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Recommended: Nature in romanticism
“Thanatopsis” and Walden, or Life in the Woods are two types of Romantic Literature that both share the common romantic characteristic, Awe of Nature to show that humans have emotional connections to nature. In William Cullen Bryant’s poem, “Thanatopsis,” Bryant creates a relationship with Nature that gives comfort and peace, even in contemplating death. In Henry David Thoreau’s essay, Walden, or Life in the Woods, Thoreau’s actions throughout the woods displays nature as an infinite source of beauty and wisdom, which leads to his simplified and comforted life. In these two texts, when humans are need of guidance, nature is a figure humans look up to. William Cullen Bryant’s poem, “Thanatopsis,” uses personification to reveal the fact that nature can be comforting in times of distress, especially during death. Nature, as a comforting figure, speaks only the truth about the connections between Nature and man. Often, Bryant personifies that nature has …show more content…
Throughout the poem, Nature teaches humans many things about life and death by using vivd imagery. Nature convinces humans to view death in an optimistic way. Death is part of the return back to nature. This becomes apparent when the speaker explains that “Thy image. Earth, that nourished thee, shall claim / Thy growth, to be resolved to earth again” (Bryant 220), meaning that earth once nourished humans to grow, now humans will be resolved back into earth again. Death is just a phase of nature that is common. Nature also convinces humans that everyone is going to die at some point. Humans are all going to be laid to rest in “one mighty sepulchre” (Bryant 221), that sepulchre, of course, is earth. The tone this creates is assuring, ensuring that humans will not feel alone. Through viewing death in an optimistic way, Nature reaches out to humans to provide assuring and comforting tones to alleviate the stress from the thoughts of
In the book Fahrenheit 451 by Ray Bradbury, there are many themes, symbols, and motifs that are found throughout the novel. For my journal response, I have chosen to discuss nature as a prevalent symbol in the book. The main character, Montag, lives in a society where technology is overwhelmingly popular, and nature is regarded as an unpredictable variable that should be avoided. Technology is used to repress the citizens, but the oppression is disguised as entertainment, like the TV parlour. On the opposite end of the spectrum, nature is viewed as boring and dull, but it is a way to escape the brainwashing that technology brings. People who enjoy nature are deemed insane and are forced to go into therapy. Clarisse says “My psychiatrist wants to know why I go out and hike around in the forests and watch the birds and collect butterflies,” (Bradbury 23) which shows she is a threat to the control that the government has put upon the people by enjoying nature.
Harton, Ron. "Henry Thoreau as a Model for Nature Writing." 9 August 2009. The Thoreau Reader. Online Document. 17 March 2014. .
In nature, someone can hear the sounds of a creek flowing and birds chirping and insects buzzing; in civilization, someone can hear engines roaring, people chattering, and buildings being built. In nature, one feels happiness and contentment; in civilization, one feels guilt and misery and sorrow. These simplicities of nature are what appeals to William Cullen Bryant in the poem ‘Inscription for the Entrance to a Wood’. The poem tells the reader that nature is a happier place than civilization and that nature gives one the answers to their existence and problems of life that civilization created. Civilization is ugly and corrupt while nature is beauty and tranquility.
In Emerson’s “Nature” nature is referred to as “plantations of god” meaning that nature is sacred. Also mentioned, is that “In the woods is perpetual youth”(#) conveying that nature keeps people young. Therefore, these excerpts show that nature is greatly valued by these transcendentalists. Transcendentalists would likely care significantly about the environment. In contrast, nowadays nature is often and afterthought. Natures’ resources are being depleted for human use, and the beauty of nature is also not as appreciated by modern people as it was by transcendentalists. The threat to nature in modern times contrasts to the great appreciation of nature held by authors like Emerson and
William Cullen Bryant uses the romantic element of emotion to instill a sense of calm in his poem Thanatopsis.
Walden represents a religion of nature not yet fully formed. While Thoreau tries to immerse himself in poverty, he becomes ineffectual when he is hypocritical. Barring the contradictions, Thoreau emphasizes the beauty of nature that the less observant miss. With observing eyes, Thoreau captures the parallels of man and beast that can inspire, if not divinity, more humanity in viewing nature.
