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Death compared in different religions
Essays on poetry analysis
Essays on poetry analysis
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William Cullen Bryant wrote a poem regarding the passing of people from this world into the afterlife which he called “Thanatopsis”. The word Thanatopsis is actually a Greek word meaning ‘meditation on or contemplation of death’. It is the opinion of some readers that this poem expresses a traditional religious view of afterlife in heaven where as others who read it see it as a process that only involves our rejoining with nature. Bryant made references to heaven, nature and spirits which contribute to the discussion on both sides of the argument. Poetry, just like every other form of art, is subject to interpretation. After taking a closer look at Thanatopsis it will be easier to see just why these people cannot seem to agree. Bryant made …show more content…
Death and decay is something that everyone understands and the process is not questioned so his references to our return to nature in a physical sense are very direct and to the point. Throughout the poem he mentions our rejoining with nature in different ways. For instance, on line 24 when he says that our bodies will “be resolved to earth again” (868 Bryant) he is talking about a physical decay. On line 61-62 Bryant states “All that breathe Will share thy destiny.” (868 Bryant) talking about the destiny of death itself and that no matter how you live it is unavoidable. He continues on saying that when you have died and those who live will eventually share the same fate “and shall come And make their bed as thee.” (869 Bryant). The most obvious and plainly stated reference to nature is on line 30 stating, “The oak Shall send his roots abroad, and pierce thy mould.” (868 Bryant). This statement is the best reference to nature because it speaks of it in a very matter of fact fashion detailing the way your own flesh will nourish the earth. All of these things he uses to depict our return to nature, the earth, the fact that we will all share the same dirt bed and share the same destiny. That destiny of course, is death …show more content…
Not only does Bryant close the poem by calling the body to “join The innumerable caravan” (869 Bryant) that is returning to nature, but also by referencing what seems to be the soul or spirit as moving “To that mysterious realm” (869 Bryant). While it is true that some people may disagree as to what type of afterlife they believe the poem to reference. There are many others who believe it references both nature and ascension equally. A.F. Bridges who wrote “The Centenary of “Thanatopsis”” in The North American Review for the University of Iowa stated in his own analysis of the poem that the subject was “as universal as it is eternal, and it is strongly both.” (2 Bridges). Another author, A.F. Mclean Jr., seemed to be under the same opinion because he similarly wrote that Bryant “sought a mediating position between the blunt supernaturalism of Calvinism and the commitments of the deists to impersonal, natural law.” (3 McLean Jr.). The original question may have asked if the poem was referring to nature or to spiritual ascension, but there are two sides to every story and often the truth is somewhere in between. It seems that a few others have come to the same conclusion, that it is not about one or the other, but it is written in a manner that beautifully portrays the role of both nature and spirit in the act of
Although death reigns supreme in the universal fears of man, Thanatopsis reassures the reader that death comes naturally to everyone. William Cullen Bryant uses emotion to reinforce this point. For example, it seems as if fear should be instilled by Bryant’s description, stating “When thoughts / Of the last bitter hour come like a blight / Over thy spirit” (8-10), this fear vanishes quickly when Bryant continues “Go forth under the open sky, and list / To Nature’s teaching” (14-15). Although this paralyzing thought of death washes over many, Bryant argues Nature soothes and calms this fear. Despite these emotions of terror and pain,
The poem “Thanatopsis” by William Cullen Bryant reveals a very unusual aspect of nature. While most people think of nature as beauty and full of life, Bryant takes a more interesting approach to nature. He exposes a correlation between nature, life, death, and re-birth. Using nature as a foothold, Bryant exercises methods such as tone, setting, and imagery in a very intriguing way while writing “Thanatopsis.”
Emily Dickinson expresses her expectations of what happens after death by describing a death scene that is familiar to the living. In the third stanza Dickinson uses familiar imagery to describe the three stages of life. The sequence of scenes the carriage passes on its journey is an allegory for the normal progression of life from beginning to end. From this the read...
