Vengeance In Shakespeare's Hamlet And The Shape Of Revenge

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Hamlet and the Shape of Revenge
In his critical analysis of Shakespeare’s Hamlet, Mark Rose expresses his opinion on the limits of Hamlet’s freedoms and willpower. While the prince might have a “degree of freedom” (Rose), he is ultimately bound by the safety and health of Denmark. Rose also noted the comparison used between Laertes and Hamlet and the different roads they both take, one heading to England, and one staying in Castle Elsinore. When Hamlet learns of the truth of his father’s passing, he is “bound by vengeance” (Rose) and therefore is bound to Elsinore. According to Rose, this sense of revenge is forcefully put on Hamlet by his deceased father. Out of all the characters of Hamlet, Hamlet himself seems to be the most self-conscious …show more content…

In his opinion, Hamlet is made “to sound a tune that is not his own, the whirling and passionate music of the conventional revenger” (Rose). According to the critic the concept of revenge is thrust upon Hamlet by the ghost thus casting him to a limited and debasing role. This is not true however. When Hamlet encounters his deceased father he exclaims, “O answer me! Let me not burst in ignorance... What should we do?” (1.4.49-60). The idea of revenge is indeed brought upon Hamlet, but it is in no way forced. As seen in Act 1 scene 4, Hamlet is eager to learn of the circumstances of his father’s death and is willing to do what it takes to have his vengeance. Rose writes, “It is one of the radical ironies of the tragedy that the same nightmarish figure who takes from Hamlet his freedom should also embody the ideal of man noble in reason” (Rose). In contrast however, when the ghost does tell him of his murder, Hamlet says “Haste me to know ’t, that I, with wings as swift as meditation or the thoughts of love, may sweep to my revenge”(4.5.29-31). Hamlet has no other reason to live, so rather than limiting his life, revenge adds something to it, thus giving him something to live for. Rose believes that Hamlet objects to his role and that his most vital concern is “how to play the part of the revenger” (Rose). While he may be distressed about his methods of

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