Throughout the Romanticism period, human’s connection with nature was explored as writers strove to find the benefits that humans receive through such interactions. Without such relationships, these authors found that certain aspects of life were missing or completely different. For example, certain authors found death a very frightening idea, but through the incorporation of man’s relationship with the natural world, readers find the immense utility that nature can potentially provide. Whether it’d be as solace, in the case of death, or as a place where one can find oneself in their own truest form, nature will nevertheless be a place where they themselves were derived from. Nature is where all humans originated,
Death and decay is something that everyone understands and the process is not questioned so his references to our return to nature in a physical sense are very direct and to the point. Throughout the poem he mentions our rejoining with nature in different ways. For instance, on line 24 when he says that our bodies will “be resolved to earth again” (868 Bryant) he is talking about a physical decay. On line 61-62 Bryant states “All that breathe Will share thy destiny.” (868 Bryant) talking about the destiny of death itself and that no matter how you live it is unavoidable. He continues on saying that when you have died and those who live will eventually share the same fate “and shall come And make their bed as thee.” (869 Bryant). The most obvious and plainly stated reference to nature is on line 30 stating, “The oak Shall send his roots abroad, and pierce thy mould.” (868 Bryant). This statement is the best reference to nature because it speaks of it in a very matter of fact fashion detailing the way your own flesh will nourish the earth. All of these things he uses to depict our return to nature, the earth, the fact that we will all share the same dirt bed and share the same destiny. That destiny of course, is death
Walden; Or, Life In The Woods is a self-experiment that provides an ideal opportunity to evaluate the author’s philosophy. The book is an account of Henry David Thoreau’s journey of self-discovery as he attempts to live a life of simplicity and self-reliance in the woods of Massachusetts. His exploration of his two years and two months living in a cabin near Walden Pond is considered a seminal work of early American transcendentalism. Thoreau never explicitly reveals the spiritual truth at the end of his journey. Still, a discerning Christian reader can note the main transcendental themes and ideals that Thoreau demonstrates, separating that which should be applauded from that which should be rejected.
As “Thanatopsis progresses, the tone of nature becomes darker and more death oriented, but it still conveys a component of consolation to them. When it is said that, “Bryant had written that, although in death one may lose his "individual being . . . to mix forever with the elements, / To be a brother to the insensible rock," nature taught that one may learn to approach death with trust by living life” (Kagle 152). In this passage, Bryant is saying that once we die, our physical bodies will return to nature forever. He says that a person should prepare for death by living a meaningful life and trusting in nature. To make nature come across as a powerful force, Rio-Jelliffe states that, “Enhancing nature's grandeur heightens the attractiveness of man's final resting place, but contrarily, intensifies rather than mitigates feelings of sorrow and loss which, from the start, imbues natural objects in the body of the poem” (Rio-Jelliffe). A possible reason as to why Bryant chose a more somber tone in parts of “Thanatopsis” is for the effect of making nature appear more powerful. People both fear and respect power. The fearing of God is a prevalent part of most Puritan literature. This fear caused people to obey and trust God’s word in order to save their souls from damnation after they had died. Similarly, Bryant wants to get the reader to trust the power and grace of nature so that death will be
The opening paragraph is an incredibly vivid account of nights spent by “the stony shore” of Walden Pond. His description of the animals around the pond, the cool temperature, and the gentle sounds of lapping waves and rustling leaves all serve to remove the idea that nature is a wild and unkempt world of its own, and instead makes it seem much more serene and graceful. Any who thought of Thoreau as an insane outdoorsmen may have even found themselves repulsed by the monotony and constant bustle of city life and longing for the serenity felt by Thoreau. This
Have you noticed that we feel a powerful desire to connect with nature during difficult times? Whether we are injured, depressed or sad our inclination towards nature increases. Patients in hospitals recover faster if they are in a room with a nice view. Why? Because nature is so pure and powerful that can restore our spirits and heal our bodies and minds. The beauty of nature has been praised in art, poetry, writings and films. Naturalists, poets and writers have documented the many benefits of spending time in nature. "Calypso Borealis" by Muir and "I wandered Lonely as a Cloud" by Wordsworth are two great pieces of literature where our hearts are filled with an indescribable emotion. John Muir and William Wordsworth express their relationship
When thinking about nature, Hans Christian Andersen wrote, “Just living is not enough... one must have sunshine, freedom, and a little flower.” John Muir and William Wordsworth both expressed through their writings that nature brought them great joy and satisfaction, as it did Andersen. Each author’s text conveyed very similar messages and represented similar experiences but, the writing style and wording used were significantly different. Wordsworth and Muir express their positive and emotional relationships with nature using diction and imagery.
Henry David Thoreau’s Walden encompasses a variety of themes and elements which cultivate an astounding work of American literature. “Spring” is focused on the changing of the season from winter to spring, and Thoreau’s analysis of Walden Pond and the area surrounding the pond. Thoreau looks at the pond from a spiritual aspect, describing the relationships between life and nature with an abysmal passion. Without Thoreau’s incorporation of precise literary elements, and integration of the themes of solitude, newness of life, and transcendentalism to clearly outline the spiritual revelations he obtained from his retirement at Walden Pond, the readers of his work would not be able to completely grasp the concepts Thoreau presents.
From the lone hiker on the Appalachian Trail to the environmental lobby groups in Washington D.C., nature evokes strong feelings in each and every one of us. We often struggle with and are ultimately shaped by our relationship with nature. The relationship we forge with nature reflects our fundamental beliefs about ourselves and the world around us. The works of timeless authors, including Henry David Thoreau and Annie Dillard, are centered around their relationship to nature.