Time is equated with constant decay throughout the entire poem, which is primarily shown in the speaker’s comparison of the concept of eternity to a desert. Love, and other concepts felt in life, are subject to this negative force of deconstruction over time, and are vanquished in death; this idea can be seen in the witty commentary at the end of the second stanza, “the grave’s a fine and private place, but none I think do there embrace”
Poets such as Bryant have forever been trying to write their thoughts and feelings down on paper. They write their words like a painter lays their brush to a canvas. They express ideas that not only exemplify the beauty of life and nature, but also the darkest side of one’s life; death. This notion of death is what most people see as a sad ending to a life filled with beauty, though William Cullen Bryant does not see death in that way. In his poem “Thanatopsis” he offers an optimistic outlook on death. He views it as nothing more than the moment you become one with nature and venture through its beauty for all eternity. It is truly a work of art. This is shown by the use of his effective writing skills he uses skills such as, alliteration, similes and personification that make the poem come alive, just as a painter strives to make his art come alive. Also, this poem is art due to the deep thinking required to grasp its concept of death, you cannot read it just once you must read in between the lines and analyze what the poet is saying.
As “Thanatopsis progresses, the tone of nature becomes darker and more death oriented, but it still conveys a component of consolation to them. When it is said that, “Bryant had written that, although in death one may lose his "individual being . . . to mix forever with the elements, / To be a brother to the insensible rock," nature taught that one may learn to approach death with trust by living life” (Kagle 152). In this passage, Bryant is saying that once we die, our physical bodies will return to nature forever. He says that a person should prepare for death by living a meaningful life and trusting in nature. To make nature come across as a powerful force, Rio-Jelliffe states that, “Enhancing nature's grandeur heightens the attractiveness of man's final resting place, but contrarily, intensifies rather than mitigates feelings of sorrow and loss which, from the start, imbues natural objects in the body of the poem” (Rio-Jelliffe). A possible reason as to why Bryant chose a more somber tone in parts of “Thanatopsis” is for the effect of making nature appear more powerful. People both fear and respect power. The fearing of God is a prevalent part of most Puritan literature. This fear caused people to obey and trust God’s word in order to save their souls from damnation after they had died. Similarly, Bryant wants to get the reader to trust the power and grace of nature so that death will be
In the beginning of the poem, the speaker seems to not mind death’s coming for her as she talks about how nice death is: “He kindly stopped for me— . . . For His Civility—” (2, 8). The speaker also states she is picked up by death in a carriage which seems somewhat luxurious: “The Carriage held but just Ourselves—/ Add Immortality—” (3, 4). The speaker in the prior quote states she was with “Immortality” in the carriage, which leads to the understanding she will never die in the state she is currently in. The speaker initially seems to be at peace as she rides in the carriage as she says, “And I had put away / My labor and my leisure too,” (6, 7). However, at the end of the prior quote, the speaker states she also put away her leisure too, which is the first sign of negativity in the poem. This boredom escalates further as she watches children at recess play, fields of grazing grass, and the sunset. As time went on she began to become to grow cold, which may have been symbolism for how she felt: “The Dews drew quivering and chill— / For only Gossamer, my Gown— (14-15). Next, she presumably speaks of the carriage stopping at her grave: “We paused before a House that seemed / A Swelling of the Ground— / The Roof was scarcely visible—” (20-22). However, the carriage only stopped briefly as it began to move again towards eternity: “I first surmised the Horses’ Heads / Were toward Eternity—” (27, 28). It is at this point the speaker truly grasps the concept of eternity and how she will be stuck in this carriage alone forever. This poem points out that maybe eternal consciousness is not as pleasurable as it may seem, and living people cannot truly grasp how long eternity is. This ending is why I believe this poem should be considered that of eternal misery, although it began with a positive
After death, life does cannot be put on hold. Life will continue as usual because death is a part of life. In Henry Longfellow’s “A Psalm of Life,” he explains how the continuation of everyone else’s life after someone’s is the future and death should be left in the past. For example, this theme is represented by the statement “Let the dead Past bury its dead! Act,-act in the living Present!” in “A Psalm of Life” (659). In Bryant’s “Thanatopsis,” he expresses this theme by the statement
A person should live life without fearing death and think of death as a pleasant rest. In the poem Bryant says, "When thoughts/Of the last bitter hour come like a blight/Over thy spirit,"(8-15). This quote implies when a person fears death he should listen to nature. He also states, "So live, that when the thy summons come to join/The innumerable caravans, …Thou go not, like a quarry-slave at night, /Scourged to his dungeon."(73-78). He explains here that a person should live life without fearing death. In the following lines the poet states, "approach thy grave, /Like one who wraps the drapery of his couch/About him, and lies down to pleasant dreams."(79-81). By this quote the author is saying a person should think of death as a plea...
