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The movie that I picked to watch was the World’s Fastest Indian. Now one would think this is about Native Americans, but for others they know an Indian is a motorcycle. The movie is about a man named Burt Munroe that is in his late sixties but is still a child at Heart. He has been modifying his Indian Motorcycle for over 20 years so he can beat the land speed record in Bonneville, Utah. As he makes his journey he faces many challenges that seem to try their best to slow Burt down, but being the quirky man he is, he finds ways to get around the obstacles that are set before to achieve his dream, which he does achieve in the end. This movie does have an instance where the term sociological imagination would come in to play and that is the motive …show more content…
Even in movies. In the world’s fastest Indian we see that the status of Burt being just an old mechanic from New Zeland, plays a part in what he does in the movie. What I mean by this is that he may not have power in the upper levels of administration he uses his status in society to better himself, such as when he fixes the cars to get a cheaper price and a free buggy to lug his Indian to Bonneville. To add on to this Burt also has a role in the movie as the old man mechanic. His behavior and his actions make him the old man with motorcycle. Having this role allows Burt to have many supporters when he is off to set the land speed record. As the movie progresses he seems to attract more and more supporters behind him due to his status and role in the movie. There are people in the movie that seem to stick together as a group. The group that I am speaking of is the Biker gang in the beginning of the movie. These guys all seem to stick together through the thick and thin of the movie, and seem to have the same hatred of Burt in the beginning of the movie, but this is not the same as an institution. The biker gang was just a group. An institution in the movie is the Bonneville Speedway. This institution was founded on on the concept of going fast. This is why it was founded and kept its belief through and through. I would also label this a bureaucracy. The reason I do this is because the institution has a way to make sure everyone is working together to make sure the show is running smoothly. The examples would be the systems check, the announcer, the sign in sheet, and the crew that starts each
The road movie embodies the human desire for travel and progression. The vehicle of journey is a contemporary metaphor of personal transformation that oftentimes mirrors socio-cultural desires and fears. Thomas Schatz believes that one “cannot consider either the filmmaking process or films themselves in isolation from their economic, technological, and industrial context.” This statement is especially applicable to the independent American films of the late sixties, a time of great political and social debate. Easy Rider (1969) was considered a new voice in film that was pitched against the mainstream. In the 1960s, there was a shift to highlight the outsiders or the anti-heros in film. This counter-cultural radicalism seems to have also influenced the 1991 film, Thelma & Louise. The characters of both films act as figures of anti-heroism by rebelling against the conventional and unintentionally discovering themselves at the same time. Despite their different backgrounds, the protagonists of Eas...
The film that interested me for this assignment was “Boyz n the Hood”. The movie was about a Los Angeles neighborhood expanding of drug and gang culture, with increasingly tragic results. It was about how one teen had family support to guide him on the right path in life regarding the social problems around him. The other two teens in the film wasn’t as fortunate and fell into the social problems of drugs, violence, and gangs; where one ended up dead.
By adapting the standard Hollywood ‘road’ movie narrative (east to west), incorporating modern music as non-diegetic sound and utilizing shocking scenes – both socially and in terms of ignoring every written and unwritten filming law - Dennis Hopper’s Easy Rider stands as a testament to the changes going on in the US during the late 1960s and creates a certain distance to the previous way of seeing America.
Films are also treasures of culture, filled with clues and insights into the attitudes and perceptions of the people of the day. While documentary films obviously present a historical record of people and events, dramatic fictional movies can also reveal the same. Comparing the main characters in Hitchcock's 1934
Gina Marchetti, in her essay "Action-Adventure as Ideology," argues that action- adventure films implicitly convey complex cultural messages regarding American values and the "white American status quo." She continues to say that all action-adventure movies have the same basic structure, including plot, theme, characterization, and iconography. As ideology, this film genre tacitly expresses social norms, values, and morals of its time. Marchetti's essay, written in 1989, applies to films such as Raiders of the Lost Ark and Rambo: First Blood II. However, action-adventure films today seem to be straying farther away from her generalizations about structure, reflecting new and different cultural norms in America. This changing ideology is depicted best in Oliver Stone's Natural Born Killers (1994), which defies nearly every concept Marchetti proposes about action-adventure films; and it sets the stage for a whole new viewpoint of action in the '90's.
The film I picked is "The Good, The Bad, and The Ugly." I first saw this movie about five years ago while a senior in high school. I loved the movie, but now after watching it I took a closer look at the stereotypes and generalizations that are being depicted in various ways like language, names, landscapes and people. I picked this film because the movie is famous and very well known by Italians, Americans, and Hispanics, and not just famous in America Hollywood (and because I had list of required films I had to pick from). While watching the movie my second time around I tried and focus on the location where the movie takes place in order to demonstrate how lands of Mexico, New Mexico and Texas generalized. I also placed attention to the names the characters are given. There is a term used in Hollywood called little man wins' but after watching The Good, The Bad and The Ugly one observe how this cliché is not used.
