for its multiple possible perceptions or its many different messages that it can send a person or group of people. In this way, people can learn more about the thought processes and feelings of others. Unfortunately, with differing opinions,
It is impossible to understand the innermost and ever complex thoughts, feelings, hopes, and reflections of others. To understand is to grasp the strife and pleasure of each moment’s depth through a set lens. Confined by my own lens, I have been and will always be the main character of my own book. Though I can never know another human’s cognitive glances, I can at least be mindful of the infinite complexity and reasoning of each human. Even the most empathetic cannot understand exactly how Claude Monet felt for Camille, how Beethoven felt for “Elise”, or how
In conclusion the principles that I have learned in this class have been edifying and principles that I can use once I graduate in a few weeks. While I may not remember all the terms and steps the overall impact they have made will make my work distinctly Christian. Pensacola Christian colleges definition of art has become my own, the statements about biblocify will be a great refrance in the future, and even francess shaffers two part principles will prove to be an effective way to determine what type of art I should produce in the future.
Since its emergence over 30,000 years ago, one of visual art’s main purposes has been to act as an instrument of personal expression and catharsis. Through the mastery of paint, pencil, clay, and other mediums, artists can articulate and make sense of their current situation or past experiences, by portraying their complex, abstract emotions in a concrete form. The act of creation gives the artist a feeling of authority or control over these situations and emotions. Seen in the work of Michelangelo, Frida Kahlo, Jean Michel-Basquiat, and others, artists’ cathartic use of visual art is universal, giving it symbolic value in literature. In Natasha Trethewey's Native Guard, Kazuo Ishiguro’s Never Let Me Go, and Joseph Conrad’s Heart of Darkness,
For the most part, critics are known to praise a writer’s work with small gain or negatively judge someone’s art with large consequences. With the judgment of other being a key aspect of how people define themselves, what does an artist do when facing this problem. Rike’s answer it quite elegantly as the “works of art are of an infinite solitude, and no means of approach is so useless as criticism” (11). Why ignore the critism of the other? Rike explain that the writer’s true feeling about their work is what can be trusted. Passed the arguments and discussions presented by others, the work of art is a reflection of the artist. With this reasoning, the opinion of the writer should be the only governing factor of the art. I believe this idea of thinking about making your own artwork is important to any artists. From personal experience, I know that this ideology would have greatly benefit my skills as an artist. When growing up, surrounded by many talented people, it’s hard for any aspiring artists to develop their ability. This was made worst when the more talented people judge the new artists in a condescending manner that the reason artist create is slowly ripped from their hearts. Had they focus on putting their own feeling to their piece rather than appealing towards the desire of others, then an artist could continue with creating rather than having thoughts
This marked the beginning of his inspiration to form a personal, expressive, and religious stance on his art values and style. He has found his process and content that will be apparent in his future work.
Works of art such as books, paintings, poems, and sculptures oftentimes are said to express the feelings, personalities, interests, and desires of their creator. One method for interpreting these details from books and other literary works is known as psychoanalytic literary analysis. This analysis seeks to identify the nature of relationships between characters as well as the author’s relationship with the characters. In the analyses the critic will discuss interactions between characters and with the author and often go so far as to make assertions about the author’s conscious and unconscious reasons for telling their story in the way they did. While psychoanalytic criticism is well accepted it is not without its own critics. At times it
The most influential theme in art for centuries was that of religion. There have been many things that have influenced art over the generations. Nothing has had the impact on the art world that religions has. Many of the ancient art works were dedicated to the gods or other religious figures. The statues of the Ancient Egyptians were not just for beauty. Instead, they were representations of the gods and were meant to have significant meaning to the people who saw them. The people of the time knew the meaning of every reed, flower, bird, or animal that was depicted in the art. The same is true of the Greeks and Romans. Most of the art was inspired by the gods and the mythology of the region. Art as a way of imparting a message dominates the art world. For most of history, art had a meaning that was often connected to the religion of the region. This is fitting since art has a sense of permanence that most other mediums do not possess.
Art is important to religion in many different ways. Perhaps none has analyzed how art and religion have influenced and affected each other through the ages. Pictures painted of past events that help to bring back the feeling and importance of the past have been forgotten by some. To the one’s that haven’t forgotten are able to see the event’s as the bible says they happened. Not only can you see the events, but it also allows the younger students of the church to understand the events. The use of images of God became widespread after the second century. This religious art has defiantly been around for centuries and plays an important role to the history of religion as well as the future.
"Quotations by Subject: Art." The Quotation Page. QuotationsPage.com and Michael Moncur. Web. 23 Feb. 2015. .
My personal resolve on the issues of great works of art and truth may not seem as concrete and sturdy as some may like, but it is as close to subjectivity that I can get without saying that a child who scribbles on a piece of paper because they lack the development of letters is a great artist. For me it is essential that as human beings, the subjective aspect of our lives must be a factor in any judgment that we make; whether it be art or truth. It is this subjectivity, passion, and emotion that make us human and not inhumane. With this personal insight, I leave you with two questions: what is great art; what is truth?
Human’s have always struggled to express themselves. Art, is considered by many to be the ultimate form of human expression. Many assume that art has a definition, but this is not the case. Art, it can be said, is “in the eye of the beholder.” This simply means that what you consider art, someone else would not. Art is part of a person’s internal emotions, which signifies why different people see art as different things. Every type of culture and era presents distinctive and unique characteristics. Different cultures all have different views of what art can, and would be, causing art itself to be universally renowned throughout the world.
The arts have influenced my life in amazing ways. Throughout my life, art has been the place I run to and my escape from the world. As I’ve grown older, art has become so much more than that. Every piece of art I create is a journey into my soul. It’s a priceless way to deal with my emotions and my struggles. I create art not only because I enjoy it and because I want to, but because I have to. Somewhere deep inside there is a driving force, urging me to put my heart down on paper. I become emotionally attached to each of my pieces because they are like dashes on the wall marking my growth. Each one is the solution to a problem I have dealt with and overcome.