Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Role of art in religion
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Role of art in religion
Religion through art form provides us with a vision into a realm of heavenly beauty. Religion provides us with a sense of spirit fulfilment. It is only through worship and devotion that we feel connected to God. The practice of devotion and worship takes place in churches and cathedrals. It is these places that help us gain knowledge and a deeper more spiritual meaning of God. The churches and cathedrals are the very foundation of religious practice and devotion to God in my opinion. They are known as temples, ceremonial places, and are places of worship to God. However it is the claim that ‘art museums in the modern period fulfil some of the same functions as cathedrals and churches have done in the past’, which challenges contemporary role of churches and cathedrals. To be convinced by this claim, the first thing that the reader must know that I agree to an extent with the claim mentioned above. This is important to note because in the course of this essay I both agree and disagree.
In terms of the claim mentioned before it is noteworthy to understand the functions of both modern art museums and churches and cathedrals of the past. By focusing on (1) the modern art museums vs. cathedrals and churches of the past (2) the ritual of experience museums and churches (3) secular knowledge that art museums provide and (4) why I think art museums are the new platform for artist. In this essay I will use examples such as the Louvre in Paris and The National Gallery in London along with St. Pauls Cathedral in London and the Sistine Chapel in Vatican City to support my argument.
Looking at John Updike’s article ‘Invisible Cathedral’ in the New Yorker where he examines the construction and architecture of the new Museum of Modern Art...
... middle of paper ...
...suggests visitors of art museums undertake a ritual experience. I believe this experience is something that had once occurred in churches and cathedrals: devotion and worship. In the course of this essay I focused on three main areas (1) the modern art museums vs. cathedrals and churches of the past (2) the ritual of experience museums and churches (3) and secular knowledge that art museums provide. Along with this I provide my opinion on why I believe art museums became a platform for artist to stand on over cathedrals and churches. While the primary goal of this essay was to establish my opinion on the aforesaid claim I also introduce ideas of my own. In the end, I do agree with the claim but only in the context of secular views that art museums have because they are not entirely religious in there view of art.
With the Pantheon being built over 1700 years ago, it’s amazing that architects are still using features and techniques from this work of architecture in modern creations. The use of this type of classical architecture will continue to be used in works for public space due to its remarkable exterior appearance and it’s long lasting structural durability. When both Jesse hall and the Pantheon are compared it is possible to see their similarities from the types of domes that top each, their external facades, and their interior plan. While they share many similarities, the differences that Bell and Binder used in their creation make this work of architecture unique to many other public spaces.
In Stephen Weil’s essay, he argues “the museum’s role has transformed from one of mastery to one of service” (Weil, 196). According to him, museums have changed their mission from one that cultures the public to one that serves
In “Sacrality and Aura in the Museum: Mute Objects and Articulate Space,” Joan R. Branham argues about the experiences art viewers have in museums based on their surroundings. Her points include how a person is to completely understand and feel a ritual object if it is taken out of its natural context or how someone is able to fully appreciate of work of art if they can’t see it where it truly belongs.
Having been to this exhibit, I feel that I had experienced both an enlightenment and appreciation for not only artwork, but for the treasured icons in Eastern Orthodox Christianity and Buddhist icons. This appreciation has come from the observation of the details which the artists had incorporated. I had learned to understand that it is because the deities are treasured among their followers.
Many might have been working on Good Friday, but many others were enjoying The Frist Museum of Visual Arts. A museum visitor visited this exhibit on April 14, 2017 early in the morning. The time that was spent at the art museum was approximately two hours and a half. The first impression that one received was that this place was a place of peace and also a place to expand the viewer’s imagination to understand what artists were expressing to the viewers. The viewer was very interested in all the art that was seen ,but there is so much one can absorb. The lighting in the museum was very low and some of the lighting was by direction LED lights. The artwork was spaciously
Art was viewed in a different sense in the fourteenth century. It had a more active role and was not just decoration, but a vital component of worship and pr...
For majority of people, cruising through a fine arts museum or gallery is nothing short of browsing through a textbook and failing to grasping knowledge of the content. A casual activity and check off ones list of to-dos, sometimes done just for the appearance it offers. Of that majority, one might look at a painting for a long while before connecting the uncommunicated dots from gallery label. But for the small remaining others, a trip to an art exhibition is a journey through emotions and feelings rendered by the artists of the particular works of art. Leo Tolstoy deems this to be the appropriate response to “true art” in his What is Art?, published in 1897. Tolstoy responds to the
Baxandall, Michael. "Exhibiting intention: Some preconditions of the visual display of culturally purposeful objects." Exhibiting cultures: The poetics and politics of museum display (1991): 33-41.