The power of film is immense in modern American culture. The symbols and identity’s created in these films has proven to possess a lasting impact shaping in new cultures. Film has not failed to accomplish this using the motorcycle. Although a controversial image the motorcycle possesses a strong identity of freedom and brotherhood creating an individual counterculture. The freedom represented by the motorcycle contradicts previous connotations and transforms our definition of freedom. The motorcycle also provides a cultural identity of rebellion and brotherhood. Film has contributed greatly to creation of the motorcycle identity and has not failed to capitalize on the power symbolism the motorcycle represents. In many cases film created the motorcycle image we think of today.
These institutions and associations are inter-related in a particular arrangement and thus create the pattern of social structure.
To conclude, “The Offensive Movie Cliché That Won’t Die” by Matt Zoller Seitz, and “Race Relations Light Years from the Earth” by Mitu Sengupta, both identify and elaborate on the racism and stereotypical views throughout the stories by using nonfiction elements --authors purpose and main idea --to effectively support and explain how theme was distributed.
This theory explains the relationship between "Institutions" and "Individual actions" are aground in "practical reasoning" to which the individual connect with, and adjust the accessible institutional sources to devise a game-plan. Sociological institutionalists contend that associations regularly grasp another institutional practice, not on the grounds that it advances the methods closes effectiveness of the association but since it moves forward the "social legitimacy" of the association or its members. At the end of the day, association's affiliations get a handle on specific institutional structures or practices in light of the fact that a definitive is generally esteemed inside a more extensive social environment. Institutions have authority and power which influences the individual's activity. Eventually, this is an issue about the wellsprings of social power. A divide of the sociological institutionalists highlights the route in which a cutting edge condition of opening up administrative degree setting numerous practices on societal associations by "public fiat".
The United States has long been a country that has accepted that change is a necessity for prosperity and growth. However, each change within the nation's history was hard fought against those who resisted such change either through racism, bigotry, and blatant discrimination. African American cinema is enshrouded in history that depicts these themes of racism, struggle, and deprivation. Yet, this same cinema also shows scenes of hope, artistic spirit, intellectual greatness, and joy. Black actresses, actors, directors, producers, and writers have been fighting for recognition and respect since the great Paul Robeson. The civil rights movement of the 1950's and 60's was fueled by black cinema through films like A Raisin in the Sun. Progressions in the industry were hindered by blaxploitation films such as Shaft, but these too were overcome with the 1970's movies like Song. The true creativity and experiences of African Americans started to be shown in the 1980's with directors like Robert Townsend and Spike Lee. These directors helped enable black cinema to expand in the 90's with the creation of works ranging in brutal but honest portrayal of urban life to that of comedy. By analyzing Spike Lee's film Bamboozled, director John Singleton's Boyz in The Hood, and movies like Coming to America and House Party indicate that the experiences of African Americans and the way that they are depicted in cinema directly impacts the way mainstream society perceives them to be, while showing that African Americans are a major driving force behind creativity and ingenious inspiration behind many aspects of American life.
For this assignment, I decided to watch “Crash”, a movie set in the streets of Los Angeles California and that shows the lives of various individuals with different cultural backgrounds. The movie starts with the scene of a car crash between an Asian woman and a couple of detectives near the sight of a murder, as the African American detective Graham Waters walks around the scene he stops because he saw something that shocked him, and from there a flashback begins. The first relevant scene shows, Anthony and Peter, two African Americans individuals walking down the street talking about racial discrimination. As they talk a couple passes by them and the two decide to steal their car. This causes a chain of events affecting the lives of many
Although I have watched the movie, Crash, many times, I had never looked at it through a sociological perspective. It blew my mind how much you can relate this movie to sociology, but also the more I got to thinking about it, the more it seemed to make sense. Everywhere I looked I found someway to connect this movie to some sort of sociological term, which I thought was pretty cool.
Zucker, L. (1983) ‘Organizations as Institutions’, in Bacharach, S (ed). ‘Research in the Sociology of Organizations,’ Greenwich: JAI Press.
Stereotypes are dangerous. Within today's culture, it is very easy to get wrapped up in a single story mindset and a power struggle, only resulting in stereotypes and generalizations being created about different cultures. A single story is described by Chimamanda Ngozi Adichie as a story of one aspect of a single person’s life used as a basis for how everyone within that culture lives all of the time. This idea of a single story shows up all over the place including in the book Absolutely True Diary of a Part-Time Indian by Sherman Alexi. The kids at Reardan School judge the main character, Arnold Spirit Junior, his first day attending a school that wasn’t on the Indian reservation. People need to create a balance of stories and tell them