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Narrative techniques
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-The graphic novel form complicates V because it gives you a lot of information at once that you must absorb and retain.
-Without the artwork you would not have as much detail about the characters' appearances or the setting,
-Symbolism is hidden throughout the novel within the artwork. You would not get as much information or foreshadow is such a discreet manner is a purely written novel.
-Themes and plot would also have to be portrayed differently if V was not a graphic novel. This is because the visuals would not exist to help form and build the conflicts.
-Without pictures V would not have been as good of a novel. The complexity that the graphic novel form allows is what made V for Vendetta such an intense read. They say a picture is worth 1,000 words, and in this case I believe that's true. In a regular written novel form V would probably be at least 2 times as long because each image is so informative and crucial when portraying key elements in the plot.
-I copied specific frames from the novel as examples of how the artwork truly does inform the reader without saying a word.
Color
-Moore uses color in a few ways. Some of his scenes are drawn with color as emotion; others are set by their color schemes. The tone helps portray setting, time and sometimes just to create a feeling.
-In these frames Moore uses a blue color scheme, almost black, to depict the time of day. The dark colors indicate that this scene takes place at night and the clouds give you the feeling of a storm approaching, literally and figuratively.
-These scenes are colored in a red scheme. This is not just because Moore felt like it, it is for a reason. The automatic word associated with the color is love. He plays on this color affiliation response often throughout V.
-These frames are used as setting. The multi color completes the disco idea, but it also gives you a sense of fantasy, which is intended. Evey is supposed to feel safe and "in another world" with V in these scenes.
Line
-Scott McCloud examines lines and the way they are formed. Then he translates them into feelings and actions. The type of line used to draw a character, especially their face, also holds meaning in V.
The plot of the novel is creatively explained in a way that anyone can visualize through the event...
...re obvious: the flat, sharp overlaps of form, the reliance on silhouette, and a high degree of abstraction in the color. But there is something more demotic behind those colors. They came, as Lawrence acknowledged, more from his experience in Harlem than from other art:
...e of the meanings to be determined by the reader, but clearly conveys the meaning behind others. Such variety provides something or someone for any reader to relate to. Symbolism, hidden or obvious, serves to connect the reader with the characters of “The Things They Carried” and follow their development with interest and ease. In many cases, symbols answer the question which the entire story is based upon, why the men carry the things they do.
It's the first thing people notice, so it has to be done logically to persuade the audience to feel a certain way. In the trailer for Leatherface, color is used to generate a feeling of suspense by shifting back and forth between a warmer, daylight tone to a darker, blue tone. In the beginning of the trailer, a couple is driving in a car laughing and having fun as seen in figure 1. There is a warmer tone created by the use of natural daylight to make the audience feel how the couple is feeling. Following the playful feeling created by the first scene, the color shifts when the protagonist and her child are introduced. The scene, shown in figure 2, is dimly lit by candles with no other light. Switching to darker lighting hints to the audience that the characters involved in the scene could be related to or are the problem presented in the movie. Going back to the natural daylight, figure 3 demonstrates the next shift in color when the sheriff is talking to the protagonist about her children. In this scene, the daylight is used to highlight and create shadows on
When a novel is adapted into a graphic novel, a spectrum of possible interpretations allows for new meanings. Due to the intermedial character of the graphic novel, the translation from text into a graphic novel differs from an adaptation from text to text. Graphic novels have a medium-specific language that consists of a combination of words and images, both following their own rules and conventions. These two channels of the graphic novel, the visual and the textual, enable the author of the adaptation to express her- or himself not only through words but also through images and make them decide what is expressed in images, what is left in words, and what is left out altogether.
