Personal Style Essay

1596 Words4 Pages

Writing with Personal Style

Writing style is completely malleable. In this sense, style is effected by the author’s mood, intended audience, knowledge on the topic, attitude toward the topic, environment and state of consciousness-- give or take. Some may even say that the movement of the moon changes one’s ability to bring words together. But that is not the whole story. Given a group of fifty students, all generally similar, put in the same environment, taught by the same teacher using the same techniques (et c), you will have fifty different styles. In this light, the argument about the essence of style is very much like the nature verses nurture argument. I believe that a certain amount of one’s style is just how they are hardwired. …show more content…

Strunk and White wrote as if the rules are cut and dried and beholds the style of sharp militant commands (xiv). Additionally, they made the assumption that "the reader was someone who was in serious trouble most of the time" (xvii). On the other hand, Williams allows his text to take another stance for the reader, as he feels "not all of us will agree on what counts as correct" (170). Therefore, for Williams, the focus is on assisting the reader who desires to improve his or her writing style through the ‘knowledge is power’ lenses. Basically, when one is knowledgeable about the principles and rules of writing well, they shall not need to follow crude writing rules of someone else to create a competent …show more content…

This is the advice found in Elements, "clarity can only be a virtue and muddiness is not merely a disturber of prose, it is a destroyer of life, of hope" (79). The only advice that they offer to assist the reader, besides preaching about the deadliness of lack of clarity is, "when you say something, make sure you have said it" (79). The reader is then aware of the paramount importance of clarity, but how can they ensure that they are expressing themselves clearly? Williams can help, the aggregate focus of his entire text is essentially advising on how to improve clarity, whether it is through controlling the structure of a sentence, or through the ways to control word choice. Actually, the cohesion, emphasis and coherence of one’s work is undeniably tied to the clarity of the text. But again, running true throughout Style is that one must know the rules, when to implement different principles and when to go against the simpler advice, for example, in Elements, it is advocated that active voice is the only way to go; however, in Style, it outlines the circumstances when one should use passive voice and when it is appropriate to use active

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