...at significance but more importantly, they see death as a way of escaping the sin and pain that manifests itself on earth. The body is considered a shipping crate when it comes to the soul. It is something for the soul to reside in until it has fulfilled its purpose on earth. Then it leaves, to start a new life in another shipping crate. With a clean conscious each of the characters in these poems are able to die guilt-free and both believe they will ascend to heaven. They acknowledge the fact that their souls will carry on after their bodies have died and seem to rest assure in the fact that there is more to life than the experiences they had on earth. Similar to the way souls are regarded by today's standards, it is something that departs from person upon death and carries the memory of an individual forever. I think John Donne would have agreed with this idea.
Death is a reality that can be interpreted in many ways. Some people fear the possibility of no longer living and others welcome the opportunity for a new life in the afterlife. Many poets have been inspired by death, be it by the approaching death of loved ones or a battle for immortality. Just as each poet is inspired differently, each poem casts a different hue of light on the topic of death giving readers a unique way to look at death.
Through the progression of the poem the speaker goes from ignoring Death to realizing only through Death can immortality can be obtained. She does not see Death as the blessing that it is, she was all too happy to go about her life toiling away and never paying it any mind. Once she decided to go in a carriage ride with Death and Immortality she saw all the stages of life and through it all Death has the power to give one the ability to live forever.
Emily Dickinson was known to be one of the best poets in the 19th century as she displayed a unique writing style discussing her experiences and beliefs. Throughout her life, she wrote over one thousand poems with many recurring themes, all tied to religion, nature, and death. Even though the theme of the afterlife is not one of her major topic she wrote about, Dickinson somehow found a way to express her interest in eternity. Poems 160 and 271 show Dickinson portraying a narrator’s desire to live in the afterlife for eternity while questioning if true happiness can be found in that world.
Over the past few decades, a considerable number of comments have been made on the idea of eternity in Emily Dickinson's poetry. The following are several examples: Robert Weisbuch's Emily Dickinson's Poetry (1975), Jane Donahue Eberwein's Dickinson: Strategies of Limitation (1985), Dorothy Huff Oberhaus' Emily Dickinson's Fascicles: Method and Meaning (1995), and James McIntosh's Nimble Believing: Dickinson and the Unknown (2000). However, opinions vary as to how Dickinson explored the question regarding eternity; much ink has still been spent on the issue. This paper, therefore, provides another discussion of the idea of eternity depicted in Dickinson's poetry. I will discuss the issue by considering how her poems describe the process through which the poet finally reaches the belief in eternity-overcoming the feud between Christianity and scientific knowledge and that between Romanticism and existentialism.
There are three stages of life that are presented very well in the poem “Because I could not stop for Death.” According to Dickinson the first stage of life is “We passed the school, where Children strove” (Dickinson 219). This means that the children are still young, innocent and have yet to mature. The second stage that describes the circle of life presented by Dickinson is “We passed the Field of Gazing Grain-“ (Dickinson 219). This presents the “grains” as humans who are maturing and are now in the presence of adulthood. The last stage of life presented is “We passed the Setting Sun-“ (Dickinson 219). As the sun sets it disappears and the moon is shining along with the stars, just like that, when the death occurs a person disappears and becomes one of the stars and starts shining from above as they have gone to heaven. This can also be interconnected with religion, as in many cultures it is believed that when a person dies, they become one of the stars and shine down upon us, watching us like a guardian angel. The people who have reached darkness is not standing next to god in heaven as they have reached the end of their life cycle. Humans forget that slowly but gradually they are maturing and before it is noticed death is at our doorstep, and Dickinson predicts this in her