Though most works of art have some underlying, deeper meaning attached to them, our first impression of their significance comes through our initial visual interpretation. When we first view a painting or a statue or other piece of art, we notice first the visual details – its size, its medium, its color, and its condition, for example – before we begin to ponder its greater significance. Indeed, these visual clues are just as important as any other interpretation or meaning of a work, for they allow us to understand just what that deeper meaning is. The expression on a statue’s face tells us the emotion and message that the artist is trying to convey. Its color, too, can provide clues: darker or lighter colors can play a role in how we judge a piece of art. The type of lines used in a piece can send different messages. A sculpture, for example, may have been carved with hard, rough lines or it may have been carved with smoother, more flowing lines that portray a kind of gentleness.
At this point, the readers create their own movie in a way. They will determine important aspects of how the character speaks, looks like, and reacts. Whereas, in the movie, the reader has no choice but to follow the plot laid out in front of them. No longer can they picture the characters in their own way or come up with their different portrayals. The fate of the story, while still unpredictable, was highly influenced by the way the characters looked, spoke, and presented themselves on screen.
The vibrant use of colors is meant to express the environmental conditions, as well as the character’s emotions. The main color during the whole film is red. The film uses red, yellow and orange to show me and keep reminding me about the heat. There is a scene in the film where three men sit against this bright red wall, and this shot isn 't just shown once in the film but multiple times. Even though the bright sun is never shown, I can tell how hot it is because of the colors. It also uses red to convey the character’s emotions such as anger, struggle, dissatisfaction, and frustration. For example, Jade’s apartment is red color to show Jade is a frustrated character in the film. It’s as though; colors were characters in the movie
In conclusion, details involving the characters and symbolic meanings to objects are the factors that make the novel better than the movie. Leaving out aspects of the novel limits the viewer’s appreciation for the story. One may favor the film over the novel or vice versa, but that person will not overlook the intense work that went into the making of both. The film and novel have their similarities and differences, but both effectively communicate their meaning to the public.
...successful collaboration of sound, colour, camera positioning and lighting are instrumental in portraying these themes. The techniques used heighten the suspense, drama and mood of each scene and enhance the film in order to convey to the spectator the intended messages.
I addition, the painter ability to convince portrays fabric of different types of the marks to make him a great painter. In a dimensional work of art, texture gives a visual sense of how an object depicted would feel in real life if touche...
The colors used in this painting are blue, white, yellow, brown, black, green, light blue. The colors Birch used seem dark in order to relate to the storm. By making it seem dark it really captures the mood of the composition. In general the quality of light in this painting is low.
Why are colours important when trying to symbolize what is taking place in the mind of the setting and the characters of literature? Tennessee Williams have once said “ Symbols are nothing but the natural of drama the purest languages of play.” Tennessee William has exactly used symbolism and colour quite effectively in his play A Streetcar Named Desire. An impressive story about fading southern belle Blanche Dubois and her failure into insanity. A Streetcar Named Desire consists many symbolism and knowledgeable use of colour. This helps the audience to connect scenes and events to the themes and issues that Williams presents within the play, just as desire and death, and the conflict between the past and present of America. The significance of colours is a central theme in Tennessee Williams’ A Streetcar Named Desire; the author uses colours to reflect states of mind, make further commentary on particular characters, and what sorts of things specific colours represent.
The visual description of a text is the perfect way to wrap the reader’s senses into the story.
It is impossible to talk about a Wes Anderson movie without acknowledging its stunning color palettes and quirky storytelling style. In one of his most exemplary works, Moonrise Kingdom, Anderson uses a warm color scheme that blends bright and desaturated colors that ranges from golden yellow, vermillion red, creamy beige, light brown, to even a hint of teal. His color scheme, which is reflected throughout the film’s props, sets, costumes, title design, and camera filters, effectively evokes nostalgia, establishes the summer-like, dreamy mood of the film, and creates a distinct contrast between the different moral values of his characters. However, in the chaotic stormy escape scene and in the costume of Social Services, the visual design deviates greatly from the film’s primarily warm color palette and instead, immerse their visual elements in a deep, dark blue color to show the contrasts in the mood of the story as well as the attitudes of the characters. Overall, Anderson’s visual