Duncan’s (1991) analysis of western museums is defined through the theme of “durable objects” as a criterion to judge the heritage of American and European art as a ritual of the modern state. In this manner western art museums are built like “temples” as a symbolic and figurative representation of greatness of western culture throughout the world: “[They] are more like the traditional ceremonial monuments that museum buildings often emulate—classical temples” (Duncan 90). This interpretation of American/European museums defines a dominant source of cultural heritage that ritualizes
In The Sacred & The Profane: A Nature of Religion, Mircea Eliade attempts to define the sacred by stating it is “the opposite of the profane” (pg. 10). Through out the book he tries to explain this statement through the concept of hierophany (the idea that one can experience, sensorily, the manifestation of the holy/sacred), however his main explanation of the sacred being “the opposite of the profane” is the comparison of a modern religious man and a modern non-religious man (a profane man). Eliade compares the two by explaining how each would react to space, time, nature, and life. This essay will explain the idea of sacred space, how a religious and a profane man would experience it, and how the idea of sacred space might be applied to the study of medieval art and architecture.
After reading Jerram Barrs article “Christianity and the Arts”, I gather he is very passionate the arts. In the article he argues that we as Christians should support the arts because they are of God. He claims we should support the arts because they are good, we are attracted to them and even Jesus himself took part in the creative arts. On the other hand, some object to Barrs views, perceiving that the arts are not spiritual but extravagant and secular. These conflicting views often create a divide in the church.
The “superstar” museum gained this status by considering every important detail during its establishment and initial phases of conversion from royal palace to museum (Gombault, 2002). As the purpose of the building changed, each room addressed new functions with new requirements. Although the function of the Louvre is different from the building’s original intention, the building is still appears dignified and important enough to display priceless artifacts and painting (Steffensen-Bruce, 1998). This consideration was applied in designing the Met. The Met looked towards the South Kensington Museum (Victoria and Albert) and the “ideal role model” due to its extensive collections and international reputation (Heckscher, 1995). The Met found itself in a similar situation to the South Kensington, because it did not have a building or a collection to start with (Heckscher, 1995). When designing museums, architects strived to create monuments that “prepare and educate the mind of the visitor (Steffensen-Bruce, 1998).” Education is an essential function of a museum. Acquiring, preserving, and properly displaying materials, permits a museum to fulfill this duty (Steffensen-Bruce, 1998). For instance, lighting is a factor that affects the manner in which artwork is viewed and can be properly appreciated. When determining the proper lighting for the Louvre, Comte d’Angiviller, strongly believed that natural, overhead lighting was the most effective solution (McClellan, 1994, p. 72). The same determination impacted the decision to add skylights at the Met. During the initial phase, architects Vaux and Mould, added skylights to the upper floor, and windows to the lower floor that provided a natural light solution (Heckscher, 1995). Additionally, glass-roofed courtyards provided “unimpeded light” for displaying
Art through the ages has been a powerful voice for both secular and religious ideas, and the treasury of Christian art should not be relegated to museum viewing. The art should be displayed in the church were it is meant to be. Its richness can be brought to people in schools and adult study groups. This, in turn, can help to bring art up to the level, that the faith deserves. Churches should fill the walls with art to show what happened throughout the bible. Art creates connections and associations between what we see and what we sense happened. Both ritual and art challenge us to take us beyond the immediate, if they are to bring about true insight and transformation in our lives.
The most influential theme in art for centuries was that of religion. There have been many things that have influenced art over the generations. Nothing has had the impact on the art world that religions has. Many of the ancient art works were dedicated to the gods or other religious figures. The statues of the Ancient Egyptians were not just for beauty. Instead, they were representations of the gods and were meant to have significant meaning to the people who saw them. The people of the time knew the meaning of every reed, flower, bird, or animal that was depicted in the art. The same is true of the Greeks and Romans. Most of the art was inspired by the gods and the mythology of the region. Art as a way of imparting a message dominates the art world. For most of history, art had a meaning that was often connected to the religion of the region. This is fitting since art has a sense of permanence that most other mediums do not possess.
sign of danger and suffering as it is the colour of blood and this is